HolyJellyfish wrote...
History itself is built on unreliable narration.
The term 'unreliable narrator' is receiving a great deal of abuse. It's a literary technique. While it has something to do with human nature, it doesn't appear in the real world because reality is not narrated.
If I, Maria, believe something completely and tell it to you, I am not an unreliable narrator because I'm a real person. If I create and narrate documentary about how government fluoridation in the water has directly lead to the increase of cancers, and
I totally believe this, it doesn't matter whether what I say is the truth or not. Even if I don't believe everything that I put in the film but am exaggerating or misrepresenting the facts so to make my position more persuasive.
However, imagine that don't believe that fluoridation is causing cancer, but pretend to believe it so I can show you a narrator who is completely paranoid about something. I am using this as a broader critique of how paranoia impacts American politics and culture. I have "Maria" ambush a congressman from Alaska, and demand to know what he thinks about Mulnoma County introducing fluoride to the drinking water? AND does he know that fluoride consumption was linked to cancer when consumed during formative years? AND does he know that fluoride is a waste product of the aluminum industry and over 70% of the funds for pro-fluoridation advertizing in Mulnoma County came from an aluminum manufacture?
The guy starts sweating because I just got in his face with a camera, am talking about something he's never heard of, and it apparently causes cancer and there are special interest groups involved. Maybe he runs off or maybe he blusters on about stopping the aluminum industry, protecting our children, etc.
The idea here is that "Maria" obviously doesn't have all her marbles. We learn that "Maria's" mother, grandmother, aunt, and two of her cousins have died of cancer, and we see her relentlessly purifying her water in an attempt to get all the fluoride out and save herself. This fear has obviously warped her perception and she's focused on a 'cause' she can control and eliminate.
The unreliable narrator isn't simply lying or exaggerating (there are many literary traditions that do this and they pre-date the UN by quite a bit*) it's about narrative tension. The audience learns to doubt the content of the story, and they're often forced to understand the narrator to separate the real bits from the false bits. They might ultimately feel that they see beyond the biases (The Book of New Sun) or they might ultimately feel that they can never know the true story (Roshimon).
*The song linked in my sig, Tribute, is about two brothers who meet a demon and manage to save themselves by singing the greatest song in the world. 'How I met a devil and got away' is a popular plot in Christian folklore (also see, the Devil Went Down to Georgia). It's not fantasy, the speaker and audience presumably believe in demons, devil, and angels, but it a tall tale.
Modifié par Maria Caliban, 25 décembre 2010 - 02:33 .