Ticonderoga117 wrote...
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How would I be happy when Shepard committed suicide?
And generally breath scenes like that are... more complete. As in, they actually show the character is alive and gets out of the rubble. Or like this for sequels. However, since niether will happen, it's a complete slap in the face and a big "FU".
Stories are not about you being happy but being brought on a journey and be satisfied at their conclusion. Good storywriting makes you throw a book that kills a character into the corner but at the same time feel content that this character completed his arc the way it had to happen. That you know that their actions are so in tune with their character that you cannot let them survive without you essentially subverting them to be something else than what they are.
I'm of the opinion that stories should evoke emotions and they don't always have to be happy ones. They just have to be satisfying. I wasn't happy about Tom Hank's character dieing in Saving Private Ryan but it would have diminished the character to go through all that and just walk away.
These breathe scenes are just a cheap cop out after someone tried to elicit precisely that emotion from you. It makes the end of a character's arc less meaningful. Either let a hero live or make him die but don't make him die to miraculously survive after the ending credits. It just means you as the stoywriter weren't earnest about this character's sacrifice.