Ieldra2 wrote...
@OP:
As a rule, I do not like heroic sacrifice endings, and I will always somewhat resent a story that appears to tell me it's the best kind of ending. In DAO I had several options for surviving, and I don't feel tarnished by either of them. If you order Alistair to kill the Archdemon, this is following the Grey Warden tradition that the most senior Warden does it because he has the least lifetime left. If you let Loghain kill the Archdemon, this is his redemption, and I feel it is very appropriate. If you do the Dark Ritual, you're facing an uncertain element in the future, but you also added something interesting to it. All these options felt right for those of my Wardens who chose them, and I would hate it if the story told me they are "lesser" choices.
In ME3, I resented that Shepard's survival was tied to an ending I wouldn't touch with a ten-foot pole, and even if you like Destroy, it's all too apparent that the writers didn't want Shepard to survive even there. I hate this kind of setup, both the first and the second aspect. Yeah, objectively it's not better or worse than any other type, but personally I hate it.
There is, as a rule, one thing I want out of my endings, as far as the protagonist's fate is concerned: I want to be able to imagine that my protagonist leads, or continues to lead, a meaningful life after the story has ended. I want to imagine them being in a dozen other stories, even if I never get to hear or read them. I want them to experience happy and sad moments, continue to be extraordinary in their way, have good and bad times with their LIs, maybe even breaking up. And I don't want to sacrifice significant big-picture benefits for them. The important points here are "survival" and "a dynamic, interesting life" (the latter is the reason why I don't like "happily ever after" type epilogues. Not that I've seen those lately). I don't need to be told any details, but it is important that the epilogue hints that these things are possible.
There is also one thing I hate beyond all measure: if the protagonist is divested of all that made him special in the end, downsized from larger-than-life back to normal. My reaction, and the emotional impact, would be similar to seeing them made Tranquil.
I love you (platonically of course)




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