jtav wrote...
Difficult Heroines
One of the things that struck me was a remark in the comments about the heroines being nice. Which tended to equate with dull. I think the same kind of thing happened in ME3. ME2 Miranda could be abrasive, cold, even cruel, but she was also practical, capable, determined, and loyal. I knew very few people who were indifferent to her. She wasn't made to be liked, but to be a specific character. People liking her was a consequence of that. ME3 Miranda was written to be liked, but only succeeds in being bland.
Very plausible. "Difficult heroines are just more interesting", indeed!
Jay W should have read this before writing Miranda in ME3. Casey Hudson (or whoever is responsible for the general direction taken with Miranda) should have read this before making decisions about characters in ME3.
There's also a nice comment about redemption arcs:
"The problem with redemption arcs, for me, is that there isn’t a lot of
gray area between a character who’s done something that doesn’t really
need redeeming and one who’s redemption I don’t care about"
That also applies to Miranda as I see it. She might feel that she's called to do something against what Cerberus has become, but she doesn't need redemption, and she definitely doesn't need redemption through death. But go from Miranda towards the darker zone of Cerberus, and it isn't a long way to characters whose redemption I wouldn't care about. I think that's the main reason why I tend to dislike redemption stories.