I've made this point elsewhere, but to me there does seem to be a legitimate contradiction in the claims of narrative and artistic 'integrity' that Bioware found so inviolable in the face of fan criticism, and the winking playfulness that defines the 'Citadel' DLC, no matter how joyous it was intended to be.
Bioware released a narrative that ended with a nonsensical, horrifyingly racist, hopelessly nihilistic message of intolerance. When people complained about that statement, particularly as the conclusion of a beloved series that had previously celebrated diversity, Bioware declared that they were unwilling to change anything about it (merely
extend it), because otherwise it would harm the integrity of their story.
...But then they were willing to release an addition to that story (at an inflated price) that utterly undermines all of that narrative 'integrity' anyway?
A tale about an evil clone that somehow Cerberus
also had the money for; a casino and sushi place to hang out in and chill
while the universe burns; Javik and Shepard hooking up; filming a Blasto movie; breaking pull-up records; taking a soak in a hot tub; going dancing; romance movie sing-alongs; universe saving toothbrushes; kicking back alone in Anderson's luxury pad while outside refugees are being turned away to die because there is no room for them in the Citadel inn...?
To me, all of this farcically distracts from the perilous Reaper war arc of the main game, particularly (as you seemingly almost have to) if this DLC is played right before the final push for the Illusive Man's base. Admittedly it does all of this playfully, even joyously, but it's still an illogical, fourth-wall shattering gag-fest that betrays the dire tone of the remainder of the work.
It seems rather contradictory (even hypocritical) to claim that changing the ending so that it was not an endorsement of war-crimes somehow equals a betrayal of artistic integrity; but undermining the logic that supposedly justifies that
ending, and fundamentally belittling its tone by turning the whole story into an extended sitcom pilot, is somehow fine. To me that makes about as much sense as playing the Benny Hill theme song in the middle of a funeral dirge.
Modifié par drayfish, 03 avril 2013 - 11:07 .