Aller au contenu

Photo

What Would You have Changed About Your Favorite Character(s)?


  • Veuillez vous connecter pour répondre
1324 réponses à ce sujet

#101
wolfhowwl

wolfhowwl
  • Members
  • 3 727 messages

David7204 wrote...

sH0tgUn jUliA wrote...

It's the virgin thing. It's doubled up with Tali. Teen age boys must have their virgins. They must be the first.

Come on, the woman is 106 years old. She's been through university. She's got a PhD. She's never done a sexual meld?

I wish BW would write deeper characters.

Heroes are lonely. They're unsuccessful in romance. They're unpopular. That is, at least in the normal world.

It makes perfect sense. It's the path they walk.


Why is it necessary that Tali and Liara be virgins?

I thought that was one of the most cringeworthy aspects of both characters.

Modifié par wolfhowwl, 05 novembre 2013 - 11:56 .


#102
AresKeith

AresKeith
  • Members
  • 34 128 messages

David7204 wrote...

Not my path.

I would say storytellers have the freedom to tell whatever stories they wish, and can choose to move away from that premise and still tell a very good story. But the premise still exists.


That doesn't mean the premise is absolute 

#103
dreamgazer

dreamgazer
  • Members
  • 15 742 messages

David7204 wrote...

StreetMagic wrote...

David7204 wrote...

There are always variations. And there are always writers who mess up. It doesn't matter. The important fact is that this path exists, and exists for a reason. A very strong reason. It's not at all 'contrived' for heroes to have no friends and no success in romance initially.


Like there's some objective force or party dictating "hero" formulas to all of us.

There is, actually. Of sorts.

Allow me to explain in the following post.


http://rack.3.mshcdn...NjAwPg/4660ab29

Can I use the restroom first, professor?

#104
Sir DeLoria

Sir DeLoria
  • Members
  • 5 246 messages

eyezonlyii wrote...

What about Odysseus? He was married before he went to war, and I'm pretty sure he was a high ranking hero/king beforehand as well.

EDIT: well damn...always late to the party...:(


Yep, mentioned him earlier;)

Almost all ancient greek heroes were of high social status and prestige even before their major accomplishments. 

#105
spirosz

spirosz
  • Members
  • 16 354 messages

wolfhowwl wrote...

David7204 wrote...

sH0tgUn jUliA wrote...

It's the virgin thing. It's doubled up with Tali. Teen age boys must have their virgins. They must be the first.

Come on, the woman is 106 years old. She's been through university. She's got a PhD. She's never done a sexual meld?

I wish BW would write deeper characters.

Heroes are lonely. They're unsuccessful in romance. They're unpopular. That is, at least in the normal world.

It makes perfect sense. It's the path they walk.


Why is it necessary that Tali and Liara be virgins?

I thought that was one of the most cringeworthy aspects of both characters.


I find it works for Tali, not so much for Liara.  That is just preference from how I view them both though. 

#106
Mr.House

Mr.House
  • Members
  • 23 338 messages
Bioware decided they wanted anime rules and cliches in their story.

#107
Wulfram

Wulfram
  • Members
  • 18 942 messages
Another (really minor) thing I'd change about Liara:
She should know what a Rachni looks like. They're not exactly obscure, they threatened to conquer the galaxy.  I'd say Bioware were trying to preserve the surprise, but they gave them Rachni name tags.

Modifié par Wulfram, 06 novembre 2013 - 12:01 .


#108
spirosz

spirosz
  • Members
  • 16 354 messages

Mr.House wrote...

Bioware decided they wanted anime rules and cliches in their story.


Image IPB

#109
Guest_StreetMagic_*

Guest_StreetMagic_*
  • Guests

dreamgazer wrote...

Can I use the restroom first, professor?


Well, if he ends up trying to justify this through mystical or religious reasons, it'll explain a lot of things.. Like why  deviations upset him. Different character choices could possibly be "sinful" and impure, in that context.

