Taboo-XX wrote...
I've been mulling that idea over since I first played the game. There has been a re-evaluation and shift. This would explain certain things but it doesn't excuse others.
I think we'd see a lot of talk about what Cerberus should have been and what it was. Perhaps some reflection on past decisions that may have since been re-evaluated by Miranda.
I also feel that's why, and you said it best, she would start over post war with an organization. Similar principles, new shape and form. Shepard being there might lend to some credibility as well.
Well, personally, I've always argued that Miranda leaving Cerberus would be an important part of her character arc. It should be a good thing and allow the character to grow in a positive way. (Back before the leak, some fans did argue that she should remain with Cerberus, but that was with the idea in mind that Cerberus would remain morally gray in ME3. Of course now everyone agrees she should oppose the ME3 version.)
I find that a good comparison, for me personally, is another pop sci-fi character I like a lot, a certain Kira Nerys from one of the Star Trek shows. She's not that well-known, so I'll outline. Basically she starts out as a terrorist/resistant fighter against an occupying military power, so she's had a hard life, seen and done horrible things. There's strength there, passion, and her goals are good, but the methods have at times been horrible. There's a lot of pain and scarring there. She has a lot of emotional moments, sometimes she's abrasive and angry.
Of course, a lot of people liked that character from the start, and were passionate about her. Others reacted very negatively, because she had an abrasive side, etc.
It's a seven-season show, so what happens in the middle is there is a period of "softening": the character is still an officer and still has responsabilities and everything, but the episodes involving her tend to focus on romance, her outfit becomes more sexy, she drifts more toward a standard female character, whereas at the beginning she's unusual and exciting.
So, at that point, people who loved Kira at the start complained a lot. They thought she was losing her "edge," becoming more stereotypical. And they were probably right. But also you could see it as a natural part of her character arc: she had a comfortable life for the first time, and a chance to relax a bit.
Anyway, in the later seasons, what happens is the writers recover a bit and start to blend "early Kira" with "middle seasons Kira": she gets her edge back, she toughens up again, the writing focuses more on her controversial past, but her perspective has changed since her early days.
Her final character arc is particularly strong: her old enemy (the occupying power) has been defeated by another military power and is now the oppressed, occupied power. So, she is sent there to lead a resistance movement on behalf of her old enemies. Similar situation, but the goals are larger now, more mature: instead of just her own freedom, or her people's freedom, it's against all oppression she is fighting (even the oppression of those who used to be her enemies)
By the end she's as fully-realized a character as I can recall having seen in pop sci-fi. It's rare to see something like that handled so well, admittedly, in this type of entertainment. But anyway, Miranda's story arc should work along those lines. An initial hardness, intermediary "softening" or re-evaluation, and then a final "mature" period, where the two experiences are blended.
Modifié par flemm, 11 septembre 2012 - 06:20 .