dreamgazer wrote...
Hence why it's a hybrid instead of a verbatim DEM, why it's a quasi-MacGuffin until the plot needs it to ultimately fix the problem. The timing of its use, and the way it exploits the info-dump from Vigil about where it leads, borders on that line.
What do you mean by saying it exploits Vigil's exposition? It didn't need that exposition, really, so I don't see where the problem lies, here at least.
The Protheans' ability to exploit and understand the Reapers' relay tech isn't explained, but, of course, it's not revealed until the last minute that the relays are Reaper design, either.
I don't think it needed to be explained at that point in time. The Mass Relays are just technology, and it's obvious the protheans were highly advanced.
I can concede to the idea of the beacons as a suggestion that they'd "leave" tech behind, but there's quite a difference between mental-communication storage devices and a functioning prototype of teleportation tech they didn't invent.
If one looks at in a more literal light, sure, there's an important difference, but I thought the constant idea that the protheans left behind warnings and technology, and that we only know of the Conduit thanks to the prothean beacons and speculated it was prothean technology, gave enough foundation not to make it terribly convenient or contrived.
The whole thing is dead-ended without the conduit turning into a prototype relay, which was never directly foreshadowed and remained open just long enough to squeeze the antagonist and the protagonist through it before the buzzer. And yeah, "Saren's on the Citadel and finishing his plan, but use that soon-to-be-closed backdoor with my assistance and you can stop him" is kinda handing the protagonist the solution in a dead end.
The Normandy crew are handed plenty of other plot devices at times when it could have been a dead-end otherwise. The first beacon, the second beacon, Liara's knowledge of the protheans, Benezia's data file, the Cipher from Shiala. The writers didn't write themselves into a corner like they did with the Crucible, there's nothing wrong with its existence being convenient.
The combination of them both can be glaring, if you look at them through certain lenses.
The only problem I have is Vigil's data file. I don't see what purpose that served, really, other than to actually give a reason for Vigil to exist other than to be something more than just the exposition device.
Don't mistake my comments as "dislike" or something I have an intense problem with (Vigil's info-dump, a conversation with the voice of an extinct species, remains my favorite moment in the trilogy for what it reveals), only that the series has been wiggling around plot-breaking devices since the first game.
I didn't assume so, but I wouldn't of minded if you did. BSN hyperbole at work.
I poke fun at the "SPACE MAGIC" of the Thorian and mental cipher, too, but I also like those. And I still consider ME1 to be the most properly-written of the three. Just ... not without faults, some of the same things that the series has been more aggressively chided for later on.
Consistent use of them and a consistent tone, as well as being the first in the series, all helped, I think.
Modifié par The Night Mammoth, 05 juin 2013 - 08:04 .