AlanC9 wrote...
iakus wrote...
Why did people believe the relays ruptured like in Arrival?
Why did people think the turians starved in the Sol system?
Why did people think the Normandy was stranded on the jungle planet?
It's because seeing is believing.SHow them bad stuff and bad stuff is what they'll think of.
We see the Citadel Relay finish releasing the Crucible wave without doing anything like a nova-class explosion, and we see the jungle planet conspicuously un-novaed too.. We see quarian liveships entering Sol system (unless Shepard got the quarians killed, in which case the turians do starve but it's Shepard's fault). And even a cursory familiarity with the relay system makes it hard to believe that the jungle planet is all that far off from civilization. (To actually get to an unknown isolated planet they'd have to execute at least three and probably more relay jumps; one jump to Arcturus, one from Arcturus through a primary, and at least one jump from there since there's no way a garden world at the end of a primary relay corridor from Arcturus wouldn't have been occupied by the Alliance. These were all bad interpretations
Granted, Bio badly underestimated how much spoon-feeding their audience needs. I concur with MassivelyEffective0730 above; Bio's audience can't handle implied meanings and Bio should make everything literal and pound it home.
Implications don't just come from the literal images that are put in front of us. Symbology and tone play a huge part in our interpretation of visual narratives.
So when the designers of ME3 deliberately put in imagery that invokes Adam and Eve and capstone their story by flash-forwarding millenia to show how Shepard has passed into legend (on the same planet as the Garden of Eden allusion), a young child wondering about space flight as if that's something new, surely it's not that much of a stretch to assume something cataclysmic has happened to the setting as we know it?
Let's not forget the use of a lowkey piano motif while we see scenes of mass relays exploding, a musical cue that up until that moment was used as a requiem to Shepard's losses, and I'm inclined to label the pessimism of many players as wholly understandable.
We also have
some indications that at least some of the authors intended for a Galactic dark age to follow the trilogy, even though they backpedalled hard on that after the controversy.
I know this debate is utterly polarising but the idea that the ending naysayers are somehow lacking insight or a mature sense of narrative is really grating. There is more room for nuance here.
Modifié par Malchat, 15 juillet 2013 - 08:54 .