You have every right for it to work for you , but no where near perfect
Mass Effect 3 Ending-Hatred: 5 Reasons The Fans Are Right
5) Brevity
You have to hand it to BioWare. In nearly every way that mattered, they delivered a rich, complex experience for Mass Effect 3. Anticipation of the game’s finale is brought to a fever pitch by the incredible effort it takes to reach it. It almost defies belief, but after 2 previous games that each require close to 50 hours per character to complete, the scale of Mass Effect 3 almost dwarfs its predecessors. Over the course of game, Shepard – and the player – desperately tries to unite the galaxy behind his effort to defeat the reapers. As expected, you can condemn entire civilizations to destruction or save them, resolve centuries-old conflicts, wage massive battles. You may even play space cupid by helping Joker and Edi (and, it’s implied, Tali and Garrus) to hook it up before the final battle.
You’ll also visit every major planet in the galaxy, reveal the truth about Prothean civilization, watch as friends die, innocents are slaughtered, whole cultures are threatened with destruction. Every moment of the game feels a necessary part of the war effort, every decision feels critical, and as you begin the final mission, you actually feel the weight of 5 years of play, dozens of well-written friendships, and 15,000 years of galactic civilization are behind you. It’s a glorious accomplishment. And that accomplishment is completely undone as the story is wrapped up via a barely-interactive cutscene lasting less than 10 minutes.
That kind of terseness, in addition to just feeling cheap, also manages the particularly nasty trick of completely robbing players of closure. This is critical to understanding why the fanbase is so upset. It’s not just that players are forced to choose from one of three nearly identical endings. It’s not even that they are presented with each choice regardless of what kind of game they played, so long as their EMS rating was sufficiently high. It’s that the player is never given any sense of how the choice they ultimately made affected the galaxy they worked so hard to save.
Instead, they see one of 3 identical, context free scenes of the Normandy crash landing on a planet somewhere, followed by a nonsensical epilogue featuring a Grandfather and his grandson that almost seems to smugly imply that the gamers themselves were nothing but children who couldn’t fully understand these events. And adding insult to injury, they receive a message urging them to purchase DLC. We would never suggest that BioWare’s job is to be nothing more than an infodump for nit-picky fans, but after 5 years and hundreds of hours, Mass Effect 3 players deserved more than a text message urging them to buy more content.
4) It is Confusing and Under-Developed
Of course, the ending’s brevity wouldn’t matter if it actually made sense. But the moment you’re struck by Harbinger’s beam, events lose structure, outcomes become preordained, new concepts and characters are introduced literally in the last seconds of play, and all of it free of any context or explanation. Granted, some of this is kind of trivial, like the fact that Anderson, despite having come up the Conduit behind Shepard, beats him to the secret Citadel control panel room. Maybe BioWare agreed to put Keith David in the final scene in order to make up for his absence during most of the game. It’s silly, but having Anderson in the final scene feels right, so it’s easily forgiven.
But the majority of the ending is an exercise in increasing incomprehensibility, beginning with the abrupt appearance of The Illusive Man. Without any warning, he just kind of… shows up in the control room with Shep and Anderson. It is never explained how this is even possible; there isn’t even a cursory “Shepard, as you can see, I planned to save Humanity by purchasing a penthouse here on the citadel. PEACE.”. Of course, we’ve known throughout the game that the Illusive Man has indoctrinated himself in a foolish attempt to control the Reapers. A comment minutes later suggests that the Reapers allowed him to arrive in a last ditch effort to either talk Shepard down, or kill him. Fine, we accept that.
But it’s the reveal of the game’s primary villain that ultimately cripples the end. It turns out to be a ridiculous AI whose visual representation is the young boy haunting Shepard’s nightmares throughout the game. It is never explained why this is the form he chooses; we don’t even get the courtesy of the “I chose a form you were comfortable with” cliche. The Citadel, the AI explains, is his home and he is the Catalyst needed to make the Crucible work. The AI then claims that he created the Reapers billions of years ago as a means of solving the problem of synthetic life forms killing their organic creators. The Reaper’s whole purpose is to save Organics by killing them, and turning them into synthetics. So that Organics won’t make synthetics who will then kill organics.
Yes, this is exactly what he says.
This explanation for the entire history of the Mass Effect universe is the most precise example of all that is wrong with the end of Mass Effect 3. In essence, the player is told that everything they experienced has happened because it was going to happen, and will happen again. Making things worse, the player isn’t even provided with enough data or context for this to at least make some kind of sense. Instead, they’re simply baffled by events they cannot control, and left with far more questions than any “definitive” ending should have.
Mass Effect has long been held up as a shining example of a well-constructed, fully developed universe. Players are rightly unhappy to see it end as nothing but a series of forced choices justified by tautological platitudes.
