Now, for those that don't know, Mac Walters was the lead writer for Mass Effect 3 and Drew Karpyshyn was the writer for the first game. Mac and Drew worked together on the second one.
Now lots of spoilers from here on out for all ME games.
As far as the Collectors being Protheans in ME2, I have a feeling this was a call by Mac Walters, not Drew. Drew strikes me as a conserative (but excellent) writer. I'm not TOO fimilar with a lot of his work out side of Mass Effect, though. Knights of the Old Republic, sure! Neverwinter, not so much. I vaguely recall Baldur's Gate II. But that Collector business always struck me as a little "put on". It's a fine twist, but it felt like a dues ex machina.
Anyway, Mac strikes me as a brave writer willing to experiment. This is great and seemed to work okay with Drew, who is an experienced writer and a traditional one (who could balance Mac out), but when Mac was paired with
Neil Pollner, a writer with only 5-7 years in the business (and all of it at Bioware), Mac's crazy ideas (god child, space magic) got out of control with no one to check him.
Now, I'm okay with a twist ending and something unexpected. I loved Fahrenheit's ending (Indigo Prophecy here in the states. It's a game by a seperate developer, Quantic Dream), but for a series where EVERY decision you make deterimines what happens around in a game, where many, if not most, of your fans have spent 100+ hours of their lives in and many felt every up and down personally, you do NOT leave out an option to save your character, to save your avatar, to save yourself. Shepard's story ends here and that's fine, but all too many writers think that means "kill 'em off". Shepard wasn't born to battle. She wanted to settle down and retire. She wanted a life. If she had simply accepted she was an old soldier, okay. But she wanted kids! Comon!
Now, all games likes this are written as a group effort, but seriously. Writing direction. Set us up for a satisfying ending one way or the other. Not let Shepard live if she didn't think she could have a normal life after this. Not killing her if she wanted to live and have children and grow old. THAT'S an end to her story too.
I dunno. Just my opinion. I get very heavily emotionally invested in good stories but this... a story is judged by it's opening and mostly it's ending. This ending wasn't good for me.
I just think that while Mac is a good, if unconventional, writer, sometimes he needs someone to pull him back. Maybe I'm attributing story elements that weren't his, however. But he WAS the lead writer, so... all responibility goes to him. xD
Anywho, I'm just curious if people have drawn these lines as well or if I'm seeing epileptic tress.
Modifié par Michelle Howe, 22 juillet 2012 - 03:45 .




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