BrookerT wrote...
Conniving_Eagle wrote...
BrookerT wrote...
mauro2222 wrote...
I can also easily defend a horrible painting too. ![=]](https://lvlt.forum.bioware.com/public/style_emoticons/default/sideways.png)
But how can you define what is a horrible painting? I know people are going to hate me for saying this, but art is subjective, every view point is valid. This isn't me going on about "can't critiscize art", but for evey person who loves the Mona Lisa, there will always be people with well thought out arguments on why it sucks balls. It's who Art Critique works.
A painting and a story are two different things. As are art and literature.
No, they're really not. I say that the Last Supper is crowded and directionless, you say its brimming with life and full of dulcet tones. I say the Catalyst is an interesting plot point and that the closure I recieved was adequate and well written, you say the opposite I presume. Art Critque is subjective. All art is off subjective quality.
In the Last Supper, you can see the artist direction, what he painted. That's good art, it has quality paiting. You can guess why he painted that, but you can't say that there's a Terminator hidden behind Jesus (you can say it, but is nosense).That's exactly the level of speculation of the horrible ending. The catalyst is by all means a cheap plot solution, more cheaper than the crucible being an off button.
"The creator will always rebel against its creator" is so obvious and stupid that the catalyst could say "The sun comes out everyday, that's why we reap" and it would make more sense.
You can explaing whatever feelings of emotions or "colors" you see, but we both see people, chating and eating.