49276 réponses à ce sujet

[LPPrince]

EternalAmbiguity wrote...

Just a shot in the dark but I'm guessing that they'll discover the elements inside of themselves or something like that, they don't need to actually get them.

Hehehe.

[LPPrince]

[Homebound]

posting pics til my new avy uploads..

[LPPrince]

[LPPrince]

[Homebound]

EternalAmbiguity wrote...

Just a shot in the dark but I'm guessing that they'll discover the elements inside of themselves or something like that, they don't need to actually get them.

nopony tell him ANYTHING.

[LPPrince]

[LPPrince]

[Homebound]

YOUR HEART WILL MELT AMBI WHETHER YOU LIKE IT OR NOT! TTAKE THIS! AND THIS!

[LPPrince]

[Homebound]

LPPrince wrote...

is this a thing?!

[LPPrince]

[Homebound]

EternalAmbiguity wrote...

okay, rings on their horns? wow...just lol.

keep an "eye" on Vinyl scratch.

[Dominus]

The three songs in the finale are amazing. Ingram went above and beyond what was necessary.

I've always felt reluctant about MLP music numbers; which is odd, considering I've had little to no problem with many of Disney's musical numbers. Musicals in general can feel very jarring depending on how they're implemented. You can get away with Aladdin's genie singing about all of his abilities because it sort of went with his off-the-wall, robin-williams-inspired personality. The South Park Movie could get away with it because it had already taken narrative credibility and threw it out the window Not to say they did it badly, it worked well for that satirical style. More traditional musicals are tricky too, in my opinion. Phantom of the Opera & The Music Man work well due to the musical nature of the characters themselves. An angel of music is most likely going to sing. It's an immersion thing.

With the songs for Chrysalis & Twilight, it fits far better than previous ones because it's a personal story that's emotionally charged, and not just for the laughs. I never cared for the vast majority of the songs in My Little Pony. I think they diverted too far from reality, as musical numbers typically do. I somehow don't see the entirety of equestrian ponies singing about winter-wrap up in unison. If it's a comedic musical i.e. The Producers, it's easier to digest the gonzo-nature of that particular style. What I'm trying to point out is that I think they've gotten a better handle of when a musical number is, and isn't appropriate.

[LPPrince]

[Homebound]

now THIS is a really good one.

10/10 style points.

[LPPrince]

EternalAmbiguity wrote...

RBD must have gotten more powerful. The last couple times it took all of her concentration to do it, this time she just leapt into the air and *poof* Rainboom time.

Also note that she did while flying upwards, against gravity.

[Arcadian Legend]

...And that was the second upload.

[LPPrince]

DominusVita wrote...

The three songs in the finale are amazing. Ingram went above and beyond what was necessary.

I've always felt reluctant about MLP music numbers; which is odd, considering I've had little to no problem with many of Disney's musical numbers. Musicals in general can feel very jarring depending on how they're implemented. You can get away with Aladdin's genie singing about all of his abilities because it sort of went with his off-the-wall, robin-williams-inspired personality. The South Park Movie could get away with it because it had already taken narrative credibility and threw it out the window Not to say they did it badly, it worked well for that satirical style. More traditional musicals are tricky too, in my opinion. Phantom of the Opera & The Music Man work well due to the musical nature of the characters themselves. An angel of music is most likely going to sing. It's an immersion thing.

With the songs for Chrysalis & Twilight, it fits far better than previous ones because it's a personal story that's emotionally charged, and not just for the laughs. I never cared for the vast majority of the songs in My Little Pony. I think they diverted too far from reality, as musical numbers typically do. I somehow don't see the entirety of equestrian ponies singing about winter-wrap up in unison. If it's a comedic musical i.e. The Producers, it's easier to digest the gonzo-nature of that particular style. What I'm trying to point out is that I think they've gotten a better handle of when a musical number is, and isn't appropriate.

The three songs made sense, were very well put together, and just sound AWESOME.

I love all three.

[Homebound]

EternalAmbiguity wrote...

RBD must have gotten more powerful. The last couple times it took all of her concentration to do it, this time she just leapt into the air and *poof* Rainboom time.

and every filly in canterlot hit puberty got their cutiemark. except the cutiemark crusaders, their primary function is failure.

[LPPrince]