Sorry, I can't agree with that at all. The bitter is huge, the sweet is very small and are entirely distant and non-personal to the character. It's certainly a horribly bitter victory for the LI who's probably going to get plunged into depression. It's very much the writer's problem if lots of people think they've screwed up. If it was impossible to complete ME2 without losing several crewmembers but was otherwise the same then that would be a bittersweet result.The Razman wrote...
It really, really isn't a legitimate argument. The day we start treating "That story made me sad, so it should be changed" as a legitimate argument in any conversation is the day we should all shoot ourselves.
If you can't see the sweet because you're obsessed with the bitter, then that's really not the writer's problem. The sweet is there; you beat the Reapers, you save the galaxy, you save your love interest's life and the lives of your crew. All of that happens, and all of that is sweet. If you're saying "that's not sweet, because this bad thing also happened" ... then I think you might have missed the point of the word "bittersweet".
There's a place for sad and it's somewhere where it's always fitted in with the tone of story. When I read an Iain Banks novel I'm surprised if it doesn't end with most of the characters dead and a rather hollow victory yet it doesn't annoy me because it's consistent. Ditto even more so with Stephen Donaldson. I'll be amazed if anyone comes out alive when the last Thomas Covenant book is published. But with Mass Effect there was, until the end, always the chance of triumph over the odds and a personal victory too for the hero even if there was pain along the way. Complaints about that are entirely legitimate.
Modifié par Reorte, 10 mai 2012 - 10:21 .





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