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#8651
ftkerns

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Ignis Mors wrote...
QOTD time again! And, it's a simple question compared to some of the others. Do you have any small actions that you'll never have characters in your stories will never do just because you can't do them IRL? Personally I'll never have a character snap their fingers, even if it makes sense in the environment of the scene. (though I can't think of one off the top of my head.) 

Haven't had to deal with that, but like Seracen, I often have trouble getting certain characters' voices/mannerisms right. I guess that's one of the reasons I decided to go with mostly original characters when I started writing Freelancers. Lia's appearance in ME2 was so brief, there isn't much to go on, so I pretty much write her like just another OC. Same with Sidonis. I also don't think I can write dialogue that sounds like Legion, so it's probably good that he hasn't appeared in the story yet. The two geth characters that are in the story probably don't quite sound like Legion, either...though I can kind of handwave it as the geth learning and evolving from their interactions with other species. :P They've already begun to pick up "colorful metaphors" from certain crew members.... :huh: But then, the geth probably wouldn't understand the concept of certain words being "offensive."

Hmm. Now I'm getting ideas for a scene in which one of them asks someone why "screw" is acceptable yet "****" isn't, when in certain contexts both words mean the exact same thing. And remaining confused after it's explained to them. :whistle:

Seracen wrote...
@ ftkerns: WB mate! The story looks like a fun romp.


Thanks. :D I'm having a blast writing the whole, long story, but that particular chapter will be even more gratifying than usual to write, I think. I'm all for dramatic tension and having the heroes outnumbered and outgunned and having to go through a lot to earn victory...but every now and then, it's really satisfying to see one of the good guys deliver an epic curb-stomping. B) Something I'm also looking forward to is writing the aftermath. Imagine someone who doesn't want to be a killer, coming out of a sort of berserker rage and realizing what she's done.
I love action scenes as much as anyone else, but I think they should serve a purpose beyond the action itself. :happy:

Seracen wrote...
@ Ignis Mors: No worries, QOTD is for when you've got one, no need to force it, this is supposed to be fun! As for actions I avoid, I can't say I really avoid writing certain habits. What I will say, however, is that some characters are harder to get down properly, primarily speech patterns.
Jack and Aethyta were the two characters that gave me the most trouble, and I had to revisit their dialogue, as it was more "organic" than I am used to speaking, haha.


Heh, I'm kind of the opposite. I'd probably have quite a bit of difficulty writing dialogue for someone like Dr. Chakwas or Shepard. I'd probably make them come across like they're reciting codex entries. I might do okay with Jack's lines...my krogan character already has quite the vocabulary. And I'm toying with the idea of having her discover some old video clips of Malcolm Tucker and being...inspired:devil:

I'm actually planning to bring Aethyta into the story later on. She's the sort of character that's right up my alley. Had this bit of a scene pop into my head a few days ago--Aethyta talking to someone about not being interested in a relationship because she's already outlived so many other partners. When asked, "Don't you just need to get laid every now and then," she just shrugs and says, "That's what masturbation is for, babe." :D

Seracen wrote...
As such, I am proud to say that I have FINALLY finished writing my story! WOOT! Technically, it isn't done yet. I still want to edit and fine tune. Perhaps I'll even add one unnecessary and excessive sex scene (between Garrus and Tali).
Still, as it currently exists, my story is a complete product (if unpolished near the end). I'm still a ways off from posting it all, but I'd like to thank everyone for providing a soundboard.

Congratulations! :D It's good to finally have the first draft done, huh? 

Heheh, I'm currently working on chapter 21 of mine, and it's barely gotten started. :blink: It begins shortly after the end of ME2, and in an earlier chapter I tossed in a reference to the location of the Overlord DLC. So Shadow Broker and The Arrival haven't happened yet...and some time after that, I'll have to write the Reaper invasion and the entire war, completely throwing out the entirety of ME3, and bring the story to a close in a way that doesn't involve the heroes "winning" by doing exactly what the villain tells them to do. :innocent: Reaching the end is a long way off, and it'll feel good to finish the story...but at the same time, it'll be hard to write that last sentence, put that last period on it, and realize it's over and I have to let the story and the characters go. :crying:


Fatiguesdualism wrote...

