32 réponses à ce sujet

[Sejborg]

Have you tried drinking a glass of water from the wrong side of the glass?

[tanisha__unknown]

CDR David Shepard wrote...

In all seriousness though...you can't just "get emotionally engaged".

You either are or you are not.

+1

[UniqueName001]

I personally suspect that there is more emotional impact if you play all three games and not just the last one - there is a lot more background there with the various characters. Not sure if that is your situation or not.

But as others here have said, some people just get more involved in this game than others. It's not wrong either way.

[Col.Aurion]

TBH when Mordin bit it , I didn't feel a thing, but when Viola in ZOE died, I felt quite sorry that it ended that way. Different people get different reactions to the same thing.

[Froswald]

Well when I put myself in Shepard's shoes, in his/her mind after choosing Destroy all I can imagine is his/her last thoughts before passing out/dying are being filled with dread at condemning anywhere from 20% to 90% (estimated) of the galaxy to death, so that would make me cry if I dwelled on it

Few other times I got blinky but other than that, keep on rolling through with the snarky talk

[Fugiz]

Eh..therapy

[De1ta G]

Could have something to do with your temperament. Are you an extroverted gamer? Do you enjoy passing time by screaming into a mic at a bunch of people you don't know while playing Call of Duty? I imagine extroverts would be less likely to become emotionally invested in a video game or anything that is part of your inner world. For example, an introvert like me may not get as emotional about something that happens in the real/outer world as opposed to something that happens in their own inner world. An extrovert would be the exact opposite of that. This may be the case with you.

[Interloper]

Play Mass Effect 1 and Mass Effect 2 for actually engaging and emotional moments. A moment doesn't need to be sad solely because someone dies in a valiant manner or because Bioware loves playing sad music in the background for that particular scene. The best scenes were always the softer moments, such as when Shepard is confronted with the Rachni queen in ME1, or meeting the last guardian of an extinct race with Vigil, or in ME2, wandering through the silent sections of Omega and seeing the forgotten and abandoned souls, or seeing Tali exiled. ME3 ruined that brilliance by its only formula for evoking emotions, 'OH LOOK, SOMEONE YOU LOVED DIED FOR THE WAR EFFORT, LISTEN TO THE MUSIC, IT'S SO SAD, AREN'T YOU SAD?'