KevShep wrote...
AtlasMickey wrote...
I'm not kidding about this:
Indoc is one big hole. It is the removal of something, not an addition or clarification. It's like that old riddle– what can you find at the bottom of a barrel, which makes the barrel lighter? A hole. What can you find at the end of Mass Effect 3 that makes the game emptier? Indoc.
And it's not a theory, it's theology. Not exaggerating.
What your saying is the opposite. Bioware is a genius, they are indoctrinating the player with shepard and the last 10 minutes of the game seem like a dream. What makes this interesting is that you can hear shepard's voice in the catalyst's own voice as a wisper. Use headphones to hear it by useing the right ear piece to hear maleshep and the left one to hear femshep.
Not at all. What you see as indoctrinating the player is just straight up lying to them, which in fictional storytelling amounts to wasting the player's time, because, newsflash, it's already fiction to start with. There are ways such a story could be told in an interesting way, involving misdirection and confusion, but this isn't what you guys claim. You have to claim that many high profile, richly meaningful events in the ending are not real.
The events don't seem like a dream. What kind of dreams do you have? Are they as raw, bloody, agonizing, heavy, and painful as that? Or are they the opposite, light, floaty, bloodless, and painless? More importantly, they are not even dreamlike in the context of the game, which has dream sequences in it! The visual cues for dream sequences in Mass Effect 3 are weaponless, clean, crisp autumn-like air, desaturated backgrounds, whispering voices echoing in background which appear in the subtitles, smokey apparitions for people in the periphery, among other things, none of which appear in the ending.
What is so far removed from genius is the notion that meaning and significance are somehow added to events in a story by changing them from reality to extended metaphor. It's already fiction. It can already be interepreted as metaphor. You can look at the ending as it is told, see a pattern and reflect on a sort of meta-signficance on how it is a metaphor for indoctrination. That's interesting. But to say that it must be a metaphor for Shepard, as if the protagonist himself has to be a reader of his own novel, is meaningless and stupid for its redundancy.
Modifié par AtlasMickey, 14 avril 2012 - 01:04 .