iakus wrote...
You think maybe the Alliance would start getting a little suspicious when these corporations stop building crusiers for them? And yet they keep busily buildingfleets of ships?
or not? Who says they went to the same ship manufacturer? I'm sure theres plenty in the galaxy. Or you know, like I said before.....they built their own. Sort of like how you've been told multiple times throughout this thread by another user that they do in fact own such a thing.
What does this have to do with leaving a gaping hole in a story? You are in fact just handwaving Udina's treason as "Sometimes these things just happen"
Umm no I'm not. Lamens terms I guess: you say there's some sort of gaping hole. I'm simply saying there isn't. You say he has no motive to do what he did. I literally listed a fairly logical one a few pages ago. So you say there's a hole because the game didn't have some explaination for you. And I'm saying its common sense and some vocalized explaination from Udina regarding his motives wasn't necessary.
It is entirely relevant. Unless you are you making the case that Shepard is in fact a homicidal monster that will stalk and murder the survivors of ME3?
Not quite. You're aware that type of scene has been done before and what it implies for the character in that scene (regardless of who or what they are). And that was my entire point. You know it means that the character is alive. And its been done before.
Nevertheless, the scene is pointless as it is not resolution or closure, but a hook for a sequel that will never happen. I challenge you to acknoeldge that.
Easiest one yet. Resolution and closure: He lives. What.....now you want Bioware to tell you how "Your" Shepard lived the rest of his life? And here I was thinking you were the type to advocate player agency.
Hook for a sequel? Nope. Knowing that it was the final game of a trilogy, I would've never got that impression. Saw him breathe. Knew he was alive. I'm guilty of being a movie buff. Scenes shot like that have been done for decades (many without sequels)
I have not seen Drive, but I have seen The Grey. And it is interesting that you mention that film. Given the movie starts with the Liam Neeson character contemplating (more than contemplating, really) suicide. And ends with him deciding his life is worth living, and preparing to actually fight for his life. In complete contrast to Shepard at the end of ME3.
We're talking about the scene and what it means, and where its been done before. The contrast between the characters is of no relevance to the discussion. Not sure if you're trying use that as support for some type of argument.....or if you're simply saying "its interesting"
And in addition, you never see how that turned out. It simply goes to credits.
hmm what a shame.....
You didn't stay til after the credits.
Modifié par Mcfly616, 05 novembre 2013 - 12:19 .