On the insectoid v insectean thing/topic. It seems as if insectoid would be the better choice...but it's just bugging me now Image IPB


I see what you did there. :P

Now, a question. Any of you ever caught yourself adding an excessive number of new characters as your story progresses, or had any characters you intended to be in only one scene start appearing again and again? I started Freelancers with just the core characters, and never planned to add more than two or three (Sidonis and Kenn, for instance). Yet I've now tossed in a bunch of characters that I liked so much that they've become permanent additions. Valeria and Irving were meant to be only occasional recurring characters, but then I had the idea of Valeria being a former Spectre and wondering how someone would go from that to a career as a porn star for Fornax:blink: At that point, her backstory pretty much wrote itself, and now they're permanent cast members. 

Same with Irv's grandmother. Meant to be there for just one subplot involving Elias Kehlam trying to have her killed, but she was too badass not to bring back for more. :lol: And recently I added a character who's kind of a male counterpart to Sha'ira, except he usually works on Illium...and he'll likely make repeat appearances.

And in the last chapter, I tossed in a young girl who was the only survivor of a colony overrun by husks several years before, has had numerous augmentations done by Cerberus, and now her only purpose in life is to hunt down Reaper tech and destroy it. I intended her to appear once or twice...but yeah, she's gonna be at least a semi-regular character, and I've already got a supremely badass moment in mind for her when the Reaper invasion really builds up steam.

So now I'm wondering...how many more characters will I add before the story's finished, and how the hell will I handle them all? :blink:

Had something similar happen with a serialized story I spun off from my novel that's getting published. I just keep adding new characters every time a halfway-interesting idea pops into my head, and I just hope I can do them all justice.

At some point, I really need to stop thinking up new ones, or at least hold them back for other stories. :lol:

Modifié par ftkerns, 06 février 2014 - 05:43 .


#8652
MrStoob

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On your question ftkerns, sort of yea. I had an asari child that the Normandy crew rescued from a slaver ship, basically to give Ashley a chance to show she's not a gung-ho alien hater. The child, Sha'li, popped up now and again through the trilogy arc. In the sequel, Ashley is now her adoptive parent after her real parents were killed during the Reaper assault on Illium, and Sha'li is coming into her own (now in her thirties). Not sure that would have all happened if I'd planned too much.

Modifié par MrStoob, 06 février 2014 - 09:57 .


#8653
BronzTrooper

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On the topic of adding characters...

In my main DA fanfic, The Last of the Fereldan Wardens, I originally planned to have only one Warden per origin (I did count the human mage origin and elf mage origin as separate origins), but now I keep wondering whether or not I should have my human noble, Aedan, have a sister who was captured and tortured by Howe. If I do plan to do that, I'll have her show up in Howe's dungeon, in the corner of her cell, curled up into a ball.

Not sure if I'll add any other characters, but I'm not going to say I won't.

#8654
MrStoob

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*general purpose moan*
Ugh, I'm so halted on my fic atm. I've a difficult scenario I'd hoped to have wrapped up in the chapter I'm currently labouring on, then I can get back to fluff and character based stuff (lots of which is already written) but I just can't get it how I want it. I know where the chapter starts and where it ends but the interactions between are being awkward. Resolving interpersonal conflicts is difficult sometimes so that it isn't just 'oh we're all fine again for no apparent reason'.

#8655
sH0tgUn jUliA

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Yes, MrStoob, main plot stuff is labor.It's the sub plots that are fun. They're almost like cruising for a joy ride with the characters.

I agree with you about planning. I just have very "general plans," because I might be writing something and I'd get to a point and a character would balk at it. "No, no, no. I'm not doing it that way!" This is going to sound real crazy. I have to sit down and talk with the character, "Okay, tell me, then, what would you do?" and then I have to "listen" to the character by writing it out, and usually the character or character and sidekick have a better idea. So I have to go with that.

And the interpersonal conflicts? Ah, yes, those. Sometimes they have to go on for a few chapters. Sometimes it starts a new sub plot. You can leave the chapter where the tension is temporarily relieved.

#8656
fluffywalrus

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sH0tgUn jUliA wrote...

Yes, MrStoob, main plot stuff is labor.It's the sub plots that are fun. They're almost like cruising for a joy ride with the characters.

I agree with you about planning. I just have very "general plans," because I might be writing something and I'd get to a point and a character would balk at it. "No, no, no. I'm not doing it that way!" This is going to sound real crazy. I have to sit down and talk with the character, "Okay, tell me, then, what would you do?" and then I have to "listen" to the character by writing it out, and usually the character or character and sidekick have a better idea. So I have to go with that.

And the interpersonal conflicts? Ah, yes, those. Sometimes they have to go on for a few chapters. Sometimes it starts a new sub plot. You can leave the chapter where the tension is temporarily relieved.


