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"I'll always want you in my life." Miranda Lawson in Mass Effect 3


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#75151
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krukow wrote...

Taboo-XX wrote...

krukow wrote...

Antichrist FTW


One of the best portrayls of the horrors that men commit against women. How disgusting we are to them.

..THA F*CK????


You didn't get that Willem Dafoe was the bad guy? That his own arrogance harmed his wife? That she needed treatment?

She was schizophrenic you boob. I thought that that was clear. He didn't care about her.

#75152
krukow

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Taboo-XX wrote...

And now I'm sad. The ending to Antichrist is one of the best I've ever seen.

It speaks volumes.


I'm killing Miranda in my next playthrough for that.

#75153
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krukow wrote...

Taboo-XX wrote...

And now I'm sad. The ending to Antichrist is one of the best I've ever seen.

It speaks volumes.


I'm killing Miranda in my next playthrough for that.


All those women, harmed by men rising up and taking charge?

You find that offensive?

Are you serious? That's what the scene in the woods means. All of those women finally rising up.

#75154
krukow

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Nope. I don't care if it was trying to make a point, that film is disgusting and vile and people who like it should be shot and their estates used to feed the hungry.

#75155
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krukow wrote...

Nope. I don't care if it was trying to make a point, that film is disgusting and vile and people who like it should be shot and their estates used to feed the hungry.


That's the point. To be disgusting. To make you apalled. They gave us a reference books to look at when I saw it. One of the most eye opening was a book called "Extraordinary Popular Delsions and the Madness of Crowds."

Everything that happens to Charlotte Gainsbourg in that film can be found in that book.

It's supposed to be horrible. You aren't supposed to like it. No one does.

#75156
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Elvis Costello's Pump it Up just came on the Radio.

What does that remind you of krukow?

#75157
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It's not like something like Schindler's List or The Wire (the apex of the visual medium) where the horror I see has a point.

Lars is just showing a bunch of gross stuff to get attention (to distract from the fact that he can't connect with an audience) and hiding behind making a "point".

#75158
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What about me?

WHAT ABOUT *MY* OPINION?

MY OPINION IS THE ONE THAT MATTERS

Modifié par BringBackNihlus, 11 septembre 2012 - 06:09 .


#75159
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krukow wrote...

It's not like something like Schindler's List or The Wire (the apex of the visual medium) where the horror I see has a point.

Lars is just showing a bunch of gross stuff to get attention (to distract from the fact that he can't connect with an audience) and hiding behind making a "point".


Exactly. I would never defend his showmanship in that regard. NO ONE likes those scenes. Don't ever assume that I do. That's just who Lars is. He does it because he loves to troll the audience in the worst way possible. Go watch his other films.

Schindler's List isn't taken very seriously where I come from. I don't really like it myself. Too much forced emotion. That little girl in the red? She's as bad as the boy in the vent. Don't even get me started on the historical inaccuracies.

The Thin Red Line is better than Saving Private Ryan.

#75160
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Taboo-XX wrote...

krukow wrote...

It's not like something like Schindler's List or The Wire (the apex of the visual medium) where the horror I see has a point.

Lars is just showing a bunch of gross stuff to get attention (to distract from the fact that he can't connect with an audience) and hiding behind making a "point".


Exactly. I would never defend his showmanship in that regard. NO ONE likes those scenes. Don't ever assume that I do. That's just who Lars is. He does it because he loves to troll the audience in the worst way possible. Go watch his other films.

Schindler's List isn't taken very seriously where I come from. I don't really like it myself. Too much forced emotion. That little girl in the red? She's as bad as the boy in the vent. Don't even get me started on the historical inaccuracies.

The Thin Red Line is better than Saving Private Ryan.



Full Metal Jacket is better than The Thin Red Line.

#75161
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BringBackNihlus wrote...

Full Metal Jacket is better than The Thin Red Line.


SPR takes it's opening scene from another film called Ran made in 1985. Spielberg went so far as to literally copy a scene from it. It involves a man holding his own severed arm.

Apocalypse Now is better than all of them.

