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Remember the time Smudboy made his 6-part video on ME2 plot analysis? Cross-examination given (completed)


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#1176
Bourne Endeavor

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Drake_Hound wrote...

Bourne Endeavor wrote...

Drake_Hound wrote...

LoL listening to smudboy , makes me sleep already >.<
People like him ? hahah his voice already irritate me .
perfect voice for a troll , I already imagine trolls with those voices .

Who really watched the 6 video with that voice XD


I have watched his entire analysis for everything, twice actually. Quite intriguing even if we do not completely agree.


hahah then you definetly need to use voicechat a bit more , even my GF agrees smudboy voice makes her fall asleep.
You sure have a lot of patience or maybe you should just call him up , and date him ^_^


I do not need to talk with him to hear his opinion since he provided for me. To each their own and all that.

Aye, I do have immense patience, and perhaps I should. I wonder if he'd be interested. :P

Modifié par Bourne Endeavor, 11 avril 2011 - 09:31 .


#1177
packardbell

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Guys this isn't a political debate. ME2's writing WAS shoddy, end of story. The characters however make up for that.

Modifié par packardbell, 11 avril 2011 - 09:36 .


#1178
Iakus

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[quote]Il Divo wrote...

And if we were discussing the graphics you might have had a point. Bioware is well-known for implementing dialogue which could potentially never see the light of day. Including more dialogue between squadmates does not fall under 'technological advancement' as I understand it. It’s the equivalent of arguing that Mass Effect 2 should have had a ‘better plot’ because of technological advancement.

On the other hand, if you want a better comparison, we did have a five year gap between Kotor and Mass Effect 1. Yet, for all its 'cinematic' quality, Mass Effect's companion dialogue was no more advanced, filled with the same talking head syndrome. It may as well been Baldur’s Gate I for all the advancment it had. Posted Image[/quote]

And the lack of banter is a weakness in ME 1.  But two years later, DAO set a new standard for it.  One year after that, ME2...eliminated it entirely

[quote]

And that’s fine, until you realize that ‘squad feedback’ doesn’t usually lead anywhere. There were only so many times that Bastila could criticize me for harming an innocent before I started wondering how she could simply let it continue. The same for Liara and the Rachni queen.

As I said, my attention is focused on the task at hand, not why my party isn't commenting on why I decided to go left instead of right, or why Shepard had to go to the bathroom. [/quote]

Let me draw a coparison:  People seemed to despise the copy/paste backgrounds of ME 1 and DA2.  I, on the other hand, despise copy/paste squadmates who cannot even acknowledge what is happening around them.

[quote]
Actually, Han Solo would be a great example of an extraordinary character. The problem is that you are equating ‘extraordinary’ with ‘superhero’ as demonstrated by the Mass Effect 2 cast. This is not the case. Carth has an extraordinary background which is very different than anything  in 'ordinary' life. Again, how many people can you say you’ve met whose goal is to murder someone who once betrayed them? [/quote]

I am sort of using "extraordinary" and "superheroic" interchangably.  But that's probably because I use the term "exceptional" to describe characters who have skills beyond the mundane, but are still essentially "mere mortals"  Shepard, for example, is an N7 marine.  Best-of-the-best Special Forces who had already survived at least one horrific event.  But in the end, he was still "only human".  At least before he got turned into a cyborg killing machine
Posted Image  Carth was much the same way, a decorated Republic officer.  Exceptional, certainly, but not unique in the galaxy as a whole.  And that's part of teh charm:  The threat always looms larger when you don't have a "Chosen One" to stand against it:  you have to face it yourself.


 [quote]
Yet, your comparison is still difficult to maintain. Ashley’s (potential) shift is still not equitable to the Hero’s Journey, as demonstrated in other mediums.  Although a brick, Shepard himself is undergoing the Hero’s Journey, not Ashley. That’s why the ordinary person in extraordinary circumstances doesn’t work out so much for her, not when the character is so extrenuous. [/quote]

Now who said anything about the Hero's Journey? Posted Image  As far as I'm concerned, the entire squad is playing the Adventuring Party, and I'm just the leader.  Others can change as well, depending on the circumstances.  Sam did.  Han did.  Dawn Star could.  If Shepard can be changed by his adventures, so could his companions.

