Actually it is not if you play the way StM does. The only tone that matters is the one that he has assign to the line that he chose. If the npc reacts in a different way it is because the npc failed to understand the tone in which the line was delivered. You and I know (in our humble opinions) that the lines were written in a certain tone and are placed in a specific hierarchy that is irrevelant as far as StM is concerned.Arcane Warrior Mage Hawke wrote...
I'm sorry but I have to call bull**** on this the Warden's lines clearly had a tone based on the way npcs reacted.Sylvius the Mad wrote...
Right, and that highlights a playstyle which appears will no longer be possible now that we have voiced protagonists.EntropicAngel wrote...
Something I recently realized.Sylvius the Mad wrote...
...Based on our previous discussions regarding DAO's dialogue (and your insistence that the player-selected lines did have a fixed tone), it's clear that the way you expected DAO to be played was not how I played it.
Me neither. I saw all the dialog in DA:O as tone-less. Perhaps with sarcasm or humor, but not "aggressive" or "diplomatic." I didn't see that at all.
And the game never contradicted me.
So, given that we have voiced protagonists, how do we play? I think I and others like me have done a very good job of describing how we played DAO (and prior games), and how that didn't seem to work in DA2 (or ME), so that offers a good basis from which to begin a description of how gameplay can work with the voiced protagonist in DA3.
Ultimately, I didn't enjoy playing D2 because I didn't get it. I didn't understand what it was I was doing, as a player. I didn't understand my part in the interactivity.
I think this is an opportunity for BioWare to retain some confused players who need some guidance.
How are we expected to play DA3?
#76
Posté 20 novembre 2012 - 02:28
#77
Posté 20 novembre 2012 - 04:05
So he can headcanon the Warden's responses yet he says Hawke is less of his character because he/she has a voice to go with the lines eventhough you also gave the Warden a voiceset?*scrathes head*Realmzmaster wrote...
Actually it is not if you play the way StM does. The only tone that matters is the one that he has assign to the line that he chose. If the npc reacts in a different way it is because the npc failed to understand the tone in which the line was delivered. You and I know (in our humble opinions) that the lines were written in a certain tone and are placed in a specific hierarchy that is irrevelant as far as StM is concerned.Arcane Warrior Mage Hawke wrote...
I'm sorry but I have to call bull**** on this the Warden's lines clearly had a tone based on the way npcs reacted.Sylvius the Mad wrote...
Right, and that highlights a playstyle which appears will no longer be possible now that we have voiced protagonists.EntropicAngel wrote...
Something I recently realized.Sylvius the Mad wrote...
...Based on our previous discussions regarding DAO's dialogue (and your insistence that the player-selected lines did have a fixed tone), it's clear that the way you expected DAO to be played was not how I played it.
Me neither. I saw all the dialog in DA:O as tone-less. Perhaps with sarcasm or humor, but not "aggressive" or "diplomatic." I didn't see that at all.
And the game never contradicted me.
So, given that we have voiced protagonists, how do we play? I think I and others like me have done a very good job of describing how we played DAO (and prior games), and how that didn't seem to work in DA2 (or ME), so that offers a good basis from which to begin a description of how gameplay can work with the voiced protagonist in DA3.
Ultimately, I didn't enjoy playing D2 because I didn't get it. I didn't understand what it was I was doing, as a player. I didn't understand my part in the interactivity.
I think this is an opportunity for BioWare to retain some confused players who need some guidance.
#78
Posté 20 novembre 2012 - 07:52
Actually, you've taken that a bit too far. The misunderstanding approach is something I offered to other players as a way to play like I do without surrending their understanding of human interaction.Realmzmaster wrote...
Actually it is not if you play the way StM does. The only tone that matters is the one that he has assign to the line that he chose. If the npc reacts in a different way it is because the npc failed to understand the tone in which the line was delivered. You and I know (in our humble opinions) that the lines were written in a certain tone and are placed in a specific hierarchy that is irrevelant as far as StM is concerned.
But I don't share that understanding. I don't need to conclude that the NPC misunderstood what the PC said or how he said it, because I don't pretend to know what goes on in other people's minds.
Oddly enough, John McAfee just advanced a very similar position on his blog.
The voiceset doesn't speak the player-selected lines. When I choose a dialogue option in DAO, never does the game tell me how that line is delivered.Arcane Warrior Mage Hawke wrote...
So he can headcanon the Warden's responses yet he says Hawke is less of his character because he/she has a voice to go with the lines eventhough you also gave the Warden a voiceset?*scrathes head*
That said, I do think the voicesets in DAO were a bad idea. Luckily, they could be modded out.
Modifié par Sylvius the Mad, 20 novembre 2012 - 07:53 .
#79
Posté 20 novembre 2012 - 12:20
I always considered the voiceover as part of the game interface, not part of the character. For me, it's an audio cue that acknowledges a command is given, and nothing else.Sylvius the Mad wrote...
The voiceset doesn't speak the player-selected lines. When I choose a dialogue option in DAO, never does the game tell me how that line is delivered.Arcane Warrior Mage Hawke wrote...