3) Lore Errors, Plot Holes
Considering how short the ending of Mass Effect 3 actually is, it’s impressive that it could still manage to violate established canon while simultaneously creating holes in the plot bigger than The Illusive Man’s ego, but this is indeed the case, and it’s a source of serious criticism from the fan base. There is a huge debate currently underway among the fans about how much, precisely, is left hanging by the ending, and it will likely continue until either BioWare consents to create a new ending, or fans accept that they never will. We will focus on the three that are indisputable.
* The Mass Relays
No matter which of ME3′s endings you choose, the Mass Relays are all destroyed. Yes, despite the weakness of an ending that robs the galaxy of critical technology, the multicolored explosions (player choice!) are certainly pretty. But in The Arrival, it was firmly established that the destruction of a Mass Relay would result in an explosion resembling a supernova, destroying the relay’s star system. In Mass Effect 3′s ending, the Mass Relays are destroyed in explosions so massive that they’re depicted as being visible from a perspective that resembles the Normandy’s Galaxy Map. Which means that Shepard has probably killed more life forms than the Reapers could on their best cycle.
* Inferred Holocaust
But even if we assume that this time, the Mass Relay Network’s destruction was a completely different kind of explosion that didn’t wipe out hundreds of star systems, (that players are forced to fill in blanks like this is another point of contention, incidentally), even a relatively benign end to the Galaxy’s most critical technology suggests a terrible outcome: Everyone in the galaxy is stranded where they happened to be at that moment, including thousands of ships and millions of alien races now orbiting a ruined Earth.
It’s safe to assume that the fleets who travelled to Earth for the final Reaper battle were stocked with supplies, but with the Mass Relay network knocked out, they’re all basically stuck there. That ending’s not just bleak — it implies outright extinction. While the galactic races have access to faster-than-light travel, the relay network is what made moving about the galaxy possible. Even conventional faster-than-light travel means decades before any of those ships makes it home, or even to another star system. It’s more than safe to assume no one, not the Quarians, not the Turians, not the krogan, Asari or Salarians, no one is going see home again.
Unfortunately, the burned husk of Earth certainly can’t support the combined military forces of the galaxy. And remember folks, Turians and Quarians can’t eat human food anyway. The assumption then has to be that everyone scrambles to find a colony to support them, and/or they all die. In all likelihood — faced with starvation, the krogan slowly eat everybody.
* The Normandy’s Escape
This is probably the biggest WTF of all. As the Mass Relays explode, we see a short clip of Joker furiously scrambling in the Normandy cockpit, followed by the Normandy barely staying ahead of the chain of explosions. Eventually, the Normandy crash-lands on a convenient, Earth-like jungle planet. Joker survives, and as he staggers out of the ship to see the new, presumably permanent home, he’s joined by members of Shepard’s crew. In almost every ending, these crew members include Shepard’s love interest and at least one person who joined Shep in his/her final push.
There’s just one little problem. At the beginning of the final mission, every single squad member travels down to earth with you. Whichever two you chose to accompany you to the Conduit are with you during the final push when you’re blasted by Harbinger. That blast nearly kills you and Anderson. It can only be assumed – again, the player is forced to fill in blanks – that your squad was also hit in the blast. Meanwhile, Joker remained in orbit around earth to take part in the final battle. So how did he A) manage to rescue your squad and
get the ship to the Charon relay in time to outrun the explosion? The ending cutscene makes it clear that the explosions begin almost concurrently with whichever end to the Reaper threat you chose. So, did Joker chicken out and abandon his post along with your crew? Did the game suddenly introduce Transporter technology? Was it some kind of magical nonsense?
Who knows? BioWare certainly didn’t explain it. Which means that for the rest of time, players must end every Mass Effect 3 game knowing that Joker is probably looking at a Court Martial for cowardice.
2) Key Philosophical Themes Are Discarded
When bringing a beloved story to a close, it is inevitable that a creator will fail to please all their fans. Writing what you believe to be the natural outcome of the world you’ve created, regardless of how pleasant the experience is, will naturally cause people to fluster. Just ask any random person how they feel about “19 years later” and you’ll see what I mean. But when an author uncompromisingly ends their story as they see fit, yet still manages to honor the themes they’ve explored and the universe in which the story is set, love or hate the ending, you still respect where they went with it. When they fail to do so, it can make it impossible to enjoy revisiting that world.
This is what makes Mass Effect 3′s ending particularly galling. After years of forcing players to wrestle with surprisingly complex issues ranging from bigotry, sexual freedom, religion, political corruption and personal moral compromise – especially in the final game – it ultimately disregards all of them in order to force a tired twist ending on players who have seen far too many movies and played far too many games to be surprised. That the ending also requires the player to act contrary to their own actions as established by the series and even Mass Effect 3 itself is just bitter icing on a stale cake.