Haha, I do the same thing! My roommates often think I'm on the phone a lot, but I'm usually just sitting on my bed with a notebook in my hand, or I'm at my computer, just having a conversation with whatever character(s) I'm writing about. pre-fic, I spend days getting to know my characters, and these kind of things just happen, where my characters are all "Nope, that's not happening, gimme a break!" or "You know, I'd probably actually do this instead." or even "Hey, you know what would be nice? Rec time...gimme it."

And it's like, who am I to argue? So I just go with it, while my characters are like little angels on my shoulders, hassling me and prodding me in whichever direction they feel best.

#8657
sH0tgUn jUliA

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Goddess, and now I decided to write an introduction to the story.... as the author.... in character. I chose an Asari pseudonym. Julia T'siri. I wanted to give a brief history of the ME universe in case someone picks up this thing a few years from now so that they have a clue about what they're reading. Of course this means putting myself in an "Asari frame of mind" with an Asari galaxy view. This is fun.

#8658
Ignis Mors

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 I have a question for you guys. In Crucible Effect I have it so that Cousland's father from Dragon Age is in it as a small bit character. So, do I need to put it as a crossover with Dragon Age? And, I'm thinking of putting Revan's dead dad from my KotOR fic in as well. 
In explanation of these seemingly strange things, so you have the info you need. I have it so that the Beings of Light briefly mentioned in one of the planets' description are secretly fighting the Leviathans, and they're doing everything they can to prevent synthesis because if it is achieved, they will cease to exist. Basically, how I have them working(though not yet explained in the fic.) is that when people die, they can become Beings of Light. But, the Beings have learned that if they don't explain the process of becoming a Being, 99% of people wouldn't actually become one. So, they can basically choose who becomes one of them.
Anyways, when Shepard died at the start of ME2, they offered her a chance to become one of them, and she spent about a year in everyone's time thinking about it, and it's a time consuming process to become one. So, she's partially BOL when she's revived. However, her memories of the Beings are wiped when she wakes up, so she doesn't remember it. Anyways, in the last chapter I had her dad(as a BOL) show up on Haestrom because Miri was captured to use as leverage to make Shepard to cause synthesis. And, the reason that Shep can cause synthesis is because she's part BOL. Anyways, her dad is there to take her to train her so she can more precisely control the space-time distortion the Crucible creates when it activates to send herself and others further back. So they can be better prepared to fight the reapers when they show up. 
So,anyways, Cousland's dad is another BOL as well as Revan' pop(if I include him). Does that mean I need to switch it to a crossover?
Also because this was too serious for my taste. Here's a silly transformers demotivational.
Image IPB

Modifié par Ignis Mors, 07 février 2014 - 09:28 .


#8659
BronzTrooper

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Ignis Mors wrote...

Image IPB

lol, awesome!

Ok, so I'm deciding whether or not I want to add a new OC to my fanfic, Keep Running, and I've narrowed it down to either an asari or a female quarian.  Now, I suck at coming up with names (especially for non-human characters) and I kind of want to have names for them just in case if I decide to add a new OC.  Any ideas?

#8660
Seracen

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Gamer072196 wrote...

Ok, so I'm deciding whether or not I want to add a new OC to my fanfic, Keep Running, and I've narrowed it down to either an asari or a female quarian.  Now, I suck at coming up with names (especially for non-human characters) and I kind of want to have names for them just in case if I decide to add a new OC.  Any ideas?


For your consideration, ME name generators...

http://lordess-alici...rator-367877785

http://www.lennali.n...en/meocgen.html

You're welcome! :P

#8661
sH0tgUn jUliA

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Love the generators. Well, the name generators do as well as I do. Hey, try making up names for Asari cities! You know there are more than two cities on Thessia.

Or come up with a Quarian name for the father of a 400 year old Asari. They will not have a ship name.

I love this one the second generator came up with for the personality of my Asari semi-anti-hero protagonist:

Xenophobic, Bisexual
Friendly, Generous; Unfriendly, Pessimist, Hateful, Spendthrift; Aggressive, Materialistic, Aggressive

Now I wouldn't call her xenophobic. It's not a phobia. She's not afraid. She's despicable. And she has reasons that are perfectly logical to her and to others once she explains them.... it's... complicated. Sex hasn't come up yet, for her. Will it? I don't know. I haven't decided. For her it isn't a necessary part of her story arc. I wouldn't call her hateful either. Hate is such an ugly word. I would call it more of a total disregard for life, but she never kills innocents, even those of a couple of particular races. She's very generous with other people's money, especially to herself. Pessimist? No. She's an optimist on the outside. Inside she just doesn't give a damn except about one thing other than herself (you'll have to read to find out), thus she succeeds. Aggressive? I'm not exactly sure you'd call it that. Calculating is more appropriate. And to top it off, deep down, she has a conscience whether or not she acknowledges it: a convenient conscience, but a conscience nonetheless. And she has a very dry sense of humor that relies upon sarcasm, timing, and wit - actually she doesn't even think she's funny. This is a very deep character.

