Hi, guys. Complete newcomer here. Glad to see such a massive topic on the character! How about a massive introductory post?

Was never really interested in Miranda before ME2 came out but that great introduction with those quips ("Not anymore", "Probably a little too soon if you ask Wilson", "Or two, in your case.") and Yvonne Strahovski's brilliant voice-acting won me over in an instant. Fell in love with that accent.
I've sort of been lurking the past few days and seeing the discussion. It does seem a bit annoying that such an integral character was given a reduced role. From how hard it is to get her killed in ME2, and her role as a love interest, I figured she'd be a dead cert for squadmate status in ME3. Although, I can kinda see what the writers were going for. It's kinda refreshing to see that sort of long distance relationship in a game. I can't think of a game that's done that before, and the situation is as painful as you could imagine. Especially that ending. Yikes...
Part of the reason I decided to post here is that I figured you guys were the best people to get some feedback on something I've been writing. My actual background is in scriptwriting, and I still work at that, but I'm looking to expand into literature as well. Seems to be a better route for seeing your work come to fruition.
Anyway, I've never written fan-fiction before and it's not something I plan on doing again, but the discussion sort of inspired me to set myself an exercise related to an original idea I've been developing. This would just be something I could find myself motivated to see through and, hopefully, something from which I could learn.
The basic concept is that it explores what a 'romanced Miranda' was doing post-ME2 and during ME3, from a first-person-perspective. Rather than trying to get BioWare to change what they've done, I decided to set myself a challenge and work with what's there. My line of thought is that, having left Cerberus, Miranda has taken a huge risk; both personally and professionally. They'd given her responsibility, purpose and freedom but now all that's gone. She doesn't have any friends to whom she can turn, and can assume that reaching out to contacts brings its own dangers. Leaving Cerberus seems akin to betraying an intelligence service who won't hesitate to pursue you (considering 'a lot' of assassins are after her). There's also the fact that Cerberus had helped her relocate Oriana, meaning another uprooting of the whole family, so she'd probably feel a bit guilty and worried there. She's still strong and independent, even going so far as to not trouble Shepard with her personal problems. That's just the most 'positive' interpretation of what the hell the writers were thinking.
Before I ramble on anymore,
here's a link to what I have so far. Any feedback's welcome, moreso with regards to the general readability as I'm fairly new to this way of writing. I did have to spend half an hour researching locations to which she could even go!
I'll leave it there for now, rather than flood my first post with too much stuff...