When trying to understand why players are outraged, here are some of the series’ key themes that are entirely jettisoned in service to a gimmick.
* Tolerance and Unity
Arguably, the overreaching thrust of Mass Effect from the first moment you meet Shepard to the landing of forces from all over the galaxy on Earth is tolerance. Humanity has worked to find its place in the galaxy, overcoming old prejudices to work forward toward a common future. Each game has Shepard putting aside the issues of his crew with one another and with him in order to get a job done, and everyone is better for it. While Shepard can choose to take the side of one person or race over another in many instances, often condemning one side to destruction, the theme at work in all cases is one of finding a place in the universe among all the other races. Even if you choose to be intolerant, the very fact that tolerance or intolerance is the choice at hand builds on the theme.
The theme is extended even further throughout the games as Shepard brings together a team of various species who carry a lot of emotional baggage and problems with each other from a historical, cultural and racial standpoint. Unifying them, turning them from enemies to allies, is dealt with repeatedly in Mass Effect and Mass Effect 2; by Mass Effect 3, it’s extending to include the entire galaxy. Shepard is literally solving long-standing problems of hatred and violence between several groups of people. He helps them learn tolerance, and later, unity.
The Illusive Man stands against these themes as a symbol of hatred and racism, pushing humanity backward and separating it. And the Reapers stand against these themes, unyielding in their belief that organic life must be wiped out/harvested/ascended/whatever. But where tolerance has always been an option in the games before, and has always been achievable before, it is discarded wholly in the end. There is no tolerance permitted among the Reapers or by the Guardian. And in fact, the synthesis ending dismantles the idea of tolerance and unity altogether by forcing homogenization on all the life in the galaxy, synthetic included. The control ending forces the Reapers to tolerate you, with the assumption that eventually, synthetics will ruin everything again through their lack of tolerance; the destruction ending, as the Guardian claims, will mean the eventual destruction by all synthetics.
1) Player Choice Is Completely Discarded
Finally, it’s tempting to claim that fans are simply suffering from a letdown caused by unrealistic expectations. Call it the Obama excuse — players simply got their hopes up and expected more than anyone could deliver, and ultimately, their anger isn’t at what BioWare created, but that they ascribed qualities to Mass Effect 3 of their own devising. BioWare failed to live up to the fantasy players concocted, and once those players get over that kind of childishness, they’ll realize how awesome the ending actually is. There’s only one problem with this assertion: BioWare’s long history of public statements about Mass Effect 3.
From the beginning, and especially as work progressed on Mass Effect 3, BioWare has made a lot of very specific promises about what players could expect. The vast majority of those promises concerned the very personal journey each player could expect; in short, the choices they made over the course of three very long games would have enormous impact over how their story ended. As recently as January, Casey Hudson was telling Game Informer that “This story arc is coming to an end with this game. That means the endings can be a lot more different. At this point we’re taking into account so many decisions that you’ve made as a player and reflecting a lot of that stuff.” Even today, the official Mass Effect Site bears this message along the top of the page:
“EXPERIENCE THE BEGINNING, MIDDLE, AND END OF AN EMOTIONAL STORY UNLIKE ANY OTHER, WHERE THE DECISIONS YOU MAKE COMPLETELY SHAPE YOUR EXPERIENCE AND OUTCOME.”
As good as Mass Effect 3 is — and it really is an exceptional game in many important ways — the product BioWare ultimately delivered literally broke that promise, and that, more than anything else, is why fans are so angry.
It’s been said more than once that the “multiple” endings of Mass Effect 3 are too similar, but if you have played it, and you’re honest about it, you have to admit that similar doesn’t even begin to describe it. They are all functionally identical. Once players reach the Citadel, they are taken along a low-interaction pathway, engage in conversation with the Illusive Man that can only end with him dead if you wish to proceed further, and then have a conversation — with a very limited set of responses — with the AI child. This experience is the same regardless of your Shepard’s moral alignment, and regardless of the decisions you made to get to this point. The AI does not alter his dialogue if you kill the Geth, he doesn’t offer different justifications if you spared the Collector Base; he does nothing different.
And then, you are given the same three choices, choices that you must accept even though none of them fit with anything Shepard would ever have done at any previous moment in the entire series. Whether the choices succeed or fail depends solely on your Effective Military Strength score, and nothing else. And once made, the only difference between them is a slightly different cutscene, and a different-colored explosion. And that’s it. The game ends at this point, and aside from the Normandy crash-landing, and the weird old man talking about “The Shepard” — and don’t forget the crass DLC pitch — the player never once gets to see how any of the choices they made affected the galaxy, or how the lives of people they touched continue, or don’t, after the war.
In short, players are provided with nothing remotely close to the unique, personal experience they were promised.
Posted on March 13, 2012, Ross Lincoln
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