Oh, wait.  Shepard's a brickPosted Image

[quote]

Hmm? Angsty? I hope you’re not attempting to imply that Garrus would be Bioware’s first ‘angsty’ character. If so, I’d like to direct your attention towards Carth, Juhani, Sagacious Zu, or even Wrex, amongst others.  

I also preferred Garrus in Mass Effect 2. His dialogue with Shepard was much improved; the two actually felt like Brothers in Arms compared to his weak dialogue in Mass Effect. [/quote]

Nope.  Angsty can be good.  Provided it's not overdone ::coughJackcough::.  It's the superhero bit that really bugs me.  Well, that and he's apparantly learned nothing from the Dr Saleon incident.

I'd give the Brother in Arms award to jacob myself.  He strikes me as being a sort of "Shepard if he'd lived through those two years"

[quote]
Again, this would not be the first Bioware game where companion quests were self-contained. The only difference is that they were given a far grander scale in Mass Effect 2. It showed us that Miranda did have a soft side, but why should it have to change her thoughts on the mission? [[/quote]

Because it gave her the plot armor to survive the mission?  This is the first Bioware game where assembling the team and doing their personal missions was central to the game.  Not missing colonies.  Not the Collectors.  Not even the Reapers.  Therefore, I expected a greater degree of integration into the story.  To see the fruits of my labors paying off in something beyond a costume change.  But when you get down to it, they're no more relevant to the story than any other side mission. Take Alistair to visit Goldanna.  Track down Kolyat for Thane.  Sure the missions themselves are great, but what do they have to do with surviving a suicide mission?  Bringing a team together?.

[quote]
Yet, if you remove his circumstances, you’ve also radically changed the characteristics that gave him that personality in the first place. If Alistair is now a circle mage, then his experiences are going to be quite different, and part of what made him so compelling as the reluctant bastard son of a king have now changed. The story itself has now changed.[/quote]

So a Circle Mage Alistair can't be irreverent, humerous, and have an aversion to authority?  Better tell Anders Posted Image



[quote] Hell, look at Malcolm Reynolds and how bitter he’s become. Imagine all that without knowing about the war.  He’d feel like a very different character without understanding his background.  [/quote]

Oh I agree.  On the other hand, how interesting would he be without a crew to interact with?  Or rather, a crew to interact with him?

It's like Shepard said to Miranda:  "Your spirit and your personality are what make you great.  What makes anyone great."


[quote]]
And this is where I (as usual) disagree. Comparatively speaking, we spend  far less time becoming acquainted with Ashley’s “story” than we do with Carth, Canderous, or Thane. This is what I mean by every character following a clear ‘arc’. To some degree, we have an idea where these characters and their conversations are going, and we get to learn about their backgrounds in the process.

With Canderous, we learn about how he became a Mandalorian Commander, how the war ended, and why the Mandalorian clans have fallen into despair.

Carth has the betrayal arc, etc. With Thane, we follow his training as an assassin, the interesting encounter with his wife, vengeance arc, etc.

With Ashley? Well, today we might discuss the military, tomorrow we might discuss her younger sister, or poetry, or religion…it feels aimless, in comparison. The type of interactions I could get with Ashley I could have with any ordinary person, which is ultimately all Ashley is. Boring, to say the least, compared to many of the other characters' backgrounds. Good thing Tali is there, or I'd have to put her last. Posted Image[/quote]

Ashley's "arc" is comapratively small.  Essentially, it's her family.  Her father.  Her sisters.  And ultimately, her grandfather.  Her story isn't a grand betrayal, or a fallen empire, or even the training of an alien order of assassins.  It's one family who takes life's lumps and deals with it

"Do you ever hear me ask for help?  It's not that bad things don't happen to me....  But I deal with them myself.  I don't need a shoulder to cry on, a knight to rescue me, or a man to make me happy.  This is who I am.  I like her "

That's the "special kind of thickheaded" I want to see fighting the Reapers!

[quote]
And while I will admit that Kaidan has a clear arc, as a character I also found him lacking though for different reasons. Kaidan is a love interest. For female Shepards. If you’re a femshep romancing Kaidan, great. On the other hand, once he finishes his story, there’s nothing more to the character. In Kaidan’s case, the problem is due to his arc being unfinished.

