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The Primeval Thaig Mystery


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#526
Morroian

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TheCreeper wrote...

Now in Thedas there is a lot of things/knowledge that have been lost to time (most of elvish history for example) but I think the dwarfs intentionally forgot about the Primeval thaig and everything related to it.

It's implied that there were religious icons that were not the paragons, myths are pretty hard to forget about, even the dalish still remeber their myths really well. The Dwarves apparently don't remeber even having a mythology beyond paragon worship, I mean there isn't even so much as a half forgotten myth, and yet there is a thaig with a temple. So what could have happened that they wanted to totally bury so much of their past and culture?

Personally I think whatever happened in the Thaig broke magic. Sandal (if he isn't just a red herring) implied that everyone used to have magic, so whatever happened in the thaig was so wrong it broke the fade so hard that magic no longer worked for everyone. maybe what happened in the Thaig was what blackened the Golden city (the tevinter's attempt to step foot in just turned them into Darkspawn instead of actually corrupting the city)


Maybe if something like that happened its also what removed elves immortality and separated the fade from the real world.

#527
Nimrodell

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It just hit me, what about Dead Caste and their Gangue Shade in Bownammar? First, I remembered Ruck and what he was saying about beautiful song... and then, Gangue Shade.

#528
MichaelFinnegan

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Nimrodell wrote...

It just hit me, what about Dead Caste and their Gangue Shade in Bownammar? First, I remembered Ruck and what he was saying about beautiful song... and then, Gangue Shade.

Ruck says: "I thinks they went south. Far, far to the south. That is where the dark master calls them with his beautiful voice. So much joy when he awoke!"

Later, he says, "He stopped calling, I wish I could go see him, but Ruck, no, no, Ruck - Ruck is a coward."

Are these the lines you meant? These are certainly interesting. A few curious things for me:
1. How the heck did Ruck survive for so long (4-5 years) with the taint? For all practical purposes he seems like a ghoul.
2. Why did the "dark master" stop calling?
3. And how the heck was he able to resist the calling?

About the Gangue shade, it's yet another example of a demon bound, it appears. And one only adorned with the Legion of the Dead armor could face? But why? Maybe facing the Shade wasn't the point, which means....

Coming back to the Gangue Shade codex, I wonder if "the Stone is not pure. The Stone bears a corruption as old as balance" is actually a reference to raw/unrefined lyrium (that sings), And "for the dwarves to prosper, the gangue - the waste and unstable rock - must be cut away" is actually a reference to the purifying/refining of lyrium.

Although, I don't understand why only the fully adorned of the Legion can face the gangue. Does the armor offer some kind of protection against raw lyrium? I see that the armor has a +willpower attribute, but, hmm....

I have one more codex that is worthy of looking, I think. The Crosscut drifters. These guys (the Crosscut Drifters- oddly, yet aptly named) seem to think that the Stone is guiding them ("I swear I could tap it and hear the Stone sing"). And then, following a lyrium vein, they hit the flank of a darkspawn horde, who were also apparently digging, just as the drifters were. The Assembly seemed to think that these drifters were simply suffering from lyrium addiction. So as one thinks of the Stone guiding him, the other thinks of it as lyrium addiction.

I somehow get the odd feeling that the significance of the Crosscut Drifters themselves was that they sealed off a section of the Deep Roads with their charges/detonators. Whether this had anything to do with cutting off other thaigs like Kal-Sharok from Orzammar, I don't know.

EDIT: Fixing formatting...

Modifié par MichaelFinnegan, 19 septembre 2011 - 08:53 .


#529
Nimrodell

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I mentioned those lines from Ruck as possibility to explain further your theory about lyrium actually calling the darkspawn, not Old Gods themselves, 'cause Ruck was hearing the song but then it stopped... It might be the moment when the Architect tried his version of Joining on Urthemiel - thus breaking lyrium prison, I guess. That's why I mentioned Gangue Shade too (tho Gangue Shade is related even more to what I'm going to say).