#75162
krukow

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Taboo-XX wrote...

krukow wrote...

It's not like something like Schindler's List or The Wire (the apex of the visual medium) where the horror I see has a point.

Lars is just showing a bunch of gross stuff to get attention (to distract from the fact that he can't connect with an audience) and hiding behind making a "point".


Exactly. I would never defend his showmanship in that regard. NO ONE likes those scenes. Don't ever assume that I do. That's just who Lars is. He does it because he loves to troll the audience in the worst way possible. Go watch his other films.

Schindler's List isn't taken very seriously where I come from. I don't really like it myself. Too much forced emotion. That little girl in the red? She's as bad as the boy in the vent. Don't even get me started on the historical inaccuracies.

The Thin Red Line is better than Saving Private Ryan.


Fair enough, it was just a movie that sprang to mind when I thought of good movies with terrible visuals.  I haven't actually seen it since it was in theaters.

Saving Private Ryan is better than Thin Red Line for one reason:
It changed how war movies are filmed.  The immersive action scene style it created remains to this day.  I had never reacted as viscerally to a movie as I did to SPR.  I actually decided not to try to go to westpoint/anapolis because of that movie.


Also, my main point is that The Wire is the greatest visual narrative ever done, TV or Cinema.  I really hope you've seen it.

#75163
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krukow wrote...


Saving Private Ryan is better than Thin Red Line for one reason:
It changed how war movies are filmed.  The immersive action scene style it created remains to this day.  I had never reacted as viscerally to a movie as I did to SPR.  I actually decided not to try to go to westpoint/anapolis because of that movie.


Incorrect. People have been using hand held cameras in war sequences for decades. Stanley Kubrick used them in Paths of Glory. Guess which Kubrick film is Spielberg's favorite?

Go watch Akira Kurosawa's Ran. Look for the sequence at the fort about...an hour in. Notice the grotesque violence? The horror involved? That's where Spielberg got the opening from. Right down to the man with the severed arm. Spielberg openly admits that he takes things from Kurosawa.

Spielberg did one thing for Cinema. He gave us the summer blockbuster. Past that he's only really been an advocate for special effects.

Modifié par Taboo-XX, 11 septembre 2012 - 06:22 .


#75164
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BringBackNihlus wrote...


You have a Jack doll, don't you?



Lol, nope sorry. My point was, the moral high ground people seem to think we have on the talimancers was lost a long time ago.

And to be honest I think that Tali doll was meant as a joke and we were to self righteous to realize it as such, myself included. 

Modifié par General Slotts, 11 septembre 2012 - 06:38 .


#75165
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Taboo-XX wrote...

BringBackNihlus wrote...

Full Metal Jacket is better than The Thin Red Line.


SPR takes it's opening scene from another film called Ran made in 1985. Spielberg went so far as to literally copy a scene from it. It involves a man holding his own severed arm.

Apocalypse Now is better than all of them.


I prefer FMJ for the message Kubrick was trying to send with it, or at least my interpretation of it. I know some disagree (with the anti-war part), but I see it as an anti-war film showing the effects of the indoctrination tactics of the U.S. military.

One thing I think Coppola did better with Apocalypse Now than Kubrick did with FMJ was the development of the characters, particularly Colonel Kurtz. One of my all-time favorite characters in cinema.

Modifié par BringBackNihlus, 11 septembre 2012 - 06:31 .


#75166
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I don't have time for such monikers. Good night. 

Image IPB

But you're right about the films Nihlus.

Modifié par Taboo-XX, 11 septembre 2012 - 06:32 .


#75167
krukow

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Taboo-XX wrote...

krukow wrote...


Saving Private Ryan is better than Thin Red Line for one reason:
It changed how war movies are filmed.  The immersive action scene style it created remains to this day.  I had never reacted as viscerally to a movie as I did to SPR.  I actually decided not to try to go to westpoint/anapolis because of that movie.


Incorrect. People have been using hand held cameras in war sequences for decades. Stanley Kubrick used them in Paths of Glory. Guess which Kubrick film is Spielberg's favorite?