#110
Jorji Costava

Jorji Costava
  • Members
  • 2 584 messages
I'm going to post something relevant to the original topic, which almost certainly means that this post will be utterly ignored, but oh well. As far as things I'd change about some of my favorite characters:

Legion: I'd drop the whole N7 armor business from the character in ME2. Just wasn't necessary. I liked the idea that Legion was totally different from us, and had no interest in trying to be like us. That of course means major changes to the entire Rannoch arc as well, with the Pinocchio subtext, but that's ground that's been covered many times on these boards.

Ashley: Posted this one before, but everyone ignored it, so I'll post it again (so it can get ignored again. Yay!): You could have Ashley/Kaiden become the next human spectre during that two-year interval between ME1 and ME2; they established themselves as a suitable candidates by being victorious in some particularly vicious encounters with Cerberus.

This would (a) explain what the hell they've been doing with themselves in that two-year span, (B) give them credibility as capable soldiers who can accomplish things apart from Shepard, and © give them a reason to not join up with Shepard (i.e. their personal resentment towards Cerberus) that even the alien characters wouldn't necessarily have. It would also give Ashley an interesting personal conflict; whereas the Alliance, to whom she's been loyal the whole time, has largely kicked her to the curb, the Council, who she distrusts, have put her in a position of power and responsibility, a tension that could test her loyalties in interesting ways.

There's probably a lot more to say about what I'd change about the characters I don't like, but I'll leave it there.

EDIT: Fixed paragraphs

Modifié par osbornep, 06 novembre 2013 - 12:06 .


#111
David7204

David7204
  • Members
  • 15 187 messages
The core of the hero is competence.

For real competence to exist, (the kind of competence necessary for the hero to succeed in his adventures) it must be based on love, and on respect. The hero has great, great love for the tools he posseses, and the tools he eventually sees with future companions. Tools such as strength, as courage, as intelligence, and as honor. The hero thus embodies such traits. They're allowed to flourish within him because of his immense love and respect, whereas they wilt in others. 

The 'normal' world around the hero is dishonest and corrupt. Not overwhelmingly corrupt, but enough that it's as if the hero is crooked. In fact, he's perfectly straight. The world around him is crooked.

So when the hero looks around the normal world, and what he sees is imitations and subtitutions of that which he has overwhelmingly love and respect for. And his reaction is contempt. Or at best, innocent indifference. You cannot feel such love for the real thing and accept the imitation.

It's not a world he accepts. So he makes a choice. He seperates himself from the world. And he suffers for that choice. And thus, he's lonely. He's unsuccessful in romance. He's generally reletively poor. He could have everything the normal world has to offer him, but chooses not to take it. Because he has something far more valuble within himself.

It's the exact same choice that Shepard made. That Garrus made. That Liara made. That Thane, that Miranda, that Samara made.

Modifié par David7204, 06 novembre 2013 - 12:09 .


#112
wolfhowwl

wolfhowwl
  • Members
  • 3 727 messages

osbornep wrote...
Legion: I'd drop the whole N7 armor business from the character in ME2. Just wasn't necessary.


That was revealed to be meddling by someone high up on the Mass Effect team. They thought it would be "cool."

#113
Guest_StreetMagic_*

Guest_StreetMagic_*
  • Guests

David7204 wrote...

The core of the hero is competence.

For real competence to exist, (the kind of competence necessary for the hero to succeed in his adventures) it must be based on love, and on respect. The hero has great, great love for the tools he posseses, and the tools he eventually sees with future companions. Tools such as strength, as courage, as intelligence, and as honor. The hero thus embodies such traits. They're allowed to flourish within him because of his immense love and respect, whereas they wilt in others. 

The 'normal' world around the hero is dishonest and overwhelmingly. Not overwhelmingly corrupt, but enough that it's as if the hero is crooked. In fact, he's perfectly straight. The world around him is crooked.