So how does someone like this become a protagonist? Being in the wrong place at the right time.

Stop judging her! While Asari may resemble humans and in some ways are similar to humans, they are aliens. Don’t apply human morality to them. No two species are identical. All must be judged on their own merits. Treating every species like one’s own is racist, even benign anthropomorphism.

Modifié par sH0tgUn jUliA, 07 février 2014 - 07:16 .


#8662
BronzTrooper

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Seracen wrote...

Gamer072196 wrote...

Ok, so I'm deciding whether or not I want to add a new OC to my fanfic, Keep Running, and I've narrowed it down to either an asari or a female quarian.  Now, I suck at coming up with names (especially for non-human characters) and I kind of want to have names for them just in case if I decide to add a new OC.  Any ideas?

For your consideration, ME name generators...

http://lordess-alici...rator-367877785

http://www.lennali.n...en/meocgen.html

You're welcome! :P

Thanks, but the first one I can't use on my phone and the second one helps with creating personalities, which I have no problems with.  I'll see if I can find some that will work on my phone, so thanks for letting me know about them!

Modifié par Gamer072196, 07 février 2014 - 09:25 .


#8663
Seracen

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Gamer072196 wrote...

Thanks, but the first one I can't use on my phone and the second one helps with creating personalities, which I have no problems with.  I'll see if I can find some that will work on my phone, so thanks for letting me know about them!


Do not know why, but I just pictured you typing your entire story on your phone, haha.

If you do that, however, you are a braver person than I.  I disdain using tablet touchscreens, as large as they are, I can't imagine how insane I'd go trying to type on my phone's QWERTY.


sH0tgUn jUliA wrote...

Love the generators. Well, the name generators do as well as I do. Hey, try making up names for Asari cities! You know there are more than two cities on Thessia. 

Or come up with a Quarian name for the father of a 400 year old Asari. They will not have a ship name. 

I love this one the second generator came up with for the personality of my Asari semi-anti-hero protagonist:

Xenophobic, Bisexual 
Friendly, Generous; Unfriendly, Pessimist, Hateful, Spendthrift; Aggressive, Materialistic, Aggressive

(snip)

So how does someone like this become a protagonist? Being in the wrong place at the right time.

Stop judging her! While Asari may resemble humans and in some ways are similar to humans, they are aliens. Don’t apply human morality to them. No two species are identical. All must be judged on their own merits. Treating every species like one’s own is racist, even benign anthropomorphism.


Hah, sounds like a crazy character, "friendly" AND "unfriendly," I wouldn't put bipolarism past your description :P!  Do you find her more compelling to write than other characters?  Character studies always interest me.

Modifié par Seracen, 08 février 2014 - 06:38 .


#8664
BronzTrooper

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Seracen wrote...

Gamer072196 wrote...

Thanks, but the first one I can't use on my phone and the second one helps with creating personalities, which I have no problems with.  I'll see if I can find some that will work on my phone, so thanks for letting me know about them!


Do not know why, but I just pictured you typing your entire story on your phone, haha.

If you do that, however, you are a braver person than I.  I disdain using tablet touchscreens, as large as they are, I can't imagine how insane I'd go trying to type on my phone's QWERTY.

Actually, I type on my computer.  It's just the the Internet is down at my house again, so the only way I can surf the web is through my phone.  Besides, my stories are all on my flash drive so I know that I can continue them any time I want, as long as there is a computer nearby.

#8665
sH0tgUn jUliA

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Seracen wrote... (snipped response to someone else)

sH0tgUn jUliA wrote...

Love the generators. Well, the name generators do as well as I do. Hey, try making up names for Asari cities! You know there are more than two cities on Thessia. 

Or come up with a Quarian name for the father of a 400 year old Asari. They will not have a ship name. 

I love this one the second generator came up with for the personality of my Asari semi-anti-hero protagonist:

Xenophobic, Bisexual 
Friendly, Generous; Unfriendly, Pessimist, Hateful, Spendthrift; Aggressive, Materialistic, Aggressive

(snip)

So how does someone like this become a protagonist? Being in the wrong place at the right time.

