Saito404 wrote...
About Shepard's rescue scene. Every character have a line "We got Shepard" in Leviathan DLC, so it can be used. Random soldiers (and friend / LI off-screen) rescue Shepard and LI / friend tells Joker "We got Shepard".
MrFob wrote...
What? What part? Of the crucible? Is it the part in the back that looks like a bottle opener?
iakus wrote...
Saito404 wrote...
About Shepard's rescue scene. Every character have a line "We got Shepard" in Leviathan DLC, so it can be used. Random soldiers (and friend / LI off-screen) rescue Shepard and LI / friend tells Joker "We got Shepard".
If something like that was used, it would probably have to be EDI, James, or Liara, the only ones certain to be alive.
Modifié par Alienmorph, 24 avril 2013 - 12:15 .
Alienmorph wrote...
iakus wrote...
Saito404 wrote...
About Shepard's rescue scene. Every character have a line "We got Shepard" in Leviathan DLC, so it can be used. Random soldiers (and friend / LI off-screen) rescue Shepard and LI / friend tells Joker "We got Shepard".
If something like that was used, it would probably have to be EDI, James, or Liara, the only ones certain to be alive.
Not mentioning that most of the people takes their LI in the beam run to get the farewell/evac scene with them, and so thei're supposed to be in the medbay, still recovering, so it doesn't make much senso to have the LI already back on his/her feet minutes later, looking for Shepard. So random soldier is definately better.
Hey C'p'n,MrFob wrote...
sH0tgUn jUliA wrote...
I have found the part that targets all the reapers in the galaxy, but leaves friendly synthetics alone.
What? What part? Of the crucible? Is it the part in the back that looks like a bottle opener?
Cause that would make perfect sense to me. You see, I think that beer bottles are the perfect analogy for the reapers. First of all, they are very cold, just like the reapers. Also their interior is (which is beer) is basically made of some organic brown slush, which in turn is made out of countless harvested life forms. In that sense, the catalyst was
actually right, these lifeforms ascended to a more worthy state of existence.I think the beer is indeed some kind of yeast reaper. Vanguard of our destructio? The cycle has been repeated more times than you can fathom?
It all fits. Also, you can probably handle one single beer but once they come in numbers, they'll knock you out cold.
Now the geth on the other hand are more akin to wine. Many individuals come together to form a unique entity like the grapes on a vine. They need to age a bit to actually become good (300 years in their case) and they come in a red and a white variety. So yea, if that part looked like a cork screw, I'd be worried for the geht but as it is, I think they are going to be fine.
Sorry, I got no idea what compelled me to write this (but I am sure at least Greg Zeschuk would appreciate the similarities).
)
Modifié par WarrantyVoider, 25 avril 2013 - 04:44 .
Modifié par Troxa, 25 avril 2013 - 08:11 .
Ironhandjustice wrote...
People, one requirement.
Some has enought skills with 3DStudio to split a model into parts?
I would require to separate a reaper model into chest and legs to make the animation movements freely, but not even have a license.
Can anyone help? I would provide textures and 3D Model.
Troxa wrote...
Everyone needs to watch this & comment on the video
How It Should Have Ended - Stan's Rants
www.youtube.com/watch
Edit: Damn youtube stopped working properly
sH0tgUn jUliA wrote...
And in other news today, 25 Apr 2013, I have finished writing the notes for the first draft of the score. I have been putting in 9 to 10 hr days on this six days a week. If it is a nice day I'm playing golf tomorrow.
If I were to print it for orchestra it is about 50 pages long. I feel good tonight. The raw notes sound good to me because I know what they will sound like. Here's what I have left to do:
* put the sound FX track together.
* go back into each of the instrument tracks and put the proper articulations on each section of notes, adjust note lengths, adjust the note velocities (loudness so they flow), then adjust the tempo track in places so that it flows better with what you are seeing, and sounds like it was played by a real orchestra conducted by me instead of played by a machine. (accelerate in places, and slow down in others)
* back up the session, and make audio tracks out of the midi tracks.
* Mix the audio so that it sounds balanced and make a two track stereo out of 25 tracks (one step)
* Master it so that it sounds great at the sampling rate MrFob needs
* Send my authored sections electronically to US Copyright office.
* Post a sample on Soundcloud and hope you like it.
:blink: wow 9hrs a day and the equivelent of 50 orchestra pages?? I take my hat off to you, I cannot wait to hear the music on soundcloud!
