whykikyouwhy wrote...
Regarding the difference in behavior between Bartrand and Meredith - there was some discussion awhile back about this. I think the idol's influence on a person has to do with the will or mental fortitude of the "victim." Or maybe just their personality in general.
Bartrand is shifty - he's selfish, driven by his more base desires most likely. The idol may "read" him as a Renfield sort of character. A thrall, someone to do its bidding. Hence the feeding and the attempts to get others to worship the idol. He's not strong in conviction and so easily falls under the idol's sway (Of course, I also hold to the theory that the idol may be forcing a replay of past events - that's tangential though).
I think we can do something simpler than analyzing their psyche profiles, for the moment anyway.

Let's shift back to the song. Let me mention a few points:
1. Dwarves, in general, can hear the lyrium sing, again in general. This is mentioned in some codex. I believe that is how they know where to mine it.
2. Bartrand hears the song during "Family Matters." The quote I wrote earlier very much confirms that.
3. Varric hears the song during "Haunted"
4. None of the other companions (humans, elves) hears a song when they are in that haunted Bartrand's mansion.
5. Darkspawn hear the song of the Old Gods. Eerily similar to the song from lyrium idol, to the lyrium in general.
6. Dwarves and darkspawn aren't connected to the Fade in the way that other species are. Darkspawn are soulless, at least when they're created - I'm very much certain that they don't enter the Fade or even dream.
The degrees of one being affected/enthralled by the "song" varies, but the essential connection is there, I think. The Fade and lyrium - connection to the former is inversely proportional, and the latter directly.
Meredith however is stronger in her personality - she lives by her resolve to make things right and just and orderly. The idol may have spoken to her akin to a desire demon - coaxing her under its power with promises of might, or feeding her own suppressed paranoia and righteousness.
The interesting thing is she "deforms" the idol. She re-makes it as a sword. She is tapping into the raw power of that lyrium - the animating of things, the giving to her of exceptional power. Even the events at the mansion during Haunted seem to indicate this - animating things. Although, there are issues of souls running around, an etherial golem, etc in that mansion. These we could assume to be the spirits/demons trapped within the idol itself, unleashed after the fragment perhaps failed to contain it. Anders seem to observe this - "What's going on here? There's no way the Veil could be torn this badly." If the Veil isn't torn, then the only other explanation I have is the spirits trapped within the idol itself. Lyrium traps
idols spirits - that much is almost certain in my mind.
Maybe, to connect the musical applications, the idol acts as an amplifier of the song (either the old gods or the lyrium, or some melding of both). Some can, to a degree and within limits, move to its music but are eventually overwhelmed by it. Music that drives a person mad because he/she cannot truly comprehend it. Maybe it's the battle of wills (resistance to the song) that pushes a person off the edge.
But there is no evidence that Meredith, the PC, any of the human or elven companions heard the music or song. In fact, I think, if Varric asks Hawke if he/she heard that music, Hawke says "no." The others don't hear it - only dwarves do. And, anyone who succumbs to the taint and becomes a ghoul (every Grey Warden also, apparently) also does. Look at Gaider's comment:
"The flaw in your story is that simply drinking darkspawn blood does not
make one a Grey Warden. Most likely Joseph would come down with the
blight and become a ghoul in short order. The villagers would have found
him delerious and sick with fever, and if he survived he would have
disappeared one night and never been seen again."
Why would that person go missing? He/she goes to the Deep Roads in search of the "song" because the song lures the tainted ghoul - just like the darkspawn. Seems like a likely explanation.
And the purpose of the song itself is to lure, I think. It doesn't drive one mad. The madness seems like the work of something else.
My mind is beginning to wonder other things, too, now. The process by which the awakening of the Archdemon itself works:
1. Old God's (or whatever's) soul is trapped/contained within some part of lyrium (perhaps that particularly "evil" or "potent" variety introduced in DA2)
2. Darkspawn hear this the strongest - even stronger than the dwarves perhaps.
3. They keep digging and tunneling, and freeing whatever trapped souls they find.
4. Finally they hit the jackpot. The soul now jumps into the nearest darkspawn and inhabits it - it reforms the darksapwn in the image of a dragon. As Riorden observes when the Archdemon itself is slain by anyone other than a Grey Warden. An Archdemon is thus born.
5. Now that this soul gets a body - it somehow takes charge of the horde.
The darkspawn themseves are "engineered" by someone/something to be able to do this. This is no accident, it appears to me.
It is a little iffy here and there - but it makes sense to me.
EDIT: Correcting some words.
Modifié par MichaelFinnegan, 30 août 2011 - 04:33 .