Elps wrote...
All this assumes that the Old Gods are evil, which indicates that many people here believe the Chantry. Just because the Chantry tells the story of the Makers/Old Gods conflict does not mean that this is what happened. The Old Gods, uncorrupted by the taint, may be just the thing that is needed to save Thedas.
This assumes that a child begat by a Warden and an untainted woman would not carry the taint themselves.
This is something that has never been resolved or revealed. Fiona became free of the taint in the Deep Roads, whether due to the exposure to the Architects devices or through concieving a child with Maric (the taint perhaps passing to the child and freeing her of it).
Morrigan gives many assurances in dialog with her on the fate of the child that it will be free of the taint and unharmed, but, again we're dealing with...Morrigan, and of course a story that is full of people telling half truths for their own reasons in the first place.
And what would an untainted old god save Thedas from? The Darkspawn? The Darkspawn, despite the weird weaving of prequel and post epilogal events in Awakenings, are historically not a threat to "Thedas" until they find an old god and free it. The presence of these old gods being a fact means that something, perhaps, The Maker, imprisoned them, as the mythology goes...you don't exactly bury a bunch of old gods deep in the earth if they're fun to have around at a party. Even if The Maker is Chantry mythology, then one must assume someone buried all these old gods for a reason, and it was probably because they weren't pleasant to have around.
I think its not so much believing the Chantry as it is an understanding that just because Cthlulu has gotten a bit of bad press doesn't mean the Devourer of Worlds is potentially a really nice, and severely misunderstood tentacle faced destroyer of all life, and he'd probably do a great job solving all the worlds problems if someone just went and woke him up.
Just an errant thought there.
Modifié par SLPr0, 13 avril 2010 - 11:40 .