fluffywalrus wrote...
That's one thing I'm kind of curious about.
Do any of you need music to write? Or simply listen to music while writing just because you can(and because music is awesome)? If so, what kind? What musicians? Any weird quirks or habits when you're listening to music and writing?
I'd say about a third of the time I'm typing in solence, but the other two thirds I'm listening to music. I've got different writing playlists set up because I find it hard to write a happy scene when something full of dread like The Dead Flag Blues comes on. Much like I couldn't write a depressing scene if the Beach Boys were playing
Music totally affects my mood and I need to my synchronized, I guess.
I generally can't write to songs with vocals that are pushed to the front of the mix...too hard to hear myself think. I generally listen to more ambient or instrumental stuff like Eluvium, Explosions in the Sky, Max Richter, Deaf Center, and the oh so wonderful Clint Mansell when I'm writing so I can talk aimlessly about what I'm doing or thinking without getting interrupted. Sometimes I dip into jazz or 'classical' too, when I get that kind of feel for a scene. Not often, though. Not yet, at least.
And as an aside, one thing that confuses me about Shepard's past is her involvement in the Skyllian Blitz. Joker basically states Shep had some inolvement in the Blitz after the ME3 Thessia mission(makes remarks about her biometrics or whatnot).
Now, that's stated in the gane, but none of the characterrs I've run through ME3 were "War hero" templates, who were active in the Blitz.
Does this mean that no matter what, Shepard was on Elysium, and perhaps just wasn't the "Hero"?
I find a playlist on Youtube, and let that play through while I write. It always has to be a mix of Two Steps Fromm Hell, Audiomachine, Future World Music, that kind of thing. No words, faux latin chanting at the most. It helps me feel the scene, and I don't have the distraction of lyrics to interfere.
On another note, I've just broken out of a huge funk I'd got myself into after ME3. I got seriously down, and my writing really suffered. I've been on the same mission for two months now, when I used to have a schedule of a mission a week. But as I was walking out and about today, my mind went back to ME2, to a certain scene with a certain scientist Salarian talking about his nephew. It kind of inspired a new train of thought in my brain that went thus:
'It's hard to care about anything that happens in ME3, really, because it all deals with civilisations, nations, planets. Stuff we can't really conceptualise. How do we really picture the entirety of Earth being lost? But ME2, that gave us individuals to worry about. We loved, we hated, we argued, we agreed. And in the end what happened to these people mattered to us on a very personal level. So really, why should I let what Bioware made happen to an unrelatable Galaxy stop me from writing about the crew, the squad, the characters that I care for so much?'
'Can't anthropomorphise Galaxy but... can think of favourite characters. Writing for them.'
I'm going to write this story, no matter how grim the reality of the franchise gets!
Just wanted to get that off my chest. I'm back on form again!