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Why I chose Synthesis


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#1101
o Ventus

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memorysquid wrote...

o Ventus wrote...

2. Except he's, y'know, dead. I doubt he was somehow making a mental command whilst fondling those handles. The lethal dosage of electricity turning him into ash must have been occupying his mind. how does Shepard "rewrite their programming" when he has no idea how they work? If the Reapers had "programming", doesn't that conflict with th notion that they aren't fully synthetic? Even if he rewrote them, that doesn't mean he controlled them. He repurposed them, that's it. Shepard doesn't take control of the heretic geth by rewriting their programming, does he?


I don't doubt he made them all into shackled AI's or got turned into controlling Reaper code or something because the event changed what the Reapers did. So who cares if he specifically turned them all into shackled AI's or rewrote behavior code like EDI does to herself frequently or whatever hand waving magic is used to explain their change in behavior?  This is like an argument with a theist.  You will multiply entities until you can escape what the authors wrote so further discussion is pointless.


You're doing the same exact thing.

Hell, I'm only doing it because I'm responding to your brain-damaged points.

#1102
The Night Mammoth

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memorysquid wrote...

I think you'll find you managed a category error and a false dichotomy in one short sentence.


I think you'll find it was also completely intentional. 

Control lies with the author who's dictated the nature


The nature of the choices? 

We don't know them, hence these discussions, and we have no definitive way of knowing them. 

and resolution of every dilemma in game.


Which we also don't know. 

So it's all down to interpretation, and I simply don't care for that kind of argument. 

Within that constraint, they've cast Shepard as the decision maker and you get to choose which prewritten responses get enacted.  


Other than the fact that we don't fully know what the responses are, whether it's Shepard choosing or me choosing is frankly irrelevant. I'm the one that walks Shepard up to which choice I want. The reasons for doing so are my own.

The game could be cast from a first person perspective; it just happens not to be.  From your asserted perspective, none of the choices are morally abominable because they are simply choices about which images play on a screen, but a number of people are claiming synthesis is morally abominable which means they are involved in a thought experiment about it really occurring.


Well yeah, that's kind of the point. I don't know exactly how you'd explain what you're talking about, but it seems to me that, simply put, this discussion is pointless because it's about something fictional, and that certain people are wrong to label anyone based on their choice within the fiction. Would I be right? Almost right? Or way off? I'm genuinely not certain. 

#1103
Taboo

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Yes. I am an ethical proponent, and I always will be.

Ethics matter, and always will. When you forger them, you become a monster.

Things are ONLY black and white until they involve YOU.

#1104
memorysquid

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Ieldra2 wrote...

DrZann wrote...
I chose synthesis as well. Because Joker and EDI looked so damned cute together at the end.

And maybe Mass Effect 4 will have a neato trans-humanist thing going for it.

Joker and EDI - if romanced - are almost the symbolic embodiment of Synthesis. As for your ME4 setup - as much as I'd like to see that, there won't be a Mass Effect game set after the Reapers.


They are the symbolic embodiment of synthesis, not even almost.  They are the couple left after Ragnarok, roboAdam and cyberEve stepping out into a brave new world of circuit imprinted leaves.  I felt the writers went out of their way to hammer us over the head with the symbolism.

#1105
jtav

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Taboo, has it occurred to you at all that pro-Synths are also trying to do their best to act ethically and those ethics are different from yours?

#1106
Taboo

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Uh, two gods came out of Ragnarok.

Balder and Hod.

As did two humans Lif and Lifprasir.

This is Christianity, not Norse Mythology.

#1107
jla0644

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Vigilant111 wrote...

jla0644 wrote...

Taboo-XX wrote...

This is art, there are no wrong interpretations.


So it's possible to view Synthesis without seeing a fascist aesthetic at work, and this view isn't wrong?


subjective right interpretation (Destroy) vs objective wrong interpretation (Synthesis)

vice versa for a synthesis supporter

EDIT: replace "right" and  "wrong" with "justified, idealistic, ethical" and "unjustified, realistic, unethical" respectively


He just said there are no wrong interpretations (even though he's spent the entire thread arguing the opposite). But I really don't know what you're trying to say. I guess you think you can objectively prove that Synthesis is "wrong", "unjustified", and "unethical", but it's your opinion that Destroy is "right", "justified" and "ethical"?

You're using words that don't really belong together, like "objective" and "interpretation".

Objective: emphasizing or expressing things as perceived without distortion of
personal feelings, insertion of fictional matter, or interpretation.

#1108
DrZann

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Ieldra2 wrote...

Joker and EDI - if romanced - are almost the symbolic embodiment of Synthesis. As for your ME4 setup - as much as I'd like to see that, there won't be a Mass Effect game set after the Reapers.

Lol. I never once thought that NOT romancing Joker and EDI was an option. It seamed so right. Guess I really am a misty eyed romantic after all.:)

EDIT: I'm really hoping for a game set after the Reapers. Would like to see how the big 3 decisions effect the gallaxy. But your probably right. 

