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The endings and the issue of closure


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#476
Iakus

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sH0tgUn jUliA wrote...

You get to the point after Thessia where you start looking at the end, and you start looking at the details. The fun of writing the story is over. You now have face the reality of what Drew set up. It's a mess. It's a frakking mess. How do we end this? Picture a squad of 12 having gotten by the last of the opposition now going to the panel to open the Citadel and it's a pretty long walk. And you're writing squad banter. You're talking about the journey and all of the stuff that you've done, all of it leading up to this moment, and it really dawns on you that you really can't beat them conventionally because of indoctrination. And the conversation starts going down that route. Then the conversation starts poking fun at the plot and how ridiculous the entire thing was. Now you've got to end it. You're idea of what this thing was supposed to do just changed. You just want it to end. The Crucible docks. Tali is there. She's playing with the control panel and a panel drops down with a button on it: "Press to Blow Up Reapers". Tali says "Who wants to do the honors?"   Javik says. "I will."  Hits button. Reapers blow up.  THE END. = stupid. This is what you were left with.



And in the end, the stupid ending you just described is still miles better than what we got Image IPB

#477
Iakus

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[quote]dreamgazer wrote...
I won't defend Synthesis' execution (I certainly don't trust it and believe in its purpose), but it's not the same thing as: "Anybody who drinks this blood can save the day.  Oh, hey, there's Loghain!". [/quote]

Why not?  Synthetics are already a part of you Image IPB

[quote]

[quote]or old god babies, [/quote]

Control?  Image IPB[/quote]

You're aware that you're playing a series where Prothean subconscious data was magically uploaded to Shepard's head, on a levitating body, in the very first mission of ME1, right?[/quote]

Failing to see the point here.

#478
The Night Mammoth

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Br3ad wrote...

The Night Mammoth wrote...

Not at all. The concept of anthropocentrism that some people want in Mass Effect ie. that humans are the best just because, or more correctly 'screw the aliens, humans should rule the galaxy atop their corpses', makes very little sense.

Well to be fair, it's only logical to act in your best interest. If you don't want to elevate your species, there is a problem. 

I do want to elevate my species. Cooperating with aliens is within humanities best interests. Cooperation led to the Alliance gaining something in three decades that no other species besides the turians had in hundreds of years, and that's with starting off with a small war.

I do not want to elevate my species at the expense of the rest of the galaxy. I do not want to put my species above all others, because that would invevitably lead to oppression. 

Modifié par The Night Mammoth, 16 octobre 2013 - 09:33 .


#479
AndyAK79

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Kel Riever wrote...

AndyAK79 wrote...

I'm not using a special definition, I'm using the standard definition in English in this context. According to the OED: 

a sense of resolution or conclusion at the end of an artistic work:he brings modernistic closure to his narrative


I agree that my definition is narrower then, but I also argue that even by the one you use, none of the 3 movies I mentioned reaches closure.  They simply end, purposely, withouth closure.

Edit:  By the way, note that 'modernistic closure' is not defined here.  Unless you want to go and put your own definition forth so I understand what it is you consider closure.  From what I see, 'modernistic closure' is a problematic term so in this case, the OED is quite failing.  Though I certainly respect their attempt.


I can't speak for No Country for Old Men because I haven't seen it, but both Twelve Monkeys and Inception reach closure. The plot threads in both films are neatly tidied up; the narrative reaches 'resolution' and 'conclusion.'

As for your 'edit,' I don't know whether to laugh or cry. Firstly "he brings modernistic closure to his narrative" is the example of how to use the word 'closure' in a sentence, not part of the definition. Therefore what 'modernistic closure' is is entirely irrelevant.

Secondly OED stands for Oxford English Dictionary. It more or less defines the English language.

I removed some inflammatory language. Please remember to be polite to all users.
BioWareMod02

Modifié par BioWareMod02, 17 octobre 2013 - 02:52 .


#480
Reorte

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dreamgazer wrote...

I have many issues with the ending, don't worry about that.  

But I'd rather tolerate something like what we got than most of the other alternatives.  There are some exceptionally bad power-fantasy suggestions out there specifically designed for gratification, and it's really unfortunate.

I think we're actually not miles apart in our views, we're just a bit on opposite sides of the divide. I've no issue with gratification if you've got to work hard for it and get the opposite for not working hard.

#481
Kel Riever

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AndyAK79 wrote...

Kel Riever wrote...

AndyAK79 wrote...