This is where ‘baggage’ should have entered the picture, and why I find Kaidan bland. I couldn’t romance Carth in Kotor 1, but there was still a clear reconciliation between our two characters as he came to terms with his betrayal. This is even the case for most Bioware party members (Thane, Alistair, take your pick). In other words, he doesn’t have a clear development in the way that Carth does (ironic since they share a voice actor). Kaidan is essentially ‘half a Carth’ if you take my meaning. [/quote]

And here I was thinking how Jack would have been much more interesting if she had been more Kaidan-like Posted Image  I mean, they sort of mirror each other.  Their early backgrounds as basically lab rats for human biotics.  Jack could have been a "Kaidan who couldn't handle it" and broke under the pressure.  But her story went way off the deep end.
 
[quote]
Hardly. Sten is Sten because of his backstory, people, and personality. Try taking the cookies out of Sten versus his backstory. I guarantee you the latter is more essential than the former. [/quote]

ANd here I think if you took the cookies out of the story you would have one Sten pretty much like any of the Stens you face in DA2


[quote]
Nonsense. If you want an effective comparison, look to Kotor. Every companion has a definite reason to accompany Revan: Carth wants Saul, Bastila is a famous Jedi with visions, Zaalbar has the life debt, etc.

Most of your Mass Effect squad is merely along for the ride. Ashley wants to 'prove herself', Kaidan had no motivation, Wrex is a merc. As it is, Shepard isn’t even part of the Alliance officially; Ashley could easily be 'proving herself' anywhere in the galaxy. [/quote]

Ash and Kaidan are Alliance Marines assigned to the Normandy.  Both witnessed Eden Prime.  Ash survived Eden Prime when her entire unit died.  I'd call those personal and professional reasons.  Each of the aliens has a reason for being on board too.


 [quote]
More than a few had opinions on all these topics. Shepard has the opportunity to ask Garrus his thoughts on Cerberus, as well as what he thinks of the Collector threat. The same with Tali. You are given an analysis of the Prothean-Collector connection  from  Mordin, and Samara actually tells you about her own encounter with the Collectors.

The squadmates who don't comment are simply the ones who don't care, namely Grunt and Jack. Which is fine. Kotor and Jade Empire had their share of party members who didn't really 'care' about events. Ex; Black Whirlwind.[/quote]

Given that they are brought aboard specifically for a Suicide Mission, I'd have expected more curiosity.  I mean, how many Black Whirwinds/HK-47s can you fit on one ship?Posted Image

While Samara recounts her one run-in with the Collectors, she specifically does not want to know why Shepard is after them.  Mordin is the only one who comments on the Prothean connection, despite the fact that htis puts the Prothean exctinction in a new, even more horrifying light.  Tali is the only alien to show any reservation whatsoever at working for Cerberus (Okay, Garrus does an"are you sure about this?" line, but I'd expect a similar reaction if Shep was working fro C-Sec).  No one, as far as I know, brings up the Reaper connection at all.

Modifié par iakus, 11 avril 2011 - 09:39 .


#1179
Drake_Hound

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Bourne Endeavor wrote...

Drake_Hound wrote...

Bourne Endeavor wrote...

Drake_Hound wrote...

LoL listening to smudboy , makes me sleep already >.<
People like him ? hahah his voice already irritate me .
perfect voice for a troll , I already imagine trolls with those voices .

Who really watched the 6 video with that voice XD


I have watched his entire analysis for everything, twice actually. Quite intriguing even if we do not completely agree.


hahah then you definetly need to use voicechat a bit more , even my GF agrees smudboy voice makes her fall asleep.
You sure have a lot of patience or maybe you should just call him up , and date him ^_^


I do not need to talk with him to hear his opinion since he provided for me. To each their own and all that.

Aye, I do have immense patience, and perhaps I should. I wonder if he'd be interested. :P


With a voice like that , and a 6 video rant over ME2 , definetly you would make his day :lol:
Oh maybe he is just too chicken , you know some people can´t get over being asked by a girl on a date :D

#1180
Drake_Hound

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packardbell wrote...

Guys this isn't a political debate. ME2's writing WAS shoddy, end of story. The characters however make up for that.


