Those figures may well have been of a dragon, I think. The tevinter magisters/mages were infatuated with glyphs and symbols and such, and what we see now may have been blindly copied down the ages.Gespenst wrote...
whykikyouwhy wrote...
As for the bird imagery, well, it could be a whole direct nod to Hawke. It could be the evolution of the dragon as a motif (as dragons became less common, other fierce winged creatures took their place in iconography). Or it could be something borrowed from the Roman Empire in the design/art direction.
Speaking of birds etc. what's with that thing that's painted on a lot of places around Kirkwall... it reminds me of a dragon but it's a sort of stick figure dragon... the head is like <
I'm not sure whether you're aware of it, but the "sleep of the elderly" in the days of Arlathan (or even before) was a reference to centuries-long slumber they sometimes went into; their bodies would be left behind, but their spirits would wander the Fade. Sometimes that sleep would be permanent, in the sense that the body would decay with time - making it like death.Gespenst wrote...
So... going back a bit:
When you get to the sundermount graveyard Merrill says that "In the days of Arlathan the eldest came here to sleep..."
Why would they go there to sleep there if Arlathan was so far away?
I'd think such resting places would have been far away from their civilization, for isolation, piece of mind, and so on. I'd not know if it would require to be so far away, but then in DAO, isn't there a similar reference to the elderly sleeping when we find the ruins in the Bercillian Forests - farther away than even Sundermount?
So either their civilization had spread far and wide, or they simply went very far for their long sleep - and perhaps chose forests, mountains, and so on.





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