It's the Stone itself I have problem with - and the problem is maybe caused by the fact that English is not my mother tongue, so maybe there's subtle finesse that I'm not familiar with when it comes to nouns and genders in English. Dwarves keep referring to it as it is female, she (having covered Sumerian Ninurta or Greek Gaea, as Earth Mother - but so far they are always referred as Earth not Stone). Usually stone has neutral gender, and we refer to it as 'it', not 'she'... ah I hope I'll explain this good enough. In Dwarven Faith Czibor is referring to it as 'she' and brother Genitivi says that Stone is sort of metonimy for earth (and tis logical as metonimy - they are more surrounded by stone than simple earth as surfacers). And here's again something that connects dwarves and elves - if the Stone is regarded as Earth Mother, well the elves have pretty much same view on her Mythal. Crosscut Drifters made me wonder before DA2 on that relation, 'cause they claimed they were led by the Stone and that's how they saved Orzammar... but then Merril appeared and her words on Mythal before confronting the demon on Sundermount - she said that it's not wise to anger Mythal 'cause she will reject the person who did that (ah goddamit, forgot the exact words, but that's the essence I gathered from that line). And then, there's this Rock Wraith. For elves, their Protector, Mythal, went silent, imprisoned by Fen'Harel, for dwarves (well, those that were in Bownammar, there's corruption in Stone herself). And again, there are Cadash thaig codex entries that say that Stone awoke and wept for Arlathan elves (yes, it could be just metaphor, saying that children of Stone took pity, and yet again, it can be much simpler - literal meaning).

I just can't stop thinking that all of them are actually telling the same story, from their points of view. I know it could be random, that story designers even forgot about these tiny details and it was never their intention, but still it actually resembles the same mechanism we have in our own cross-references and archetypes when we look at fairy tales and myths. I like to think that story designers were actually aware of this, or maybe even trying to accomplish that by feigning the real myth, religion, stories from various nations archetype, collective memory mechanic. I hope I don't sound too confusing :) .

Edit: typo.

Modifié par Nimrodell, 19 septembre 2011 - 10:24 .


#530
MichaelFinnegan

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[quote]Nimrodell wrote...

I mentioned those lines from Ruck as possibility to explain further your theory about lyrium actually calling the darkspawn, not Old Gods themselves, 'cause Ruck was hearing the song but then it stopped... It might be the moment when the Architect tried his version of Joining on Urthemiel - thus breaking lyrium prison, I guess. That's why I mentioned Gangue Shade too (tho Gangue Shade is related even more to what I'm going to say).[/quote]
Ruck's statements now bring a bit of doubt to my mind about my own theory. Although.... Hmm. I wonder. Tainted creatures, like darkspawn, keep hearing the song of lyrium, and when the Archdemon awakens, they no longer hear it. It makes sense in the context of what happens, because the Archdemon takes command of the horde. So, well, this could be accounted for, I suppose. Even though I think I did anticipate it, it's still a weird thing. Perhaps the theory still sounds valid. But if the lyrium in general sings, and not the lyrium prison entombing the Old Gods, then the tainted creatures should also keep hearing the song. Ah, well, it's a difficult thing to explain. :)

Spirits of the Fade when in the mortal realm hear the song from lyrium. Darkspawn and other tainted creatures might be hearing the same song from lyrium. (And dwarves can hear it, too, but they may not be as succeptible to it.) It's almost as if darkspawn contain within them some (corrupted?) essence from the Fade, but since they're in the mortal realm, they can hear the song just like the spirits can.

[quote]
It's the Stone itself I have problem with - and the problem is maybe caused by the fact that English is not my mother tongue, so maybe there's subtle finesse that I'm not familiar with when it comes to nouns and genders in English.[/quote]
The Stone itself I think presents a problem. Too much of a metaphor suggested and so on. The Stone "living," being "pure" underneath, and yet having a layer of "corruption" on the surface - all sort of personifying some, as of unknown, entity. And references to the "Stone must live" suggesting that somehow it's in danger (of corruption?), from things like Malvernis or gangue or something else.

It almost seems to me that the Stone is a reference to raw lyrium, but it doesn't seem to make complete sense, because in the Amgeforn codex the Stone and lyrium are used in different senses - Malvernis threatening the Stone itself, but being chained in lyrium - so surely they're not the same. But perhaps somehow related.