IF you find ME2 writing shoddy , I guess you ran out of classic literature to read.
Stick with harry potter please , and open your eyes !
Eh what modern multimillion sold book has a truely your kind of story ?

Was shoddy written , lol if that is shoddy writting , no wonder there is no more SCI FI serie on TV.
Everything has to be so explained nowadays , that a SCI FI hardly work without a 6 hour prequel of explanations.

#1181
Nashiktal

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Drake_Hound wrote...

packardbell wrote...

Guys this isn't a political debate. ME2's writing WAS shoddy, end of story. The characters however make up for that.


IF you find ME2 writing shoddy , I guess you ran out of classic literature to read.
Stick with harry potter please , and open your eyes !
Eh what modern multimillion sold book has a truely your kind of story ?

Was shoddy written , lol if that is shoddy writting , no wonder there is no more SCI FI serie on TV.
Everything has to be so explained nowadays , that a SCI FI hardly work without a 6 hour prequel of explanations.



lol wut? 

First half of you post makes no sense, other than apparently trying to insult someone for liking harry potter.

The second half completely misses the point. The Scy Fy channel sucks, but not for the same reason people find Mass Effects writing shoddy. (The main reason for me is the sudden switchover for writers. Drew and Walter man.)

#1182
Drake_Hound

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Nashiktal wrote...

Drake_Hound wrote...

packardbell wrote...

Guys this isn't a political debate. ME2's writing WAS shoddy, end of story. The characters however make up for that.


IF you find ME2 writing shoddy , I guess you ran out of classic literature to read.
Stick with harry potter please , and open your eyes !
Eh what modern multimillion sold book has a truely your kind of story ?

Was shoddy written , lol if that is shoddy writting , no wonder there is no more SCI FI serie on TV.
Everything has to be so explained nowadays , that a SCI FI hardly work without a 6 hour prequel of explanations.



lol wut? 

First half of you post makes no sense, other than apparently trying to insult someone for liking harry potter.

The second half completely misses the point. The Scy Fy channel sucks, but not for the same reason people find Mass Effects writing shoddy. (The main reason for me is the sudden switchover for writers. Drew and Walter man.)

Eh what since you cannot read , i will spell it out for you .
If you think this plot is shoddy , then you must surely slander harry potter .

If you like harry potter , fine good thing I don´t :D I don´t need a magician tale that has been done since 101 wizardry .... just put in a modern copy .

SCI FI , scy fy (man they really have to dumb down for people to speak) is not sucky , it just isn´t meant for people .
With limited imaginations .
Writer Switch has to do with a lot of issue , not suddenly a switch , maybe cause the current writer is busy .
Maybe cause they don´t find the ending satisfactory , writers burnover is great .
You think harry potter writer is still writting the crap :o no she doesn´t have too anymore .
She just hire writers to do it for her , if she likes it she stamp her name on it .
Or change certain part .

P nobody but Bioware know why they switch writers , the rest is just pure speculations .
But arrival ending and da2 ending means they need a beter end story writters .
To satisfy the audience , all in favor , Me want a good ending , who cares about shoddy little detail .
When ME2 could have ended with To Be CONTINUED !! , woot then people would have rioted much more .
The how is it possible to bring back somebody from the dead !
Lmao man people need to chill a bit , instead of saying ME2 is a shoddy work , then nothing is satisfactory in RL for them .

#1183
Nashiktal

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Not to be rude, but are you from an english speaking country? It is incredibly hard to follow any point you are trying to make.

I have at no point insulted harry potter's writing, as that has nothing to do with this topic. Writer switch was an issue. The writer for ME1 left to write for the KOTOR MMO, his place was taken by Mac Walters. Not that the writers could keep everything together anyways, as evidenced by the first fleet, fifth fleet mixup.

Your last paragraph is incredibly hard to follow. However I will say this, just because people are taking issue with the plot does not mean people hate Mass Effect. It is only because they like the game in the first place that they are pointing out the issues.

By not acknowledging the issues that are there, you are not allowing Mass Effect to grow as a narrative. Critique is important, every writer knows this.

#1184
Drake_Hound

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Nashiktal wrote...

Not to be rude, but are you from an english speaking country? It is incredibly hard to follow any point you are trying to make.

