Blank-Slate-Blues wrote...
But doesn't that sort of imply that straight characters are more worthy of importance while everyone else is relegated to being secondary characters.
Only if the writers handle it that way. Homosexual and bisexual characters can still be relevant, they just spend most resources re-doing the same romance line twice by swapping he/she instead.
And I don't understand, why shouldn't the romances please people? Isn't that their purpose?
I hate fan-service and would much rather the romances be engaging.
Friend romanced Alistair, she got dumped and it almost ruined her until he died when he stepped in against her wishes to kill the Archdemon. She wept and stayed in her room for a good week, not contacting the outside world and still has trouble dealing with that today when you mention it.
Thing is, she found out about the happily-ever-after ending and now claims it's better than baked potatoes. The outrageous claim aside, the fact that she's basically programmed into doing the same damn thing with no emotional out-put aside from "yay, I won" shows me one truth:
No matter how much she denies it, the original ending was superior because it drawed out such a strong and lasting emotional response. Gaider fed off her tears and probably still has some in reserves, she loves Alistair to bits but down the line, she won't remember him because of his "SWOOPING IS BAD" line or the fact they lived happily-ever-after, she'll remember him as the NPC that crushed her soul for a good week.




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