Seena wrote...
lorvincent wrote...
Your mother gets turned into a "sex puppet" by a crazy mage, using the parts of other women to recreate his lost "beloved"
"Sex puppet" ??????? Um.. I totally didn't get that impression. He created her in the vision of his beloved wife - not his favorite prostitute....
Personally I don't think it's any "darker" really - about the same imo. (Making a child to be the vessel of a dark god??? -- Pretty dark imo, especially since you have no guarantees about the fate of said child..)
And I question your conclusion that "moral ambiguity" = dark. I just don't find that to be the case at all.
A) I put sex puppet in brackets, mostly as a joke.

I put beloved in brackets, mostly because I don't call what he did "true love".
C) Your mother was the one in the body talking, not his wife; hence, he made a wife look-a-like, and ignored the fact that the soul and mind was that of your characters mom. Sounds pretty shallow to me...
D) Lets argue then, that he was going to ensoul the body with his dead wife (assuming this is possible in DA, as there is no proof for this kind of magic yet). Then why, pray tell, did he want his wife's BODY rather than sticking her in, I don't know, just any body? The man was obsessed with that picture of her. I could break into all sorts of psychology babble right here, but its a game. Screw it.
...
E) What, pray tell, do men and women do when they are in love? What does Dragon Age clearly include in their "mature" universe? When characters in Dragon Age are in love, they aren't the chaste maidens and knights of a disney movie. They bang.
Yes, DA:O had the dark ritual. Hence the name, its dark. I never said DA:O didn't have dark elements.
Moral ambiguity does not equal dark fantasy, but it certainly lends itself to it. If you read the best of the morally ambiguous literature out there, it tends to lend itself to realism. Since fiction that lacks realism tends to be of a "lighter" variety, "dark" fantasy tends to lend itself to a greater amount of this moral ambiguity (Though no always, as can be made clear with such black-and-white stories as Diablo 1 and 2).
Lastly:
Whether DA:2 is darker than DA:O or not does not matter. Even if DA:O was darker, it wouldn't change anything about my point. This thread is about maturity, and the statement "maturity = dark" is not logical falacy. Dark fantasy lends itself to a slightly more mature audience, but there are far more important elements that are found in mature stories. The elements of the story I mentioned; however, are those of a mature story. These elements were listed, but I will clarify:
1) Discrimination(eg. elves, Fereldans, mages, blood mages, templars, quinari, even some racist comments against Orlesians, half elves, etc.)
2) Moral ambiguity (eg. The Arishok, the Circle vs. the Templars, the Chantry, Blood Mages, your own party, Hawke, etc.)
3) Yes, the idea that it is "dark" (eg. Your family dies slowly through the story, with a chance of one member other than yourself living, presumably being forced to kill individuals that are not considered innately "evil", demons, etc.)
4) Sexual content (eg. romance options, brothels, etc.)
5) Complex emotions and reasoning behind character motivations (eg. Anders, Isabela, Varric, etc.)
6) Provocative content (eg. reconstructing a the body of a lost love out of multiple individuals, including the main characters mom, presumably for the purpose of reliving past passions)
Some, if not all, of these elements of a mature story could be found in DA:O, to the same, if not a lesser, degree. Discrimination, moral ambiguity, and the complex emotions and reasoning found behind character motivations played a much bigger role in the DA:2 story. By all rights, it is a more mature game. If you did not enjoy it as much, or found the game "watered down", you are not the only one, but there is a different reason for it. Do not falsely justify opinions with false facts.