lillitheris wrote...
If you don’t have a good past-scene, I don’t think you should force it. I think you probably will come up with one (say, simply something that contrasts with the current events), but if not, it would be better to do without.
That would, I suppose, leave you either with postponing the present scene, or just including it without the past. The closer you are to convergence, the less out of place it will be to simply have it there without the past. Have you written it out that way? Is it really a huge problem in terms of reading flow?
You could also try to interleave it between any other scenes you may have, or doing the opposite of including more past: include more present. That is to say, it may be easier to come up with short present scenes for any other characters, and you can sandwich with those to emphasize the approaching convergence.
I could do it that way, but I'm not sure. It may actually be better than going from a pairing of Now/Past, Now/Past to a shift straight to the final "Now" at the point of convergence. Or the reader may be so accustomed to the current way it's written, as I am to writing it, that they could miss the fact that there isn't a flashback scene. I have a feeling back-to-back "Now"s will be a little odd to see the first time. It certainly was to write it that way. The minute I did it, my brain said "Whoa, dude! Hold on! You left a section out!"

And to spirit: Another good idea. But I actually asked a question similar to that situation before. The consensus seemed to be that going Now, Two weeks earlier, Now, Two weeks earlier, Now, Twenty Years Earlier, was a bit disruptive to the flow. I'm sure an idea will come to me eventually. It just may require another chapter-to-chapter content shift. I find myself thinking that my best shot is actually going to be to go back and replace Character X's last past scene with something that happened even earlier. That way the last scene I have written can still tie off the background for that character as it is.