I'm not using a special definition, I'm using the standard definition in English in this context. According to the OED: 

a sense of resolution or conclusion at the end of an artistic work:he brings modernistic closure to his narrative


I agree that my definition is narrower then, but I also argue that even by the one you use, none of the 3 movies I mentioned reaches closure.  They simply end, purposely, withouth closure.

Edit:  By the way, note that 'modernistic closure' is not defined here.  Unless you want to go and put your own definition forth so I understand what it is you consider closure.  From what I see, 'modernistic closure' is a problematic term so in this case, the OED is quite failing.  Though I certainly respect their attempt.


I can't speak for No Country for Old Men because I haven't seen it, but both Twelve Monkeys and Inception reach closure. The plot threads in both films are neatly tidied up; the narrative reaches 'resolution' and 'conclusion.'

As for your 'edit,' I don't know whether to laugh or cry. Firstly "he brings modernistic closure to his narrative" is the example of how to use the word 'closure' in a sentence, not part of the definition. Therefore what 'modernistic closure' is is entirely irrelevant.

Secondly OED stands for Oxford English Dictionary. It more or less defines the English language and suggesting that they are somehow failing in their comprehension and explanation of a word almost certainly says more about you than it does about them.


Now you took this to being a jerk level so really, you are undermining your own so called desire to have a debate.  If you actually want to have a debate, google modernistic closure and you'll see there's not some 'Oxford standard definition of it'

What I really feel is you have no desire to consider an opposing point of view, despite starting this thread.  Nor do you really want to consider anything but your own point of view.  And that fuels your need to be insulting.  Really, what happens here is you should step up and note what I am saying isn't because I can't understand your point of view, but because there are legitimate points to debate.

But you're falling into the trap of being condescending whereas I have no time for that.  At least I do but for the people who put this game together which is well within my rights as a person who bought the game.  I'll never come down on someone for liking something that isn't the best thing ever, that's personal taste.  But you aren't even being objective anymore, despite the attempt that you are.

Twelve monkeys and Inception were finished and ended.  And did not achieve closure because simply put, you are left to figure out the end for yourself, and they were done well in that regard.  That is not closure.  To say otherwise is as narrow a point of view as you accuse me of having and no you aren't going by the definition of anything in the English language either, but something simply subjective.

I can't really see you claiming any convincing argument at this point, at least not on the basis of anything intellectual.  Moving on now.  Go ahead and have some last words if you must.

#482
dreamgazer

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Reorte wrote...

dreamgazer wrote...

I have many issues with the ending, don't worry about that.  

But I'd rather tolerate something like what we got than most of the other alternatives.  There are some exceptionally bad power-fantasy suggestions out there specifically designed for gratification, and it's really unfortunate.

I think we're actually not miles apart in our views, we're just a bit on opposite sides of the divide. I've no issue with gratification if you've got to work hard for it and get the opposite for not working hard.


I'm not miles apart from many of the ending critics' views. I understand where the grievances come from.

What I have major problems with are the bullshit alternatives, and how willing they are to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict.  This one just needed to make more sense, communicate with the lore properly, and ditch the mysticism.

#483
Kel Riever

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dreamgazer wrote...

Reorte wrote...

dreamgazer wrote...

I have many issues with the ending, don't worry about that.  

But I'd rather tolerate something like what we got than most of the other alternatives.  There are some exceptionally bad power-fantasy suggestions out there specifically designed for gratification, and it's really unfortunate.

I think we're actually not miles apart in our views, we're just a bit on opposite sides of the divide. I've no issue with gratification if you've got to work hard for it and get the opposite for not working hard.


I'm not miles apart from many of the ending critics' views. I understand where the grievances come from.

What I have major problems with are the bullshit alternatives, and how willing they are to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict.  This one just needed to make more sense, communicate with the lore properly, and ditch the mysticism.


There's no doubt that the litany of answers has its fair share of equally ridiculous diatribe.  It is just that in the absense of any decent work and a bar set really low by the game itself, people feel encouraged to come up with alternatives even if they aren't so great in their own right.

#484
Reorte

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dreamgazer wrote...

Reorte wrote...

dreamgazer wrote...

I have many issues with the ending, don't worry about that.  

But I'd rather tolerate something like what we got than most of the other alternatives.  There are some exceptionally bad power-fantasy suggestions out there specifically designed for gratification, and it's really unfortunate.

I think we're actually not miles apart in our views, we're just a bit on opposite sides of the divide. I've no issue with gratification if you've got to work hard for it and get the opposite for not working hard.


I'm not miles apart from many of the ending critics' views. I understand where the grievances come from.