So he can headcanon the Warden's responses yet he says Hawke is less of his character because he/she has a voice to go with the lines eventhough you also gave the Warden a voiceset?*scrathes head*
That said, I do think the voicesets in DAO were a bad idea. Luckily, they could be modded out.
I need to find the discussion where Upsettingshorts defines first person gaming and third person gaming. That might be enlightening on the process.
As far as I am aware, DA2 and ME expect you not to have a full character defined before playing, but rather a broad strokes collection of traits, which will be further coalesced on a point-by-point basis as the game progresses and more of the character's option Bioware intended show in the dialogue. You're not expected to know your character, only the broad direction you want to take it, and hope it fits one of the directions Bioware has given them. Needless to say, I find that method sorely lacking.
Modifié par Xewaka, 20 novembre 2012 - 12:24 .
#80
Posté 20 novembre 2012 - 01:42
One of my Diplomatic mage Hawke's was the most pacifistic character I could play (within the confines of an action game), always choosing a peaceful solution when available, and had a completely different feel from my Diplomatic warrior Hawke. My sarcastic rogue LadyHawke (my favorite playthrough) was completely irreverant, taking nothing seriously (i chose all the sarcastic options), differing markedly in tone and feeling from my charming mage Hawke. My aggressive warriors are completely different from my aggressive mage. You can choose all the same options in the story and still it can have a different feel if you're roleplaying it out in your head as well.
#81
Guest_EntropicAngel_*
Posté 24 novembre 2012 - 05:57
Guest_EntropicAngel_*
sylvanaerie wrote...
One of my Diplomatic mage Hawke's was the most pacifistic character I could play (within the confines of an action game), always choosing a peaceful solution when available, and had a completely different feel from my Diplomatic warrior Hawke. My sarcastic rogue LadyHawke (my favorite playthrough) was completely irreverant, taking nothing seriously (i chose all the sarcastic options), differing markedly in tone and feeling from my charming mage Hawke. My aggressive warriors are completely different from my aggressive mage. You can choose all the same options in the story and still it can have a different feel if you're roleplaying it out in your head as well.
You're saying "diplomatic mage Hawke," "diplomatic warrior Hawke."
The fact that you can so consicely describe them is a problem with the system. You're describing them by alignment. And don't think I'm picking on you, everyone does it. It's a real problem. We're, as Xewaka said, painting broad strokes of a character based on an arbitrary system, not the actual person themselves.
My latest elf in DA:O was a city elf whose entire personality was defined by the event in the origin: his wife-to-be was taken by human nobles and nearly raped, and his cousin was. Because of this, he's very reticent and introverted--he doesn't talk to anyone, he only did Morrigan's quest, and only because he actually found the Grimorie as opposed to initiating it through dialog. However, he's very nice to the common folk and tries to help them out. He has a bit of a problem with nobles, and with humans, but not too much with humans because Duncan was trusted so implicitly by the person in charge of the Alienage (can't remember his name, or title right now).
Compare that ^ to a three-word description. I expounded, sure, but the thing is--I can play that way in DA:O. The game allows it, if not supports it (support being equivalent to encourage). That is virtually impossible in DA ][, not helped at all by the VO and the enforced tone. What if my character does speak tonelessly? What if that's an intentional thing the character does?
DA ][ doesn't support that style. That isn't to say I don't like it--I've yet to play a bad game from Bioware. But I highly prefer DA:O's style.
#82
Guest_krul2k_*
Posté 24 novembre 2012 - 07:50
Guest_krul2k_*
#83
Guest_simfamUP_*
Posté 25 novembre 2012 - 12:07
Guest_simfamUP_*
I've always identified different RPGs within a specturm, but as long as I can *roleplay* they are, to me, RPGs. Now that that's out of the way, this is how I like to roleplay VPs.
With VPs, there's a major (or minor) limitation to what you can do with them, in the case of DA2, I can't flesh out a character straight before I start the game. In this perspective, it's an advantage. The game is more exciting as I begin to explore and expand on that foundation; in an other way, it's terrible. I reach dead ends in the birth of character progress; I'm lost in a literary maze of clouded purpose. It can go both ways, and thankfully DA2 did not dump me into that conundrum.
From all the VP's I've played in RPGs, BioWare has certainly handled them much better, giving me a lot of flexibility in the way I want to lead this unpredictable development. I've crossed out the Gothic games, Risen 2, Game of Thrones and others who have classed themselves as 'roleplaying games' without letting me roleplay.
So, as for Hawke. Heres a good example:
My last playthrough of DA2 I decided to go with a woman of light humour, short fuse and sensible relations when required. Of course, I already knew how to play DA2, so this was incredibley rewarding.
In the prologue, we are chased by Darkspawn. After loosing everything, you could expect a character like that to be seriously pissed of. I chose every dominant reaction -- even though they were not my exact words, they intent did fit under my character's persona -- until certain occasions (such as the death of my sibling) I would choose others. Basically, I reacted according to that founding, as you would do with a silent protagonist, only more limited.
Also, if the devs are reading, I'd like to express my deepest delight on the options given to us in relation to companion involvement. Giving us these options really brings closer to them, and it detracts from the common opinion of party based RPGs, that we are the 'nanny' of the group. Letting Varric deal with those slavers was one of the most rewarding parts of DA2 :-)





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