nitefyre410 wrote...
Nashiktal wrote...
nitefyre410 wrote...
Estelindis wrote...
naledgeborn wrote...
Rule of Cool is your why, Estelindis
I am aware of the rule, but for me it's far better when a designer doesn't make me choose between coolness and making sense. Why not have both?
Because sometimes what is cool does not always make the best of sense and if it did make sense it would not be cool.
Its cool because it makes no sense..
Like my favoriate...
punching a black hole... it so absurded its cool for fact that there is no way it can happen but the Author that audacity to say... "Physics bah I care not for this foolishness." and just does and then pulls off your sitting wide in shock that it just happened.
*Rewind*
Did that...
Yep... Just punched a black hole.
Which works just fine in a work that takes refuge in audacity but can be quite jarring to a series that started out mostly serious.
Your missing the point my good fellow or lady
the point is that most are taking this TOO seriously... really .... If Scifi fantasy does something not 100 % it not end of all things nor does it lose any of its value, Star Trek, Star Wars, hell even 2001: A Space Odessy are all really out there in some sense and still are taken seriously beside some of the WTF moments.
Seriousness of Mass Effect.... "Giant Talking Robotic Space Squids" hell bent on Galactic extinction after taking a 50,000 year power nap.
Mass Effect is really not as a heavy as people make it out to be and that does not means its bad, its still great and still posses some great debating questions like Legion and Mordins Loyality missions... So does the existence of the breathing mask make those to loyality missions lose any of there meaning... nope not at all..
Thats like Saying the mere extistence of Tim Tebow as an NFL Starting QB makes everything that Rodgers and Drew Bress done this less valid.
So in the is just relax... man enjoy the ride.
and the rebuttle I hear coming is....
"I can't because the Breathing Mask"
No the rebuttle is the MST3k MANTRA. In particular this quote.
"On the other hand, somebody who hopes to promote a movie can't insist
it's "just a movie" and critics should "just relax" while also expecting
they take seriously any aesop, speculation, spectacle, or anything else
of potential value from it. Anyone who expects another to be selective
of a work in exactly their prescribed way is insulting the intelligence
of the audience. This isn't about critical appraisal, but what is
necessary to tell a story. When criticism targets those things that were
simply unexplained, that's when you bring up
Bellisario's Maxim.
At the same time however, one should be careful that they do not go too far and use this to justify saying that
The Complainer Is Always Wrong.
Yes, there's no point in getting excessively worked up and nitpicky
about something that, at the end of the day, is just a work of fiction.
But using it as a way of brushing off any and all forms of criticism is
an equally dangerous attitude to have, and in creators can be a possible
sign of a
Small Name, Big Ego at work.
"
There is a thin line between the mantra and the maxim here.