Go watch Akira Kurosawa's Ran. Look for the sequence at the fort about...an hour in. Notice the grotesque violence? The horror involved? That's where Spielberg got the opening from. Right down to the man with the severed arm. Spielberg openly admits that he takes things from Kurosawa.

Spielberg did one thing for Cinema. He gave us the summer blockbuster. Past that he's only really been an advocate for special effects.


Spielberg connected with the audience.  That's the most important part of ART.  For all the talent, creativity, awesomeness of the people you like, they failed to do this.  They're trees falling in the forest.  Did they make a sound?

Spielberg made a sound.

#75168
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krukow wrote...

Spielberg connected with the audience.  That's the most important part of ART.  For all the talent, creativity, awesomeness of the people you like, they failed to do this.  They're trees falling in the forest.  Did they make a sound?

Spielberg made a sound.


Akira Kurosawa did more for Cinema than Spielberg will ever do. EVER. This is not debatable.

You want foreign film recommendations? Go watch an Akira Kurosawa film.

Kurosawa not only connected with the audience he changed the way films were made. Rashomon is getting a new release in a few months. Watch that film.

Once again. Good night.

#75169
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krukow wrote...

Taboo-XX wrote...

krukow wrote...


Saving Private Ryan is better than Thin Red Line for one reason:
It changed how war movies are filmed.  The immersive action scene style it created remains to this day.  I had never reacted as viscerally to a movie as I did to SPR.  I actually decided not to try to go to westpoint/anapolis because of that movie.


Incorrect. People have been using hand held cameras in war sequences for decades. Stanley Kubrick used them in Paths of Glory. Guess which Kubrick film is Spielberg's favorite?

Go watch Akira Kurosawa's Ran. Look for the sequence at the fort about...an hour in. Notice the grotesque violence? The horror involved? That's where Spielberg got the opening from. Right down to the man with the severed arm. Spielberg openly admits that he takes things from Kurosawa.

Spielberg did one thing for Cinema. He gave us the summer blockbuster. Past that he's only really been an advocate for special effects.


Spielberg connected with the audience.  That's the most important part of ART.  For all the talent, creativity, awesomeness of the people you like, they failed to do this.  They're trees falling in the forest.  Did they make a sound?

Spielberg made a sound.


My favorite film of Spielberg's is still Jurassic Park.

Go ahead, STRIKE ME DOWN.

#75170
krukow

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BringBackNihlus wrote...
My favorite film of Spielberg's is still Jurassic Park.

Go ahead, STRIKE ME DOWN.


great film

but c'mon, Jaws!  Raiders!  Close Encounters!

#75171
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krukow wrote...

BringBackNihlus wrote...
My favorite film of Spielberg's is still Jurassic Park.

Go ahead, STRIKE ME DOWN.


great film

but c'mon, Jaws!  Raiders!  Close Encounters!


Uh...dinosaurs?

I must admit, in my excitment to talk about dinosaurs and Jurassic Park, those movies slipped my mind. Especially Indy. I LOVE Indy. Except for aliens in Indy. I don't like that.

Modifié par BringBackNihlus, 11 septembre 2012 - 06:44 .


#75172
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Agreed. Aliens in Indy is as bad as Miranda sitting out the reaper war to listen to emo music, cry about her sister, and cut herself.

And we all know that's what Walters implied...

#75173
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krukow wrote...

Agreed. Aliens in Indy is as bad as Miranda sitting out the reaper war to listen to emo music, cry about her sister, and cut herself.

And we all know that's what Walters implied...


We all know Miranda couldn't finding her sister while being on the Normandy because, well...she just, like, couldn't be on the Normandy, man. It would kill Liara's good vibes and stuff.

#75174
krukow

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To be fair, it's entirely possible that Liara would have HINDERED Miranda's search.

She is the most useless shadow broker ever...

#75175
lillitheris

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And, once again, somehow it’s Liara’s fault. It must be tiring to only have one arch-nemesis.

She’s clearly the best Shadow Broker ever, reaching across the boundaries of imagination to infiltrate BioWare to expand her role.