).
Modifié par sH0tgUn jUliA, 26 avril 2013 - 10:23 .
sH0tgUn jUliA wrote...
It was a hell of a lot of work, but I enjoyed doing it. "Good enough" doesn't cut it, even if I'm donating the music. I'm going to do the best I can and hope that you like it. There is a chance you might not. We shall see. I've written stuff and had people like it and other people hate it. There is a section in it that could be changed without a problem. It was one of those "it's 3:00 a.m. and she's gone insane and threw this part in for the hell of it and wanted to see if it sticks." It's a simple cut and paste.
I have a "scratch pad" in the session to the right of the working soundtrack of material that didn't make it into the track, of ideas that I had that are otherwise good, but didn't quite fit. This section is actually longer than the actual soundtrack itself. I kept them just in case I changed my mind because once deleted they are gone.
The mixing is going to be a bear. Once that is done it's pretty easy.
) off to you...
Bierwichtel wrote...
sH0tgUn jUliA wrote...
It was a hell of a lot of work, but I enjoyed doing it. "Good enough" doesn't cut it, even if I'm donating the music. I'm going to do the best I can and hope that you like it. There is a chance you might not. We shall see. I've written stuff and had people like it and other people hate it. There is a section in it that could be changed without a problem. It was one of those "it's 3:00 a.m. and she's gone insane and threw this part in for the hell of it and wanted to see if it sticks." It's a simple cut and paste.
I have a "scratch pad" in the session to the right of the working soundtrack of material that didn't make it into the track, of ideas that I had that are otherwise good, but didn't quite fit. This section is actually longer than the actual soundtrack itself. I kept them just in case I changed my mind because once deleted they are gone.
The mixing is going to be a bear. Once that is done it's pretty easy.
with all the work you're putting into this...
just out of curiosity, what do you do for a living...?
or are you among those fortunate enough who are able to CHOOSE to work?
my hat (not actually wearing one
there are actually no words to adequately express my R.E.S.P.E.C.T. to you...
Bierwichtel wrote...
with all the work you're putting into this...
just out of curiosity, what do you do for a living...?
or are you among those fortunate enough who are able to CHOOSE to work?
my hat (not actually wearing one
there are actually no words to adequately express my R.E.S.P.E.C.T. to you...
sH0tgUn jUliA wrote...
Bierwichtel wrote...
with all the work you're putting into this...
just out of curiosity, what do you do for a living...?
or are you among those fortunate enough who are able to CHOOSE to work?
my hat (not actually wearing one
there are actually no words to adequately express my R.E.S.P.E.C.T. to you...
I was medically retired 14 years ago. It's complicated. Let's put it this way, everything went through without even having to appeal. I have good periods and bad periods. It could be a lot worse. I'm 60 now. In 5 years I'll take my official retirement.
Enough of that....
I need to come up with some names. Names are important. I need to come up with a title for the battle music. It is not happy music. It is more scary, but we're rescuing Shepard. Coming up with names is difficult I could use some help here.....
* "Rescuing The Commander" ; "Shepard's Rescue"....?
Then the scene pans to the battlefield.... and there's a break in the music of about 20 seconds... the wave hits the reapes and they fall. And a new theme starts.... one of victory!
It starts as a march opening with a French horn solo, then goes into the theme Malukah uses in the chorus "I will always remember" around the time the first galaxy map just before the Asari and continues with that orchestration until the end. It can actually have two names, and probably should.
I basically used the theme I remembered from a cross of "Spectre Induction"'; "From The Wreckage"; and "The End" and did my own arranging of it, and changed a number of notes to make things fit the arrangement. I've always thought of this as "Shepard's Theme." (melody by Sam Hulick Orchestral Arrangement by Me) So perhaps that's a fitting name for that section? What do you think?
But we still have to name my victory march....
* "I Love The Smell Of Napalm In The Morning" -- that was a joke.
Modifié par chris2365, 26 avril 2013 - 07:46 .
sH0tgUn jUliA wrote...
I need to come up with some names. Names are important. I need to come up with a title for the battle music. It is not happy music. It is more scary, but we're rescuing Shepard. Coming up with names is difficult I could use some help here.....
* "Rescuing The Commander" ; "Shepard's Rescue"....?
But we still have to name my victory march....
* "I Love The Smell Of Napalm In The Morning" -- that was a joke.
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