[quote]
Dwarves keep referring to it as it is female, she (having covered Sumerian Ninurta or Greek Gaea, as Earth Mother - but so far they are always referred as Earth not Stone). Usually stone has neutral gender, and we refer to it as 'it', not 'she'... ah I hope I'll explain this good enough. In Dwarven Faith Czibor is referring to it as 'she' and brother Genitivi says that Stone is sort of metonimy for earth (and tis logical as metonimy - they are more surrounded by stone than simple earth as surfacers).[/quote]
Ah, well, different points of view. "From the Stone we're born and to her embrace we go (at least the worthy ones)" is probably how the dwarves see themselves. And, for a human like Genitivi, the association, although transparent this way, wouldn't have the same meaning. He's an Andrastian, isn't he? So, he'd most revere the Maker, not possibly the earth, in itself. Personification of the Earth, for him, seems absent. This is as best as I could understand it.

[quote]
And here's again something that connects dwarves and elves - if the Stone is regarded as Earth Mother, well the elves have pretty much same view on her Mythal.[/quote]
Mythal isn't the same as earth, for elves, I think. In that codex, there is the sun, the earth, Elgar'nan, and Mythal. I got the impression that all four are separate.

To understand elven faith (at least the one that Dalish think was the faith of their ancestors), we can look at the codex of Elgar'nan: "In the beginning, when time itself was young, the only things in existence were the sun and the land." So one can surmise that, from these (the sun and earth) all things came to be, including the gods of the Elven Pantheon - the Creators. So, strange as that might seem, the Creators came after the Creation of the earth and sun. But "the Creators" might be just a name ascribed to those gods by modern Dalish, not necessarily the ancient elves.

[quote]
Crosscut Drifters made me wonder before DA2 on that relation, 'cause they claimed they were led by the Stone and that's how they saved Orzammar...[/quote]
There seem to be all these rules about how the Deep Roads are supposed to be carved out, and these drifters were following their "ears" so to say, in violation of the rules. These rules make sense, because, if the dwarves keep digging at random, they might compromise the whole underground (Deep Road) network. The Crosscut Drifters is an episode meant to show us, perhaps, how prospecting happens for lyrium - by the "ear."

And, just to mention again, the relation between the Stone and lyrium appears to be a complex one - they may not be the same, but are somehow connected.

[quote]
but then Merril appeared and her words on Mythal before confronting the demon on Sundermount - she said that it's not wise to anger Mythal 'cause she will reject the person who did that (ah goddamit, forgot the exact words, but that's the essence I gathered from that line).[/quote]
She says, if Hawke questions her, "They say if Mythal smiles on you, then you need fear nothing at all. But those who anger her, they're struck from the earth... as if they never lived at all."

[quote]
And then, there's this Rock Wraith.[/quote]
This creature seems as though the flesh has been removed from a dwarf and instead it has rocks for a body. And we know that it feeds on (red?) lyrium. But these wraiths seem like the outcome of some event in the past - something terrible going by the codex entry on The Profane. At least, I think the Profanes are the same as those rock wraiths.

[quote]
For elves, their Protector, Mythal, went silent, imprisoned by Fen'Harel, for dwarves (well, those that were in Bownammar, there's corruption in Stone herself).[/quote]
I see what you mean. Those stories might be linked, perhaps hinting at some one event in the past, which are both different interpretations of. But there is also some element of belief attached to all this. This makes any literal interpretations difficult, I think.

[quote]
And again, there are Cadash thaig codex entries that say that Stone awoke and wept for Arlathan elves (yes, it could be just metaphor, saying that children of Stone took pity, and yet again, it can be much simpler - literal meaning).[/quote]
On first glance, i took this to mean the dwarves themselves were referred rather than the Stone listening to elves, but I don't know what Eleni could really have meant. The statue wouldn't talk for that long, but it's something we'll meet up in the future, it seems.

