*the article is describing the vibe and composition of Deus Ex's soundtrack*
"The UNATCO Theme is so terrific that I wish it played every time I entered my apartment. It's like the best parts of Harold Faltermeyer's "Axel F" combined with something out of Crusader: No Remorse. I truly miss that kind of synthy sci-fi goodness. Frozen Synapse channels Brandon's score to great effect, but I haven't heard anything like that in a AAA release since the first Mass Effect. And as I've frequently lamented, that game's sequel made the unfortunate, predicable move towards Hollywood orchestration and lost a lot of its charm along the way." Kirk Hamilton
And you know what? He is right. Sure, I have always preferred Mass Effect's synthesized vibe over ME2's blockbuster approach to an OST, but I never took the time to reflect on how much atmopshere was [i]truly lost when the decision to incorporate a more modern soundtrack was made.
At the end of the day, when a friend asks me what my favorite videogame series is, or to describe a particularly fond moment I've had gaming, I now realize that I am constantly remembering one distinct detail whenever such questions are asked - Mass Effect's soundtrack. The soundtrack truly brings the universe alive - tracks such as the Presidium, Citadel Security, Noveria, the Normandy, uncharted worlds, Vigil ect - these pieces have had such a momumental impact on my experience with the series, and it is sad that none of ME2's tracks (the suicide mission theme included) have had a lasting impression on me.
Anybody else feel this way? Anbody else hope that Mansell will draw inspiration from ME's classic sci-fi samples rather than ME2's cinematic themes?
Modifié par -Skorpious-, 18 août 2011 - 12:50 .





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