Stop judging her! While Asari may resemble humans and in some ways are similar to humans, they are aliens. Don’t apply human morality to them. No two species are identical. All must be judged on their own merits. Treating every species like one’s own is racist, even benign anthropomorphism.


Hah, sounds like a crazy character, "friendly" AND "unfriendly," I wouldn't put bipolarism past your description :P!  Do you find her more compelling to write than other characters?  Character studies always interest me.


For some reason, yes, she's very compelling, especially her interaction with a couple other squad members. I had an extensive discussion about her with a friend of mine who is a psychologist and she was fascinated with the character. I sent her a couple of chapters. I thought the character was quite shallow, but she pointed out some things for me to look at, and that quite the opposite, "the character is very deep. Now keep writing her." Add to this that she's a racist, despite being Asari. I did a character analysis using TV tropes of this character.

1) Nominal Hero or Type V Anti-Hero - based on mutual interest, relationships (her squad), annoyance (spoiler), reward (of course).
2) Anti-villain (character history then made slide to Anti-Hero at the start of the war)
3) Bad ass
4) Because I'm good at it - "So you kill people for a living?" "Yeah." "Why?" "Because I'm good at it."
5) The charmer
6) Determinator - she will get the job done and won't let anyone or anything stand in her way. 
7) Code - she won't kill innocents - wow. 
8) Sophisticated as hell - uses precision f-bombs when stressed, otherwise her dialogue is quite sophisticated.
9) Despair Event Horizon
10) An offer you can't refuse 
11) Berserk Button - however since this does not involve a petty insult, but rather someone she cares about, a rant is the least of your worries. Having her bust a cap your ass is.
12) At least she's on our side.

But these things need defining, especially as one nears the reveal moment. You don't suddenly wake up one morning and decide "I'm going to kill people for a living." Well maybe some people do, but not Naleena. What was her "event horizon?" What pushed her over the edge? I figured out this last night.

And she's real cool-headed, almost to a fault. So does she have a berserk button? I think she does.

So I ended up with a very complex character, and a very flawed character. I think this is what makes the character more compelling to write than the others. I don't like perfect characters. 

The odd thing was that originally she was "marked for death" early on in the story. I couldn't go through with it, so I took a cop out and removed her from the war by sending her back to the hospital. The character history reveals started coming out on the way back to the hospital. Then in rides Redbelle with her character Jerry-Ann Wyld with a medical device that patched up Naleena, and got her back into action. It became obvious that it was Naleena and not Ereba who was the protagonist of my story. Despite all the piles of s*** I throw in Naleena's path she seems to come out on top. Nothing has gone completely according to plan. There have been sacrifices along the way. :crying: But characters die certain types of stories, and this is one of those stories. They have to, otherwise there is no conflict. And there has to be conflict within the group. 

#8666
Seracen

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I find that my mood determines what characters I find compelling. Also my evolution as a writer or even as a viewer will cause severe polarizing shifts in my tastes.

For instance, there was a character I initially might like, then come back in a year, hate them, then eventually learn to like them again. Moreover, it wasn't some evolving story, it was my perspective that changed.

There are a few movies that I recently watched, wherein certain characters were supposed to be sympathetic. However, I am so tired of certain cliches and archetypes, I was actively rooting for their demise.

My biggest dichotomy is my cynicism, which constantly wars with the part of me that is still a romantic. It can make for some jarring shifts in writing sometimes, which is why editing can take as long as writing for me.

#8667
MrStoob

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Seracen wrote...

I find that my mood determines what characters I find compelling. Also my evolution as a writer or even as a viewer will cause severe polarizing shifts in my tastes.

For instance, there was a character I initially might like, then come back in a year, hate them, then eventually learn to like them again. Moreover, it wasn't some evolving story, it was my perspective that changed.

There are a few movies that I recently watched, wherein certain characters were supposed to be sympathetic. However, I am so tired of certain cliches and archetypes, I was actively rooting for their demise.

My biggest dichotomy is my cynicism, which constantly wars with the part of me that is still a romantic. It can make for some jarring shifts in writing sometimes, which is why editing can take as long as writing for me.


Ah, a fellow cynic. I can barely watch 5 minutes of a modern movie without rolling my eyes at all the patently obvious cliches and set ups.  For some reason, I can ignore that part of my brain for ME.  Mostly...  :P

#8668
hot_heart

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Ugh, just not feeling this current chapter. Put it down to lack of creativity, I guess, but I cannot see a way to make Miranda's role in the Priority: Earth bit at the end of ME3 particularly interesting.