[quote]
I just can't stop thinking that all of them are actually telling the same story, from their points of view. I know it could be random, that story designers even forgot about these tiny details and it was never their intention, but still it actually resembles the same mechanism we have in our own cross-references and archetypes when we look at fairy tales and myths. I like to think that story designers were actually aware of this, or maybe even trying to accomplish that by feigning the real myth, religion, stories from various nations archetype, collective memory mechanic.[/quote]
It is as you said, I think. And beyond that, there is the element of the delibrate also. To confuse by giving half-hints, half-truths, metaphorical references and so on. Surely, I think something substantial in all this has been left out, till now, at least.

[quote]
I hope I don't sound too confusing :) .[/quote]
Not at all. :)

#531
Ndutz

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Old threat but i thought ill add a little to the discussion. I support the theroy that the primeval thaig could be part or related to Arlthan. And the fact that a forest called Arlathan forest exist in Antivan North Coast shouldn't discouraged the theory.

One; yes the forest and Arlathan might not share any connections beside having the same name. But also because:

It took Hawke and co weeks to get to the thaig. So for all we know although they start off somewhere in the free marches who is to say they dont end up somewhere up north by the time they reach the primeval thaig.

Modifié par Ndutz, 19 juin 2012 - 08:46 .


#532
Iron_JG

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I've gone through this entire, remarkable thread tonight, and it's horribly damned intriguing. I can't help wonder how much of this speculation is based off of cryptic comments Bioware threw into DA because they were cool, and not out of a grand plan. I also wonder how close this speculation will come to any future revelations in DA.

Questions/speculation I offer:
Suppose the PT is Arlathan ... what if the Tevinters only took credit for sinking it? Red lyrium seems to be some kind of blood lyrium, which connects people to some sort of song (a calling similar to the Old Gods' calling, yet repulsive, it seems, to darkspawn).
What if, out of fear of an ever-expanding Tevinter Imperium, Arlathan's citizens sought to enter the Fade before Tevinter did? What if elves, having presumably seen the Golden City for centuries in the Beyond, concluded it was where Fen'Harel had trapped their gods? What if they used extensive blood magic to cultivate this lyrium (which behaves somewhat organically in its root-like growth) in preparation for entering the Fade? What if, in a desperate move to free their gods before Tevinter destroyed them, they attempted the ritual before it was ready, causing the collapse of their city?

Trapped in darkness, and feeling not only forsaken, but betrayed by their gods, would they not descend into madness and even devour the lyrium, which they had shaped into idols of their gods?

This would beg the question, then, why dwarves are more attuned, and more quickly corrupted, by the song? Suppose, in an act of heresy and contempt, the trapped elves attuned the blood lyrium to the Forgotten Ones, and were actually able to hear them? To go a step further, could the Forgotten Ones actually have been long-lost dwarven deities, condemned as evil by the Elven pantheon out of petty rivalry?

That may seem ridiculous, but I think it accounts for why dwarves are more vulnerable to the song, and why darkspawn are repulsed by it.

If that's not crazy enough for you, what if Fen'Harel is actually the Maker?
As the 'human' deity, he could have gone between the Elven and Dwarven pantheons, manipulating both and, perhaps tricking them into his prison -- the Golden City.
It would still be logical, then, that the magisters, in assaulting the Golden City, were corrupted as punishment for subverting his prison, which remains black as the trapped deities seek to escape. The Maker's absence since the first sin, then, could mean he's hiding out as his prison breaks down. This would explain old magic coming back, as Flemeth and Sandal seem to predict. It would also mean the darkspawn taint (and its power) serve a strategic purpose of turning the Old Gods' strongest servants against them, and ultimately destroying them. It might also have been the only solution the Maker had before fleeing the wrath of the escaped deities.

As far-fetched as all of this is, I think it squares some circles. And, besides, DA is one big ol' race war anyway. Why not kick it up a notch to a divine melee?

#533
EricHVela

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I just hope they don't try to bring closure to the Arlathan and Primeval Thaig mystery in a single game.

Like with so many aspects of Dragon Age, you cannot wrap up even small pieces of history that spanned millennia in their making so simply and expect to satisfy people with it.

Sure. "It's just a game" and not some grand series of novels.

Can't it be both? (EA's product line seem to show that EA doesn't think so.)

Modifié par ReggarBlane, 27 juin 2012 - 12:49 .