Modifié par DrZann, 15 juin 2012 - 09:17 .


#1109
clennon8

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Ieldra2 wrote...

there won't be a Mass Effect game set after the Reapers.


Not sure I agree with that.  Unless they want to cut humans out of the game entirely, there isn't much to work with going backwards on the timeline. 

I think it's likely they'll jump a couple hundred years in the future, and either pick a canon ME3 ending or contrive a way for them all to more or less converge into a single outcome.

#1110
o Ventus

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clennon8 wrote...

Ieldra2 wrote...

there won't be a Mass Effect game set after the Reapers.


Not sure I agree with that.  Unless they want to cut humans out of the game entirely, there isn't much to work with going backwards on the timeline. 

I think it's likely they'll jump a couple hundred years in the future, and either pick a canon ME3 ending or contrive a way for them all to more or less converge into a single outcome.


I don't see why they wouldn't. I mean, they did it with every single subplot in ME3, with the exception of Rannoch and the genophage.

#1111
Taboo

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jla0644 wrote...

Vigilant111 wrote...

jla0644 wrote...

Taboo-XX wrote...

This is art, there are no wrong interpretations.


So it's possible to view Synthesis without seeing a fascist aesthetic at work, and this view isn't wrong?


subjective right interpretation (Destroy) vs objective wrong interpretation (Synthesis)

vice versa for a synthesis supporter

EDIT: replace "right" and  "wrong" with "justified, idealistic, ethical" and "unjustified, realistic, unethical" respectively


He just said there are no wrong interpretations (even though he's spent the entire thread arguing the opposite). But I really don't know what you're trying to say. I guess you think you can objectively prove that Synthesis is "wrong", "unjustified", and "unethical", but it's your opinion that Destroy is "right", "justified" and "ethical"?

You're using words that don't really belong together, like "objective" and "interpretation".

Objective: emphasizing or expressing things as perceived without distortion of
personal feelings, insertion of fictional matter, or interpretation.


There are no wrong interpretations of art, but certain things will always be inherent in the material.

To Kill a Mockingbird will  be about race relations at some point, even if one chooses to believe it is only about Scout growing up in the South.

Modifié par Taboo-XX, 15 juin 2012 - 09:20 .


#1112
Heeden

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o Ventus wrote...

Since no one has mentioned this yet...

Ignoring the implausibility of a singularity, such an event would much more likely be beneficial to us than harmful.

It's hilarious how Moore (The same Moore whose "law" everyone treats like gospel around here) also opposes the idea of a singularity.


Albert Einstein was opposed to the idea of quantum physics.

#1113
memorysquid

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The Night Mammoth wrote...

memorysquid wrote...

I think you'll find you managed a category error and a false dichotomy in one short sentence.


I think you'll find it was also completely intentional. 


My point was that since Shepard's written character is not mine and the options offered are not how I would have reacted, and since their exposition of what is physically possible is incoherent with my own, it is simply inappropriate to evaluate the ethical choices in the game by any standards but the game's.  If you intentionally wrote the above to be non-responsive to that point, why write it at all?

Control lies with the author who's dictated the nature


The nature of the choices? 

We don't know them, hence these discussions, and we have no definitive way of knowing them. 


The writers seem pretty straightforward about the nature of the choices.  They are stated, along with probable outcomes, and then you make a choice.

and resolution of every dilemma in game.


Which we also don't know. 

So it's all down to interpretation, and I simply don't care for that kind of argument. 


Again, they let us know, within some timeframe what the resolution is.  Are we both talking about ME3?  How is it that you encountered a bunch of undefined dilemmas that had no observable outcomes?


Within that constraint, they've cast Shepard as the decision maker and you get to choose which prewritten responses get enacted.  


Other than the fact that we don't fully know what the responses are, whether it's Shepard choosing or me choosing is frankly irrelevant. I'm the one that walks Shepard up to which choice I want. The reasons for doing so are my own.


Sure they are, and they could simply be that you prefer red to blue or green.  But the discussion here is of the ethical implications of the choices, and how that ethics plays out in the game, not our own, universe.


The game could be cast from a first person perspective; it just happens not to be.  From your asserted perspective, none of the choices are morally abominable because they are simply choices about which images play on a screen, but a number of people are claiming synthesis is morally abominable which means they are involved in a thought experiment about it really occurring.


Well yeah, that's kind of the point. I don't know exactly how you'd explain what you're talking about, but it seems to me that, simply put, this discussion is pointless because it's about something fictional, and that certain people are wrong to label anyone based on their choice within the fiction. Would I be right? Almost right? Or way off? I'm genuinely not certain. 


Way off, I think. 

1) Nothing wrong with discussing the ethics of a fictional situation.  See, it wasn't that hard to describe what I was doing.

2) Videogame simulated genocide is nothing like actual genocide, but the person who enjoys role-playing genocide by proxy is not someone likely to be swell.  If you search, through play acting, to enact unethical behaviors, then you've got issues.  And who is talking about "labelling" anyone?  Some people are asserting that, in the context of the game, synthesis is a horrific choice.  Others disagree.  A discussion is ongoing.  Again, not to hard to figure out what is happening.

