txgoldrush wrote...
mrcrusty wrote...
txgoldrush wrote...
mrcrusty wrote...
Rise to Power? Story of Kirkwall? I thought those were the major narrative elements, not Cassandra realising that Hawke was not to blame for the conflict. That felt more like a sequel hook than anything.
Then why the frame narrative? If thats not the story, then what is then?
Hawke's rise to power was the inside story of the frame, but the outside is about what I just said earlier.
If it was soley about his or her rise to power than there would be no Cassandra.
Lol, why the framed narrative indeed...
I think that's where our opinions differ. I think of the framed narrative as a superflous gimmick, whereas you're trying to ascribe meaning to it.
its not to be ignored...its no sequel hook just to be a sequel hook. It is to show that the conflict is much deeper than just simple explanation. The outside story of the frame narrative always frames the story.
Which could've been done just as easily without the framed narrative. Epilogue slides and a slightly longer cutscene between Cassandra and <spoiler> to introduce her as a character would've had the same impact.
Like I said, this is where we differ. I believe that the framed narrative had no real purpose that cannot be achieved through other, simpler means without changing the greater narrative whereas you think it does.
To me this is a case of "it's there because it is" rather than a "it's there because it serves a purpose that would otherwise be impossible to achieve without it".
Modifié par mrcrusty, 25 juin 2011 - 08:48 .