Mcfly616 wrote...
As I said, they already had a military branch. Who says anything was magically created? Nothing in the trilogy contradicts the existence of Cerberus ships.
And in terms of money, if you're as well funded as that particular system, you most certainly can.
Except according to EDI, Cerberus just had a dozen cells, and a couple hundred agents, tops.
Warships are big and expensive. They take a lot of time to build and to train crews, and that' with the backing of planetary governments and not reverse-engineering Reaper technology.
And they got all this in
less than a yearI don't see why it warrants an explaination. Multiple logical explainations are possible with the information provided. I just gave one of them. Speculation isn't the problem in this instance. Whether people prefer to speculate or not, is another matter entirely.
Speculation is the problem because that's all we have. The entire coup attempt culminated in his attempt to kill the Council, and we have no freaking motive!
But hey, nobody liked him, and we get to kill him, so it doesn't matter! Think up your own reason why he went batpoop!
Some would say it was Shepard's destiny to break the cycle. Much the same way Neo was destined to break the cycle (hence "the One"), or the way Anakin was destined to bring balance to the Force ("The Chosen One"). It also seems the Master Chief is on the same type of path in the Halo saga, but it's still a bit early to tell.
Shepard was never "The One", "the Chosen One" or any other such nonsense. Shepard has evolved (or devolved) like John Maclaine in the Die Hard movies: from a cop in the wrong place at the wrong time to some kind of psuedo superhero.
What does that same scene mean when you see it at the end of a movie? (Countless movies, in fact)
For the protagonist, that scene simply does not happen. The character is typically shown climbing out of rubble, or waking up surrounded by surviving allies, or striding purposefully away from the scene of battle.
Such breath scenes asre typically reserved for the
monsters the hero fights. And used as sequel bait. But the problem here is
1) Shepard is not (supposedly) the monster
2) There will be no sequel, rendering such a scene pointless anyway
3) EC was supposed to provide "clarity and closure" anyway.
Not really. When you experience any medium and/or genre of fiction, you should keep your real world logic in check. If a narrative defies the logic of the fictional universe it's set in, that's a separate matter.
ME3 turned even Mass Effect's already mushy soft-scifi logic into a complete joke where the writer simply declares something be because it is written thus.