Her team go in, kill some guys and make it to a forward base; with losses, I figure. I can try and pretty up the language all I want (but not too much, given that it's Miranda), but it doesn't really give me a reason for it to be there except for 'cool action'.

Maybe I should just apologise to my readers and skip over it as originally planned...but I don't like to back away from a challenge. Argh.

/endgrumble

#8669
MrStoob

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Has your Miranda been to London before? Do you know London well or at all to add realism/spice? Does any of that apply to her squad? Are there any Cerberus operatives milling around for the final fight?

Tuppence worth.

#8670
hot_heart

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I have a small bit of narration regarding a previous visit to London, but unfortunately I don't know it well enough to write anything convincing as regards to locations for the battle (was the conduit ever given an exact location?)

Problem is, I've also got the squad as pretty focused when it comes to combat situations, and I've ratcheted up quite how deafening and debilitating the Reaper 'foghorns' are. Hmm...

I'll probably stumble across something more engaging once I get past the 'big push through fields of rubble' part and into the more intense, close-quarters fighting. Probably...

Thanks for the suggestions!

Modifié par hot_heart, 09 février 2014 - 11:04 .


#8671
MrStoob

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Yea, thankfully ME3 wasn't overly-specific with which part of London the various events took place so lots of liberty to be taken. There's some interestingly named areas of London such as 'Elephant and Castle', 'Tooting', or if you really want to give any British readers a chuckle, 'Walford', which is a fictional area of London from one of the UK's most popular soap operas, 'Eastenders'.

Edit:
Eastenders/Mass Effect cross-over. *shakes head at self*

Modifié par MrStoob, 10 février 2014 - 01:40 .


#8672
Seracen

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MrStoob wrote...

Ah, a fellow cynic. I can barely watch 5 minutes of a modern movie without rolling my eyes at all the patently obvious cliches and set ups.  For some reason, I can ignore that part of my brain for ME.  Mostly...  :P


I think anime has killed my tolerance for such things (unrequited love, pretend to hate/doesn't realize one's feelings of love, convenient plot holes).  Not to say I am immune to such things, but it has to be done in a compelling manner, not as a shorthand.

For me, I LIKE to see proper romantic development.  I love seeing "poignant" character building.  It adds to stories, IMO.  However, the cynic comes out to play whenever it's done in an overly forced/cliched manner.


hot_heart wrote...

Ugh, just not feeling this current chapter. Put it down to lack of creativity, I guess, but I cannot see a way to make Miranda's role in the Priority: Earth bit at the end of ME3 particularly interesting.

Her team go in, kill some guys and make it to a forward base; with losses, I figure. I can try and pretty up the language all I want (but not too much, given that it's Miranda), but it doesn't really give me a reason for it to be there except for 'cool action'.

Maybe I should just apologise to my readers and skip over it as originally planned...but I don't like to back away from a challenge. Argh.

/endgrumble


I have came across this issue in my editing process.  There are a few scenes where I had written (insert fight scene here), but neglected to do so.  There were plenty of other scenes with action, other chapters are rife with fights and whatnot.

I just had no interest in writing scenes where the gaps were.  I got around it by exploring the emotions of the characters, and jump cutting between scenes.  I found it to be more powerful.

At this point, I figured that the readers were invested in the characters.  It was more compelling, to me at least.  Furthermore, the jump cutting ramped up the speed and pacing, adding to the tension as well.

So yeah, it could be an opportunity to explore your characters in extreme settings.  However, you don't want to just be going through the motions either.  Hope you figure something out!

#8673
sH0tgUn jUliA

sH0tgUn jUliA
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I did one of those last night. I don't even know why I was trying. I had a migraine. I read through it today. It wasn't that bad. I just had to fill in some words here and there. Kick it a bit here and there. I still wasn't in the mood for a fight scene, so I made it a skirmish. Then moved on with the story.

RE: London. Google Map. I just dropped to street level and went.

BTW every time a Vorcha says "I LIVE!!!" a kitten dies.

#8674
fluffywalrus

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MrStoob wrote...

Edit:
Eastenders/Mass Effect cross-over. *shakes head at self*


That would be one of the stranger crossovers I've ever read. :whistle:

#8675
MrStoob

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The squad approaches the rubble of an open area, evidently previously a residential block.

"Leave it, Phil! 'e's not worf it!" a voice cries out from the shell of the Queen Victoria pub.


I'll leave it there... ^^