I have a head-canon too, but it’s mostly dealing with what happens in Jessica’s head, and with the background stuff that happens in the universe around her. Basically, her actions are almost exactly what you see in game, there are few private conversations that aren’t seen on-camera, if any. When I first played ME2, I constantly had this dichotomous feeling that got to be oppressive: on one hand, an overwhelming sense of loss that started with seeing the Normandy go down, and was reinforced by every encounter with someone or something from the past (which is only the last couple months in Shepard’s perception, AND the player’s, only heightening the surreal effect); and two, the constant pressure to save the people who were disappearing. My Shepard concentrated on the latter so hard because she didn’t want to face the former.
Part of this response comes from Jessica’s difficult past. Outside of her Alliance service, she literally has nothing to call her own, no home, no family, and quite frankly she doesn’t want to go back to anything in the past anyway. She doesn’t even like to be called by her first name because it’s too closely tied to things she doesn’t want to remember. The Normandy became her home; that was her ship and she loved everything about it. That ship and the people aboard it were her one anchor in the galaxy. Then suddenly it was destroyed around her and she tumbled into space, suffocating and panicking, knowing she was going to be dead in minutes. Then she wakes up, still terrified, still in pain, and everything she cares about is gone. So she does the only thing she can to cope, put her head down and charge. Everything she valued, her Alliance service, her home and ship, her lover, her friends, have all been taken away or are beyond her reach – she really has nothing left to live for, but she can at least accomplish something good and save other people who do.
I also believe this was largely intentional on the Illusive Man’s part. Give her enough that is familiar that she can latch onto it for reference (Joker and Chakwas, who she was friendly with but had no real close relationship too), but not enough to identify with. One reason he outright lies and says Liara might be working for the Shadow Broker (c'mon, he knew better and so did Miranda) is to keep Shepard from chasing off after her right away, to make sure that isolated feeling settles in for a bit. A disoriented and rootless Shepard will be a lot easier to control, and maybe a touch of Stockholm Syndrome will set in. I’m sure he wasn’t pleased when Archangel turned out to be Garrus. I also believe TIM himself engineered the “attack” on Lazarus Station (wasn’t Wilson one of his “best operatives”?), because there is absolutely zero explanation for it. What better way to keep Shepard’s mind on the track he desires than to throw her into a battle the instant she wakes up? Let that combat training take over and dictate her actions for you.
Anyway, that’s the basis of my head-canon. I could go on, but this is too long already.
Modifié par Sable Phoenix, 04 octobre 2010 - 04:12 .