I have at no point insulted harry potter's writing, as that has nothing to do with this topic. Writer switch was an issue. The writer for ME1 left to write for the KOTOR MMO, his place was taken by Mac Walters. Not that the writers could keep everything together anyways, as evidenced by the first fleet, fifth fleet mixup.

Your last paragraph is incredibly hard to follow. However I will say this, just because people are taking issue with the plot does not mean people hate Mass Effect. It is only because they like the game in the first place that they are pointing out the issues.

By not acknowledging the issues that are there, you are not allowing Mass Effect to grow as a narrative. Critique is important, every writer knows this.


Ok how can I explain this , you know American SCI FI Conventions , where you have those UBER geeks ...
who expect stars to kiss there uber geek butt , cause they pay a lot to be there .
Well we European are not like that , Infact nobody is like that in the rest of the SCI FI Convetions.
We just accept them as entertainers as long they keep us entertained we are happy to pay for it .
We really don´t care if things make sense or not . as long it is not written with predictability in sight.
And it can keep us entertained we are satisfied , same goes for our conventions .
Stars are there to entertain us , they entertain us we pay for there ridiculous expensive autograph .
They don´t entertain us , we don´t buy there autographs .

#1185
Nashiktal

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Wow, that is incredibly insulting. So Americans are ubergeek perverts? And Europeans are nothing like that?

Yeah, I think that sums up your argument quite succinctly.

#1186
Drake_Hound

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Nashiktal wrote...

Wow, that is incredibly insulting. So Americans are ubergeek perverts? And Europeans are nothing like that?

Yeah, I think that sums up your argument quite succinctly.


See LMAO how thin skin people have , in Europe we have a saying , if you fit the shoe wear it .
If you don´t fit the shoe discard it .

So you answer for yourself with your limited imagination .:D

#1187
Darkchipper07

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Nashiktal wrote...

Wow, that is incredibly insulting. So Americans are ubergeek perverts? And Europeans are nothing like that?

Yeah, I think that sums up your argument quite succinctly.


Don't get baited. 

As for the video entertaining but at some points just felt like slamming head on keyboard. Liked Smudboy's response though so something good came out of it.

#1188
jbadm04

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People seem to forget what media is about, you have to use brains (intelligence and, especialy, imagination). They give us bread crumbs and we have to piece it together on our own. Nowaday the world turned into pure consumer community, most people want to get anything handed to them, but this isnt realy working all the time.

I agree with smudboy on his points/arguments/theses, yet I disagree too. There are not anough information to support smudboy, nor the people who "dismisses his claims". Except for a couple of mistakes, I noticed no major story flaws until the Arrival DLC....

#1189
Bourne Endeavor

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jbadm04 wrote...

People seem to forget what media is about, you have to use brains (intelligence and, especialy, imagination). They give us bread crumbs and we have to piece it together on our own. Nowaday the world turned into pure consumer community, most people want to get anything handed to them, but this isnt realy working all the time.

I agree with smudboy on his points/arguments/theses, yet I disagree too. There are not anough information to support smudboy, nor the people who "dismisses his claims". Except for a couple of mistakes, I noticed no major story flaws until the Arrival DLC....


That is not... entirely accurate. While using your imagination to enrich the story or medium is a highly encouraged. You do this by hypothesizing what became of the characters later on or what they might have done prior to their introduction. To fill minor nitpicks in the narrative is acceptable but when you are forced to use your imagination to fill significant gaps and must do so frequently. That is simply poor writing.

#1190
ErebUs890

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Why do people over look the ME series so much and make it seem more complicated than it actually is?

#1191
tonnactus

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Bourne Endeavor wrote...



That is not... entirely accurate. While using your imagination to enrich the story or medium is a highly encouraged. You do this by hypothesizing what became of the characters later on or what they might have done prior to their introduction. To fill minor nitpicks in the narrative is acceptable but when you are forced to use your imagination to fill significant gaps and must do so frequently. That is simply poor writing.


Exactly.Otherwise Uwe Boll movies would be good...
And Mass Effect 2 is really not far away from that "quality".

Modifié par tonnactus, 14 avril 2011 - 08:18 .


#1192
CroGamer002

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^Ain't Uwe Boll movies mostly hated by most people in world while ME2 got over 150 GOTY awards and it is critically acclaimed by BOTH critics and fans?

