SpiffySquee wrote...
First of all, those are all subjective terms, with the exception of Deus ex machina and I would like for you to point one out to me. The death and resurrection is NOT a Deus ex machina as those are used to solve a problem and the death and resurrection does not solve anything as far as the story is concerned. It would be a plot twist, not a Deus ex machina.
The other two terms you offer have no solid definition. Don't even try to use wiki in an argument because I could literally just go change it to suit my need. Any one could, so it is not a true definition of the word.
Mass Effect 2 has very few plot holes. Yes there are some, but I doubt there is a a single novel length fiction that does not have plot holes. And what you consider hand waving, I may not.
We are not talking about punctuation and grammar here. we are talking about writing styles. And to say your style is right to the exclusion of all others just sounds arrogant.
I will point out what you request, when you find the section in my entire post where I cited the death and resurrection a Deus ex Machina. You asked for the definition of poor writing, and I provided such. Your subsequent retort is asinine, and self defeating. While you may freely edit wikipedia, that does not alter the terminology. Likewise, you can also google the term or check reference.com for the identical definition. Mass Effect 2 has an abundance of them, many of which have been discussed in this thread.
"A plot hole, or plothole, is a gap or inconsistency in a storyline that goes against the flow of logic established by the story's plot, or constitutes a blatant omission of relevant information regarding the plot. These include such things as unlikely behaviour or actions of characters, illogical or impossible events, events happening for no apparent reason, or statements/events that contradict earlier events in the storyline."
The above constitutes poor writing, and "plot hole" is a term created to describe when a story does one of the aforementioned.
Your argument essentially amounts to criticism being factual mistaken, and that
nothing equates to being wrong. In this warped ideology opinion is being turned to fact. On the subject, you completely disregard my rebuttal in reference to your Twilight example, and instead chose to make up an argument, which was never presented.
This is not a writing style, nor is it
my style but what it acceptable when describing good literature. Once again, you make the rather presumptuous claim there is no such thing as bad writing, movies, television shows, or anything. Frankly, I could argue extreme scenarios when murder is not necessarily wrong utilizing this theory. Coincidently, your claim of my arrogance is akin to the pot calling the kettle black after your last two posts.