What I have major problems with are the bullshit alternatives, and how willing they are to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict.  This one just needed to make more sense, communicate with the lore properly, and ditch the mysticism.

That's where we differ - I see no problem with a reunion at all since survival and victory or loss and death are the results that aren't nonsensical. Victory and death is just about impossible to achieve for something large-scale without being contrived nonsense written by someone with a messiah obsession. It just needs to be balanced out by other things, such as not completely glossing over the losses to the rest of the galaxy. I didn't find there was any moral conflict in what we got since there was no sound reason for chosing the other choices.

Modifié par Reorte, 16 octobre 2013 - 10:17 .


#485
sveners

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dreamgazer wrote...

Reorte wrote...

dreamgazer wrote...

I have many issues with the ending, don't worry about that.  

But I'd rather tolerate something like what we got than most of the other alternatives.  There are some exceptionally bad power-fantasy suggestions out there specifically designed for gratification, and it's really unfortunate.

I think we're actually not miles apart in our views, we're just a bit on opposite sides of the divide. I've no issue with gratification if you've got to work hard for it and get the opposite for not working hard.


I'm not miles apart from many of the ending critics' views. I understand where the grievances come from.

What I have major problems with are the bullshit alternatives, and how willing they are to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict.  This one just needed to make more sense, communicate with the lore properly, and ditch the mysticism.


What about and ending where it is, at least, likely that Shepard lives? Would that be a bull**** alternative where I'm willing to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict?

While many wanted, and would probably enjoy a waifu reunion, was that really a great demand? An ending where it was possible to think/headcanon it might happen though... that is another story.

Unless the breath scene "Shep lives because Shep lives" is good enough of course.

#486
dreamgazer

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Reorte wrote...

dreamgazer wrote...

Reorte wrote...

dreamgazer wrote...

I have many issues with the ending, don't worry about that.  

But I'd rather tolerate something like what we got than most of the other alternatives.  There are some exceptionally bad power-fantasy suggestions out there specifically designed for gratification, and it's really unfortunate.

I think we're actually not miles apart in our views, we're just a bit on opposite sides of the divide. I've no issue with gratification if you've got to work hard for it and get the opposite for not working hard.


I'm not miles apart from many of the ending critics' views. I understand where the grievances come from.

What I have major problems with are the bullshit alternatives, and how willing they are to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict.  This one just needed to make more sense, communicate with the lore properly, and ditch the mysticism.

That's where we differ - I see no problem with a reunion at all since survival and victory or loss and death are the results that aren't nonsensical. Victory and death is just about impossible to achieve for something large-scale without being contrived nonsense written by someone with a messiah obsession. It just needs to be balanced out by other things, such as not completely glossing over the losses to the rest of the galaxy. I didn't find there was any moral conflict in what we got since there was no sound reason for chosing the other choices.


I disagree with your position on "victory and death" being impossible without a messiah motif.

I don't have a problem with a reunion scene, at all, but I do have a problem with a reunion scene created by nonsense alternatives. 

#487
shingara

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sveners wrote...

What about and ending where it is, at least, likely that Shepard lives? Would that be a bull**** alternative where I'm willing to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict?

While many wanted, and would probably enjoy a waifu reunion, was that really a great demand? An ending where it was possible to think/headcanon it might happen though... that is another story.

Unless the breath scene "Shep lives because Shep lives" is good enough of course.


 In a sense does the ending with shepard breathing enforce a retcon ending. that ending raises more questions then answers mind you. How did they get back to earth, why was anderson in the cutscene for destroy, why was tim in the cutscene control.

 Are the geth really dead along with all robots, why are all the ships working when they run on the exact same design as the mass relays, why dont the reapers evaporate whilst the land forces do. questions questions questions. All of which lead to the main question did the ending really happen.

 If they retcon the ending in the next game to the extended ending with breath that is the case but how many peeps are gonna be peeved off because of it. It would infact create just one ending that would sort out totally the confusion for a sequel but thats another question, what exactly are they planning.

#488
KwangtungTiger

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Kel Riever wrote...

AndyAK79 wrote...

Kel Riever wrote...

AndyAK79 wrote...

I'm not using a special definition, I'm using the standard definition in English in this context. According to the OED: 

a sense of resolution or conclusion at the end of an artistic work:he brings modernistic closure to his narrative


I agree that my definition is narrower then, but I also argue that even by the one you use, none of the 3 movies I mentioned reaches closure.  They simply end, purposely, withouth closure.

Edit:  By the way, note that 'modernistic closure' is not defined here.  Unless you want to go and put your own definition forth so I understand what it is you consider closure.  From what I see, 'modernistic closure' is a problematic term so in this case, the OED is quite failing.  Though I certainly respect their attempt.