#1193
jbadm04

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There are enough holywood "blockbusters" that are much worser then Uwe Bolls "Masterpieces" (lol). And about good writing, I rushed this a bit. Good writing is about giving you as few info as possible to force you to use your brains and imagination, but give you enough not to come to wrong conclusions (or no conclusions at all). At least for me, there are no such in ME2. Given enough time and interest, any story can be torn apart or justified, as said before.

#1194
Bourne Endeavor

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Mesina2 wrote...

^Ain't Uwe Boll movies mostly hated by most people in world while ME2 got over 150 GOTY awards and it is critically acclaimed by BOTH critics and fans?


Slight exaggeration there with 150 GOTY awards. Yep, just a slight.

Would you like me to link to the immense critical acclaim thrown beneath the feet of Halo and Black Ops, the latter of which has be praised as having a fantastic story campaign? I thought not. See, the fundamental qualm with tooting awards as irrefutable fact something is good... is awards are usually biased. Twilight won awards and everyone with literature skills above fourth grade would call foul on that. Halo 3 is actually ranked higher in review scores than Mass Effect 2 if memory serves and outsold it nearly three to one. So with this line of logic, evidently it is the superior game.

This is why reviews and even sale figures are disregarded or at least held with a grain of salt impact.

jbadm04 wrote...

There are enough holywood "blockbusters" that are much worser then Uwe Bolls "Masterpieces" (lol). And about good writing, I rushed this a bit. Good writing is about giving you as few info as possible to force you to use your brains and imagination, but give you enough not to come to wrong conclusions (or no conclusions at all). At least for me, there are no such in ME2. Given enough time and interest, any story can be torn apart or justified, as said before.


Good writing requires the reader to have the necessary information to not disrupt the flow of the narrative and allow you to ponder how the story will unfold in subsequent sequences. Providing the audience with limited details will only suffice if there are few to begin with or they have covered what is needed whilst doing so. When a story demands I come to my own conclusions of how the protagonist was just resurrected when the scene before made that all but impossible. That is simply lazy, and this is one of numerous examples, which is why it becomes difficult to overlook.

#1195
Il Divo

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Bourne Endeavor wrote...

Halo 3 is actually ranked higher in review scores than Mass Effect 2 if memory serves and outsold it nearly three to one. So with this line of logic, evidently it is the superior game.


Actually, if we're going by Metacritic scores, Mass Effect 2 is the 13th highest ranked game of all time, 8th highest on PC, and 4th highest on 360. It beat Halo3 in every comparable category.

http://www.metacriti...ensed&sort=desc

This is why reviews and even sale figures are disregarded or at least held with a grain of salt impact.


While I agree to an extent, I often find that it is important to distinguish between 'good reviews' and 'critical acclaim'. I would not call what Black Ops has received 'critically acclaimed'; it's simply another CoD game, with some innovations (which reviewers commented on).

 

#1196
Bourne Endeavor

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Il Divo wrote...

Actually, if we're going by Metacritic scores, Mass Effect 2 is the 13th highest ranked game of all time, 8th highest on PC, and 4th highest on 360. It beat Halo3 in every comparable category.

http://www.metacriti...ensed&sort=desc


I was not basing it on Metacrtic actually, and more on the other review sites such as Gamespot. Hence why my opinion of them is less than stellar and why I do not put any weight in scores. Admittedly, I forgot about Metacritic although isn't it primarily a member based review website?

Regardless, the qualm with reviews is they are not specific on one aspect. If you glance at any review they will talk about gameplay and various other portions of the game. Frankly, I myself would not rank ME2 low on a story front because the main plot is scarcely presented and the remainder of the game largely makes up for it.

Review sites are meant to essentially suggest why you may like a game and should play it. ME2 definitely is a game to be played, multiple times in fact. That does not mean the main plot is good.

While I agree to an extent, I often find that it is important to distinguish between 'good reviews' and 'critical acclaim'. I would not call what Black Ops has received 'critically acclaimed'; it's simply another CoD game, with some innovations (which reviewers commented on).


I suppose I should have left it specifically to the series but regardless, CoD as a whole would definitely fall under the 'critically acclaimed' category when you factor in the immense amount of success the series has had.[/qu

Modifié par Bourne Endeavor, 15 avril 2011 - 05:51 .


