
Badass Miranda...
I say so. It has nothing to do with prejudice, it's more about plausibility, and it's also not exactly about inter-species romance (as in love relationship) as about interspecies sexual attraction, which plainly shouldn't exist except as a fetish. As I said somewhere else, it's not that I need brain bleach for interspecies sex, I need a universe editor. For me it is purely a worldbuilding issue. A species from a different star system with no common ancestry with humans, and still similar enough to humans that humans are attracted to them as a rule, that just.....does not exist.chessplayer209 wrote...
(8)She's human. For those who find interspecies romance unconvincing, that’s an important aspect if you want to romance her.
I'm going to disagree here. While it's not something I feel strongly about, I just disagree with it because it seems a little prejudice. Who's to say there's anything wrong with interspecies romance?
I'm well aware that these are concerns of a minority, but I've found enough people who agree with me to include the fact that Miranda is human as a factor why people prefer her to someone like, say, Tali as an LI. Not a decisive one, no, but still, if you like both characters, that Miranda is human might make the difference. Also note that you can appreciate a non-human as a character and be best friends with him or her, and still find the idea of romancing that character implausible for the aforementioned reasons.
I believe others have already addressed your other concerns.
As someone else has pointed out, Miranda working purely for personal gain would be out of character. Recall how she decries her father's plans as egomaniacal and contrasts Cerberus who unlike her father, don't do what they do for selfish reasons (her words). Miranda may possibly be misguided (ME3 might shed light on that) but she's an idealist at heart. The main difference between the "Illusive Woman" scenario and the "Foundation" scenario is that the former emphasizes her role as an operative and keeps more of her pragmatic nature intact, while the latter emphasizes her role as a competent project leader in R&D. The "Into the Sunset" ending is basically not meant to imply anything. It's just for those who feel Miranda and Shepard should leave Citadel Civilization behind, for various reasons. Quite a few people said that.Possible endings for Miranda
(1) The Illusive Woman: Miranda takes over what remains of Cerberus and creates humanity's equivalent of the salarian STG from it.
(2) Into the Sunset: Miranda and Shepard lead an expedition into the unknown reaches of the galaxy, never to be seen again in Citadel space.
(3) The Foundation: Miranda inherits her father's fortune and uses it to develop Lazarus technology into something more widely available and develop other human enhancement technologies.
#1 could be interesting. See above where I discuss your idea of her using her sexuality as a weapon. Perhaps she could manipulate Shepard into helping her accomplish this sort of thing. I don't think we should confine the idea to having the organization be similar to some other already-existing organization. Other options could be explored, to include the possibility of simple personal gain being a motive. Honestly, I think that'd make a more interesting story and twist on her relationship with Shepard, but that's debatable.
#2 might take shape in the form of teasers for future additions to the Mass Effect franchise. I could definitely go for more Mass Effect..
I think #3 in particular is interesting, not so much because of Miranda's involvement so much as that I'd just like to see Mass Effect embrace even more sci-fi themes. Theoretically, technological advancements related to the Lazarus Project or similar projects sound very interesting. If more involvement with Miranda is desired, perhaps Miranda could become involved with some sort of movement for further genetics science research? This seems like it could be more relevant to her character and potential character development.
Modifié par Ieldra2, 01 décembre 2011 - 10:52 .





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