SurelyForth wrote...
One of my issues with the scenario that you put forth, CGG, is that scenes such as that feel false. They are clearly orchestrated to achieve a desired end, which in this situation is Fenders. There's flexibility within the story to say "hey, they had a civil conversation!" or "Oh, they totally got along for a few weeks!" but overall? I think it's part of their characterizations that they feel so strongly for their own stuff that they can never see past the views of someone that opposed to them without a total alteration of character.
Now...Anders allows for that alteration, but Fenris really doesn't. A rivaled Fenris is not that much different from a friended Fenris, nor does the relationship feel different in the end. I personally cannot see Fenris yielding just because he has a one-on-one conversation with Anders, or is healed by him for awhile. He pretty much knows as much about Anders as Hawke does, and rejects him wholly. More time together isn't really going to fix that, I don't think.
I think we've gotten down to a place where it's all about fundamental differences in preference. That's pretty much where I want to get to in any argument about why I like X and someone doesn't... the place where it's entirely opinion based.
I'm actually going to discuss my history of not liking fanfic. If you just want to read my conclusion about where I fundamentally differ in fanfic preferences, scroll down to the TL:DR
I used to not like
any fanfic. I basically believed that a creator deserved to have complete control over his or her characters until the creator died, at which point the characters should go into the public domain after a reasonable amount of time. Transformative and parody works were fine, also. In short: League of Extraordinary Gentlemen? Fine. 10 Things I Hate About You? Great. The Simpsons Episode of South Park? Sublime. Harry/Snape (and yes that was a pairing a friend of mine liked)? MAKER, NO!
At the same time, I read and liked a lot of comics. I worked in a freaking comic book store, so I understood circumstance differences: Hey, in this Universe Bruce and Selena married, and they have a kid, and she is also a superhero! In this universe Storm and Wolverine are dating in the future! In this universe Superman landed in the USSR and is a communist icon! (and yes, a startling number of these Alternate Universes seemed to exist largely to achieve a romance that is impossible in canon). Still, Batman in Batman: the Animated Series is the same guy as he is in Batman: Year One, and that's the same character who appears in the Dark Knight. I might like or dislike different interpretations of the character, but they're all at least attempting to be the same fundamental personality reacting to different circumstances. Still, I pretty much always liked Batman, and even if I prefer certain interpretations or realities, and even if I think certain worlds were better written, I can't say objectively "these three comics are actually Batman, and these three comics aren't him."
Some of the comics that had radically different circumstances and character interactions weren't even AUs. They were reboots, or retcons, or simply a similar thing happening again with one small aspect changed: this time X didn't have a gun, this time Y broke down and cried, this time Z actually killed that guy. So the exploration of what happens when circumstances are fundamentally changed has always been a thing that I've accepted pretty much without question, even outside the realm of fanfiction. See also: that episode of Futurama where they meet the versions of themselves from an alternate dimension where the only thing that is different is that all coin flips have the opposite result, and because of that tiny change, Fry and Leela are married.
One of my favorite characters in all of television has a story like this: Rimmer from Red Dwarf. In an episode fairly early on, they meet a version of him from another dimension. They only have one small divergence point in their lives: one of them was left back in third grade, and one of them wasn't. This caused one of them to be a mewling, cowardly failure of a human being, and the other one to be brave, self-sacrificing, charming and successful. The idea that a simple, early twist of fate can so fundamentally change a man is something that I have always been fascinated with.
To sum up where I was at that point: AUs created by the original creator - awesome, and still count as the same character. Fanfic? Bad.
Then one day I was working at a job where part of my job was to write dialogue for a character who I had known and loved for many years. And one day I thought "man, if I weren't getting paid for this, it would totally be fanfiction." At that point my brain exploded. What differentiated Kevin Smith's kind-of-crappy Batman comic from the really awesome story about Batman that my friend made up? Pretty much just the fact that Kevin Smith is famous enough to get a publisher to say "we can sell enough copies to make a profit if his name is on it." Then I hear about John Scalzi writing an entire novel that was an AU fanfiction reboot without permission, only seeking to get it published after it was completed, and retroactively getting permission. That meant that something that had been
written as fanfiction had retroactively
become not fanfiction just by someone signing a paper. The lines between fanfiction and pro fiction blurred forever in my eyes.
So basically, I've
always thought that fundamentally changing the circumstances that characters are in and retelling the story could be a valid, in-character storytelling technique. It's a technique I've encountered since elementary school: the Muppet Babies vs. the Muppet Show, for instance (they tell completely contradictory stories of the Muppets' first meeting). The fundamental difference is that I have no separate mental rules for fanfiction compared to profiction. If copious use of "what ifs" is OK for Batman, it's OK for Anders. If the DCAU tells a story about Dick Grayson becoming bitter and hateful while Detective comics tells a story about him becoming cheerful and approachable, but this difference is accounted for by different associated circumstances, both are valid as long as the character rings true for me in both stories. And if someone writes a fic where Anders and Justice had a slightly less horrifying joining and thus his outlook is different, I can read that too (and the fic I'm thinking of when I say that is Hawke/Anders.)
TL;DR
Now, it seems to me that a lot of people in this thread have different rules for fanfiction than they do for non-fanfic, when it comes to alternate universes and the like. Is that accurate?
For instance, if an episode of Star Trek shows an Alternate Universe where Picard never got shot in the heart and as a result never became captain, that isn't out of character. But if a fanfic posited a universe where Picard left Star Fleet to take care of his ailing father and thus never became captain, that wouldn't be acceptable?
Modifié par CulturalGeekGirl, 05 juillet 2011 - 10:44 .