#1197
ADLegend21

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I still can't beleive this topic is still going. seriously.

#1198
Siansonea

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Bourne Endeavor wrote...

Drake_Hound wrote...

LoL listening to smudboy , makes me sleep already >.<
People like him ? hahah his voice already irritate me .
perfect voice for a troll , I already imagine trolls with those voices .

Who really watched the 6 video with that voice XD


I have watched his entire analysis for everything, twice actually. Quite intriguing even if we do not completely agree.


Same here. I definitely do not agree with all of his suggestions for "fixing" Mass Effect 2, but the plot analysis questions were valid questions. The rebuttal video seemed to take a very apologist tone, and seemed to offer very little in the way of actual rebuttal from a logic standpoint. It's okay to like the game in spite of the unanswered questions, I like the game in spite of them. But there are definitely points in the game where I was quite disappointed that BioWare went in the direction that they did, because it was clearly for non-story reasons (resetting Shepard, having an impressive end-boss, Having More Tali™, etc.). The story was written to accommodate a bunch of other considerations, when it should have been much more central to the game's development, with gameplay mechanics and technical limitations addressed in other ways. I would be perfectly happy if the skill/loot system was revamped without a big schpiel to explain it away. The story isn't about thermal clips or heavy weapons.

As fun as the game was, as much as I loved it, I can't say that I loved it because of anything that happened in the game from a story standpoint. I loved the characters, the action, the visuals, and did I mention the characters? That was the meat and potatoes of the game for me. But they should have shared the spotlight with the overarching story of Shepard's fight to save the galaxy from the Reaper threat, not Shepard's fight to convince them to join him to stop the Reapers' mindless organic flunkies. Kidnapping human colonies was a great basis to drive the drama, but it was disappointing that they were just being abducted to make protein shakes.

Everyone should want to know why and how things happen in a game. If the writers are doing their job properly, they will anticipate those questions and answer them in the story in a way that is consistent within the internal logic the game puts forth. Any obvious alternatives to the way the plot develops should either be optional avenues (my preferred choice), or clearly unavailable for a good reason. I don't mind a bit of railroading if the scenery is nice, but don't just have the main character happily follow the railroad without questioning it. Use these moments as an opportunity to create more conflict. Most stories don't have enough conflict, so never let a source of conflict in a game like this go untapped.

One situation that stood out for me was right after Shepard's escape from Lazarus Station. Shepard, especially Paragon Shepard, should have been much more contentious and accusatory toward the Illusive Man and violently opposed to working with Cerberus. For a Paragon, the end does not justify the means. I was astounded that I wasn't given the option to tell Cerberus to get stuffed and strike out on my own. I understand the why of it from a game mechanics standpoint, but that's not good enough from a story standpoint. All it would have taken was for TIM to cut uncooperative Shepard loose on the Citadel, whereupon Shepard hears about the incident on Freedom's Progress from Jacob and Tali, and reviews Veetor's data. Then Shepard runs into a brick wall with the Council when Shepard brings the information to their attention and tries to rally the Alliance. Only then should Shepard reluctantly and begrudgingly start working with Cerberus, and only with a lot of encouragement and coaching from Jacob, who is in the same boat as Shepard, reluctantly but willingly working for 'the bad guys'. And even still, Paragon Shepard should be using every opportunity to expose and undermine Cerberus' unethical projects. Cerberus might be on the right track regarding the Reaper threat, but that doesn't mean they're the good guys. Throughout the game I found myself thinking that Shepard should be trying to wrest control of Cerberus information gathering assets from TIM, since that's the only real benefit Cerberus was providing other than a ship and some personnel.

So you know, it's okay to question and critique the game. It's okay to disagree with other people's observations and conclusions. We're all adults here, right?

#1199
JoesGuy

JoesGuy
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Lunatic LK47 wrote...

DarthCaine wrote...

I can't believe people waste so much time on this. Don't they have anything better to do?

Snotboy is a moron, end of story


For the record, I agree about Smudboy being moronic. I just wanted to see how badly he was going to get pwned.

Ah fanboys, always so keen to hate on critics without addressing the criticism. :P