sadako wrote...
Actinguy1 wrote...
Okay. I'll play.
3) Wiping out the entire Quarian race. Tali was already dead (ME2) so it wasn't AS shocking to me as it could have been, but it was still horrifying.
2) Mordin's sacrifice. He was my favorite character of the franchise, and he went out like a freaking hero. Even without firing a single shot. Amazing.
1) And the absolute best moment was...waking up after the beam, and realizing Ashley (my love interest) and Garrus (my best friend) were dead. This was not my favorite moment because I WANTED them dead, it was an awesome moment because it was EMOTIONAL.
Not only did the ending lack any emotion whatsoever, but seeing Ashley step off the Normandy UNDID the emotion of seeing her dead...without creating any new emotion in its place. Not only did the ending suck, it managed to simultaneously ruin the best moment in the game.
There. I played along. Now, in response to the rest of the original post: This is complete nonsense. We had a decent conversation going with Stanley Woo in the non-spoilers forum. You moved us here, where we could spoil away, and I understand that. Yet, in 40 pages so far, nobody has responded to any of us. Why did you move us to the spoilers forum if you weren't going to give any answers?
I understand the game was only recently released in some areas of the world. But why would you wait for them to beat the game? Do you want them to go through the same anger that we feel? Or do you want them to go to Bioware's website, see that their issues have already been solved (or at least addressed!) so they won't have to doubt Bioware as we have done.
Really, you guys have GOT to quit treating us like children. You made a game which, in many countries, can only be purchased by an adult. Even if someone did buy Mass Effect 1 when they were 13, they are now 18 years old. Many of us are educated in the way the business world works, and we know flippant PR when we see it. It is more offensive than the lack of an emotional ending to the Mass Effect series.
I'd like to make an analogy if I may. I am a very happily married man. I have never had a single moment in our relationship when I have ever had any reason to doubt the good intentions of my wife. But if one day I did come across compelling evidence that she had cheated, I would calmly ask her about it. Surely, there would be a logical explanation. And if she said she couldn't answer the question at that moment...well, that would be weird. That would make me wonder. But, okay. Fine. I will ask again tomorrow.
But if, more than a week later, I found 45,000 other people who agreed that my wife had cheated on me, and the press was writing articles about how my wife had cheated on me, and FINALLY she gives me a response that looks like this:
"I still can't answer that question. I will one day, but not today. In the meantime, tell me what was the moment of our marriage that you liked the best?"
...well, can you see where I would have a hard time believing that she was taking me seriously?
+100,
Agree, most of us who were old enough to play me1 are now old codgers. lol
Add another +100 to that. I have faith in BioWare's writers, they've consistently given me great moments.
On the other hand, not a single novelist I've read would've tacked that ending on to a great series and gone "lol, this is it, guys. ISN'T IT GREAT."
Part of writing a great, memorable story is
resolution. People like it. We're groomed to like it from infancy.
Now, I know that isn't everyone's cup of tea. Hell, it isn't always
mine. Some writers can pull off leaving a few things open without it feeling like they left out a chapter. It's okay to end a story on a question, if that question leads somewhere. If it doesn't get lost in the plotholes. The best stories that end with questions end with
a question.
An uncertainty. There might be several loose ends left untied, but they will all lead to that one idea.
One that inspires thought, introspection, and careful consideration into what we
think happened.
Not one that leaves you feeling betrayed and wondering where your favorite character went. Were they always so accepting? So open to making decisions that compromises everything they stand for? What was the author trying to accomplish by their protagonist suddenly having a personality change? Were they just tired of the story? Were they trying for something new that flopped? Did they lose the character?
There's thought happening. Fans are scrabbling to come up with a resolution that fills the hole the ending(s) left.
Personally, that's not a good sign. That's lack of entertainment. The ride was fun, but when it ends on such a sour note that reflects onto the entire franchise.
Modifié par cinderburster, 15 mars 2012 - 06:28 .