#1114
Taboo

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Heeden wrote...

o Ventus wrote...

Since no one has mentioned this yet...

Ignoring the implausibility of a singularity, such an event would much more likely be beneficial to us than harmful.

It's hilarious how Moore (The same Moore whose "law" everyone treats like gospel around here) also opposes the idea of a singularity.


Albert Einstein was opposed to the idea of quantum physics.


What's even worse is that the theory of relativity is being challenged right now. Those tests that showed that those particles moved faster than light? They haven't dismissed them yet.

A repeat of the same test showed the same results.

Should be interesting to see if we can turn on it's head. **** yeah time travel.

#1115
Shepard Wins

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Why you chose synthesis? Because you've been indoctrinated.

/thread

8-]

#1116
clennon8

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Oh, how I wish IT were true. But it probably isn't. Anyway, we've managed to keep IT out of this conversation so far. Let's keep it that way.

#1117
Heeden

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Taboo-XX wrote...

Ieldra still hasn't figured out that I'm not attacking him when I say Synthesis has fascist aesthetics.

I like Wagner's Ride of the Valkyries as much as anyone. His political views are still there, but it doesn't make me want to invade Poland when I hear it.


I'm confused as to the point you're trying to make, are you trying to say Synthesis is fascism, or simply shares some aesthetic qualities (which are also shared by dozens of other things). The ancient Greeks and Renaissance Europeans also favoured perfection of body in their art-work (the Greeks also believed in racial superiority, the Renassance was all about rebirth) but their political systems were mostly based on democracy, theocracy and autocracy; not fascism.

You might as well say Destroy has communist aesthetics, because it's red. The connection is meaningless.

#1118
memorysquid

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Taboo-XX wrote...

There are no wrong interpretations of art, but certain things will always be inherent in the material.

To Kill a Mockingbird will  be about race relations at some point, even if one chooses to believe it is only about Scout growing up in the South.


So if I see a landscape of a snowy hill and say "Wow, that is a great painting of a pizza," have I not misinterpreted?  It is possible to misinterpret even very clear communications, much less oblique ones like art.

#1119
clennon8

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Without wanting to overly discourage a fellow anti-Synth, can I just say that I wish "fascist aesthetics" had never been introduced to this conversation?

Modifié par clennon8, 15 juin 2012 - 10:13 .


#1120
Heeden

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Taboo-XX wrote...

What's even worse is that the theory of relativity is being challenged right now. Those tests that showed that those particles moved faster than light? They haven't dismissed them yet.

A repeat of the same test showed the same results.

Should be interesting to see if we can turn on it's head. **** yeah time travel.


A couple of faulty instruments are thought to be the cause of the result, repeat experiments have capped neutrinos at c and the leader of the group resigned.

#1121
Taboo

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The word is aesthetics Heeden. It shares traits with facist art but is not facist. The other two share traits as well, but we never talk about them in Synthesis threads. Do you understand now?

Also, squid, here is the answer to your question.

"I have seven identical red squares, but each has a different style, how can this be?"

Answer that, and you have your answer.

#1122
Heeden

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Taboo-XX wrote...

The word is aesthetics Heeden. It shares traits with facist art but is not facist. The other two share traits as well, but we never talk about them in Synthesis threads. Do you understand now?


I just want to know what the point of bringing it up is, and why describe it as fascist instead of classical or Renaissance?

Please explain how having aesthetic qualities similar to fascist art in any way affects the moral or technical reasonings of Synthesis.

Also, squid, here is the answer to your question.

"I have seven identical red squares, but each has a different style, how can this be?"

Answer that, and you have your answer.


They're positioned at different angles.

Modifié par Heeden, 15 juin 2012 - 10:22 .


#1123
memorysquid

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@Taboo I don't think it can be. A red square is a red square. Whatever meaning you import is your own.

#1124
lillitheris

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clennon8 wrote...

Without wanting to overly discourage a fellow anti-Synth, can I just say that I wish "fascist aesthetics" had never been introduced to this conversation?


<3

#1125
jla0644

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Taboo-XX wrote...

There are no wrong interpretations of art, but certain things will always be inherent in the material.

To Kill a Mockingbird will  be about race relations at some point, even if one chooses to believe it is only about Scout growing up in the South.


This is a poor analogy, mainly because it's a book that doesn't require endless amounts of speculation. You could have chosen an example that wasn't quite so obvious, but you didn't, and here we go.

Even someone who believed Mockingbird was about Scout growing up would have to realize that race relations is at least peripherally related to that theme. You'd have to try pretty hard to miss that the theme of race relations was in fact present in the book.

However, if my interpretation of Synthesis involves organics remaining organics, complete with their flaws, weaknesses, and individual personalities, then your theme of fascist aesthetics doesn't come into play. I would have to abandon my viewpoint and adopt yours to see it. It doesn't exist in mine, not even peripherally, because Synthesis isn't about organic life achieving some state of perfection.