Ieldra2 wrote...
@CrutchCricket:
I agree that the prospect of Shepard's ascension is appealing but I'd rather use a little more space magic and let Shepard come back to Miranda after the Synthesis AND have the potential to acquire all that knowledge. Yeah, strictly fanfiction, but since the Synthesis space magic is trivial compared to "mere" FTL I think I can get away with it.
BTW:
Would you be fine with the three options for the final choice if they weren't presented through Casper or a similar entity?
I see it as a one way trip. I see Shepard as ascending but in doing so losing the human perspective and indeed his interest in it. On the cosmic scale, humans (or in this case organics) are insignificant specs, less relevant to the universe then individual atoms are to a body. I call trying to wrap your head around this the cosmic perspective. We can't really imagine but you can trivialize anything and everything in your life this way. Now in our lives there's also the personal perspective that we can't really abandon. We may say that our plight doesn't matter on the cosmic scale but since we're still in the middle of it and we still feel it, it still matters to us.
Now in terms of Shepard and Miranda, their love doesn't matter to the universe but it matters to the two of them from their perspectives. However if that perspective is lost (as I think it would be with ascension) then it truly doesn't matter.
You can force it of course. Have Shepard manifest a human body and still be around Miranda. But I think it would eclipse her character, just being near the vast being he has become.
Ultimately if I went this route I would prefer that she die (never thought I'd write that) and have that death be the severance of his last connection to humanity. It's again similar to Dr. Manhattan in Watchmen. Being godlike, human concerns barely even register anymore. He tries to maintain relationships but he steadily falls out of touch. I want to say more but I'll stop here and again recommend the graphic novel or the movie to you.
As for the ending, I don't mind the Catalyst being an AI/VI of some sort. I don't even mind it taking the form of a kid. But it should preferrably have no direct connection to the Reapers, it should certainly not claim to know anything about their motives or to have the ability to influence them directly. It should be more of a guide to using the Crucible. As for the choices, synthesis really has no place here. It's poorly implemented and really far too complex an idea to introduce at the end of a series. They can explore that in further works and on a smaller scale i.e. not just have everyone space magic'd. I'd like to see something like the TRON Legacy ISOs. Hybrid beings just appearing one day and the opportunity to fully explore all the rammifications of that.
Destroy makes little sense in its current form as well. How does shooting that generator or whatever release a "kill all synthetics" wave? And just that notion alone is problematic. Geth are software (i.e. programs) and you may argue the Reapers are as well. If the red wave is just an arbitrary magical "delete programs" wave, how can you possibly set the criteria to just "intelligent" programs? Why doesn't it wipe out all computer systems then? No, no magic space wave for this one. Destroy if implemented, should an actual firing weapon (Death Star -like if you will) that can cut through Reaper shields or simply disrupt them, and a targeting system that can lock on to the Reapers. It has to be physically moved to each system to get in range. Basically the outlines of my ending, perhaps simplified.
Control can be an amplified reverse engineered version of the Reaper indoctrination signal (perhaps created by the first organic race to face them) designed to allow the user to directly enter the Reaper consciousness and overwrite it (with its own or programming of their choice). Since Shepard attempts to do this for all Reapers everywhere his consciousness splits (duplicates?) in all Reapers, hence the ascension.
And of course no relays were harmed in the making of these endings.