I can't speak for No Country for Old Men because I haven't seen it, but both Twelve Monkeys and Inception reach closure. The plot threads in both films are neatly tidied up; the narrative reaches 'resolution' and 'conclusion.'

As for your 'edit,' I don't know whether to laugh or cry. Firstly "he brings modernistic closure to his narrative" is the example of how to use the word 'closure' in a sentence, not part of the definition. Therefore what 'modernistic closure' is is entirely irrelevant.

Secondly OED stands for Oxford English Dictionary. It more or less defines the English language and suggesting that they are somehow failing in their comprehension and explanation of a word almost certainly says more about you than it does about them.


Now you took this to being a jerk level so really, you are undermining your own so called desire to have a debate.  If you actually want to have a debate, google modernistic closure and you'll see there's not some 'Oxford standard definition of it'

What I really feel is you have no desire to consider an opposing point of view, despite starting this thread.  Nor do you really want to consider anything but your own point of view.  And that fuels your need to be insulting.  Really, what happens here is you should step up and note what I am saying isn't because I can't understand your point of view, but because there are legitimate points to debate.

But you're falling into the trap of being condescending whereas I have no time for that.  At least I do but for the people who put this game together which is well within my rights as a person who bought the game.  I'll never come down on someone for liking something that isn't the best thing ever, that's personal taste.  But you aren't even being objective anymore, despite the attempt that you are.

Twelve monkeys and Inception were finished and ended.  And did not achieve closure because simply put, you are left to figure out the end for yourself, and they were done well in that regard.  That is not closure.  To say otherwise is as narrow a point of view as you accuse me of having and no you aren't going by the definition of anything in the English language either, but something simply subjective.

I can't really see you claiming any convincing argument at this point, at least not on the basis of anything intellectual.  Moving on now.  Go ahead and have some last words if you must.


youtu.be/xXFvq2ycilg

#489
dreamgazer

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sveners wrote...

What about and ending where it is, at least, likely that Shepard lives? Would that be a bull**** alternative where I'm willing to botch the setting for an equally-nonsensical (usually far more so) happy ending with waifu reunion and zero interesting moral conflict?


Somebody once presented the idea of voices being heard in the background to suggest that Shepard is being rescued.  I'd be fine with that.  Hell, I'm fine with a little added content showing Shepard getting dragged out of the rubble.  It all depends on how it's handled. I'm not against Shepard living, though.

#490
Kel Riever

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@Kwangtung Tiger: :D sometimes it seems that way.

But really, its worthwhile talking about when you have two people actually interested in the counterpoint of their own argument. When it gets insulting, clearly one person at least is not.

But eff it. If I have to be someone, I'm going to be Jimmy. Because he wins.

Modifié par Kel Riever, 16 octobre 2013 - 10:37 .


#491
KwangtungTiger

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Kel Riever wrote...

@Kwangtung Tiger: :D sometimes it seems that way.

But really, its worthwhile talking about when you have two people actually interested in the counterpoint of their own argument. When it gets insulting, clearly one person at least is not.

But eff it. If I have to be someone, I'm going to be Jimmy. Because he wins.


lol,,,,,,,,,,,,good sport

#492
Kel Riever

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KwangtungTiger wrote...

Kel Riever wrote...

@Kwangtung Tiger: :D sometimes it seems that way.

But really, its worthwhile talking about when you have two people actually interested in the counterpoint of their own argument. When it gets insulting, clearly one person at least is not.

But eff it. If I have to be someone, I'm going to be Jimmy. Because he wins.


lol,,,,,,,,,,,,good sport


I try.  Nobody progresses their arguement with defenses like that.  I mean, I'm willing to be wrong if someone wants to have a discussion about it, where they can be critical of my own and their own arguement.  If they can't be, well then, there's no point to discussing it  anymore.

#493
KwangtungTiger

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How the Catalyst ultimately envisioned the future of Synthesis...........

youtu.be/sglZGSwK6ow

No wonder they rejected it before.

And if you dont like that version of Synthesis there is always this.......

youtu.be/bUe5Ugg6Iks

Modifié par KwangtungTiger, 16 octobre 2013 - 10:49 .


#494
Reorte

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dreamgazer wrote...

I disagree with your position on "victory and death" being impossible without a messiah motif.

Not impossible but just about impossible to pull off convincingly, so that when it does appear it usually gives the impression of a messiah motif. In this case it's the idea that the fate of the galaxy and the Reapers could possibly hinge on whether one individual lives or dies. I'm talking about that happening directly of course. Changing the course of history by getting lots of other people to go along with you (who might give up or lack the direction to continue if you die) is quite different.

I don't have a problem with a reunion scene, at all, but I do have a problem with a reunion scene created by nonsense alternatives. 

Fair enough.

#495
shingara

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there is one retcon ending that wouldnt make shep a mossiah or godlike figure. Anderson was the one all along. What if the whole time its anderson who is the actual hero, from a young age he was the one in the background being the hero, shep by default was always in one way or another an extention of andersons work, even when he was with cerberus. What if the breath scene does infact cement the fact that it was anderson who destroyed them and anderson who upon death is the person praised as saving the known universe, shep is just a glorified diplomate with a gun who has mercenery tendancys after all.

Modifié par shingara, 16 octobre 2013 - 10:59 .


#496
Reorte

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shingara wrote...

there is one retcon ending that wouldnt make shep a mossiah or godlike figure. Anderson was the one all along. What if the whole time its anderson who is the actual hero, from a young age he was the one in the background being the hero, shep by default was always in one way or another an extention of andersons work, even when he was with cerberus. What if the breath scene does infact cement the fact that it was anderson who destroyed them and anderson who upon death is the person praised as saving the known universe, shep is just a glorified diplomate with a gun who has mercenery tendancys after all.

It's not ShepMessiah that I don't like but any at all. I'm not religious and find religious allusions really quite annoying. If I was religious I suspect that I might find it insulting.

Modifié par Reorte, 16 octobre 2013 - 11:01 .


#497
shingara

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Reorte wrote...

It's not ShepMessiah that I don't like but any at all. I'm not religious and find religious allusions really quite annoying. If I was religious I suspect that I might find it insulting.


 You dont have tobe religious to find someone of mossiah status, the word itself is older and actualy just stands for a leader who is believed to have the power to solve the world's problems. Anderson in and upon himself did have just that in relation to the problems that we faced within the mass effect universe.

 With his death its not to far to think that he maybe reveared as a great leader.

#498
Reorte

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shingara wrote...

Reorte wrote...

It's not ShepMessiah that I don't like but any at all. I'm not religious and find religious allusions really quite annoying. If I was religious I suspect that I might find it insulting.


 You dont have tobe religious to find someone of mossiah status, the word itself is older and actualy just stands for a leader who is believed to have the power to solve the world's problems. Anderson in and upon himself did have just that in relation to the problems that we faced within the mass effect universe.

 With his death its not to far to think that he maybe reveared as a great leader.

Perhaps, but the allusions I'm talking about are all of the religious meaning.

#499
shingara

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Reorte wrote...

shingara wrote...

Reorte wrote...

It's not ShepMessiah that I don't like but any at all. I'm not religious and find religious allusions really quite annoying. If I was religious I suspect that I might find it insulting.


 You dont have tobe religious to find someone of mossiah status, the word itself is older and actualy just stands for a leader who is believed to have the power to solve the world's problems. Anderson in and upon himself did have just that in relation to the problems that we faced within the mass effect universe.

 With his death its not to far to think that he maybe reveared as a great leader.

Perhaps, but the allusions I'm talking about are all of the religious meaning.



 But thats the thing, the religious meanings are just a title for the exact same thing.  And the only person who ive ever heard refer to shep specifically in those terms was the clone. Ill admit some people love shep just a little to much but in essense they arnt hurting anyone either way.


 And for all the good shep did, they did a whole lot more to ****** others right off, ingame i mean.

Modifié par shingara, 16 octobre 2013 - 11:10 .


#500
Barquiel

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StreetMagic wrote...

Barquiel wrote...

I think the trilogy became too human centric in ME2 and ME3.


It was already human centric the minute Pressly opened his mouth in the first minute of the game, and you could ask Nihulus and Anderson why you should have to answer to the Council or the Spectres a minute after that.

edit: Rather, not human centric, but the option to play as such..

I didn't even have to recruit Garrus, purely and overtly out of racial reasons.



I didn't mean the option to play a racist or pro-human Shepard.

You're the first human spectre in ME1, but the theme of the game wasn't human/earth-centric. Shepard tries to stop Saren and Sovereign. But ME2 turned into being human centric with the Collectors only taking human colonies. The Reapers are so fascinated with humans because of our genetic diversity...and we got the human reaper. ME3 is also focusing on Earth. The whole galaxy thought that saving Earth was the key for some reason.

Modifié par Barquiel, 16 octobre 2013 - 11:14 .