So when the hero looks around the normal world, and what he sees is imitations and subtitutions of that which he has overwhelmingly love and respect for. And his reaction is contempt. Or at best, innocent indifference. You cannot feel such love for the real thing and accept the imitation.

It's not a world he accepts. So he makes a choice. He seperates himself from the world. And he suffers for that choice. And thus, he's lonely. He's unsuccessful in romance. He's generally reletively poor. He could have everything the normal world has to offer him, but chooses not to take it. Because he has something far more valuble within himself.


Sounds like a priest. Or an aspie. Or both.

#114
Xilizhra

Xilizhra
  • Members
  • 30 873 messages

David7204 wrote...

The core of the hero is competence.

For real competence to exist, (the kind of competence necessary for the hero to succeed in his adventures) it must be based on love, and on respect. The hero has great, great love for the tools he posseses, and the tools he eventually sees with future companions. Tools such as strength, as courage, as intelligence, and as honor. The hero thus embodies such traits. They're allowed to flourish within him because of his immense love and respect, whereas they wilt in others. 

The 'normal' world around the hero is dishonest and corrupt. Not overwhelmingly corrupt, but enough that it's as if the hero is crooked. In fact, he's perfectly straight. The world around him is crooked.

So when the hero looks around the normal world, and what he sees is imitations and subtitutions of that which he has overwhelmingly love and respect for. And his reaction is contempt. Or at best, innocent indifference. You cannot feel such love for the real thing and accept the imitation.

It's not a world he accepts. So he makes a choice. He seperates himself from the world. And he suffers for that choice. And thus, he's lonely. He's unsuccessful in romance. He's generally reletively poor. He could have everything the normal world has to offer him, but chooses not to take it. Because he has something far more valuble within himself.

It's the exact same choice that Shepard made. That Garrus made. That Liara made. That Thane, that Miranda, that Samara made.

Hmmm. So would this person still generally like people for who they are and what they can be, just not want to interact terribly much with them on a day-to-day level, but still want what's best for them?

#115
Guest_StreetMagic_*

Guest_StreetMagic_*
  • Guests
To be fair, I have nothing against heroic priests (or clergy). Martin Luther King Jr. is my favorite real life hero - but he was quite social and engrained within community movements. Not standing apart, like he was Batman or something. I'm a loner myself, but I don't want to project that as a virtue or something. There's a lot to admire about people who know how to connect with others.

Modifié par StreetMagic, 06 novembre 2013 - 12:16 .


#116
Mr.House

Mr.House
  • Members
  • 23 338 messages

David7204 wrote...

The core of the hero is competence.

For real competence to exist, (the kind of competence necessary for the hero to succeed in his adventures) it must be based on love, and on respect. The hero has great, great love for the tools he posseses, and the tools he eventually sees with future companions. Tools such as strength, as courage, as intelligence, and as honor. The hero thus embodies such traits. They're allowed to flourish within him because of his immense love and respect, whereas they wilt in others. 

The 'normal' world around the hero is dishonest and corrupt. Not overwhelmingly corrupt, but enough that it's as if the hero is crooked. In fact, he's perfectly straight. The world around him is crooked.

So when the hero looks around the normal world, and what he sees is imitations and subtitutions of that which he has overwhelmingly love and respect for. And his reaction is contempt. Or at best, innocent indifference. You cannot feel such love for the real thing and accept the imitation.

It's not a world he accepts. So he makes a choice. He seperates himself from the world. And he suffers for that choice. And thus, he's lonely. He's unsuccessful in romance. He's generally reletively poor. He could have everything the normal world has to offer him, but chooses not to take it. Because he has something far more valuble within himself.

It's the exact same choice that Shepard made. That Garrus made. That Liara made. That Thane, that Miranda, that Samara made.

Play more games/read more fiction please.

#117
eyezonlyii

eyezonlyii
  • Members
  • 1 715 messages

osbornep wrote...


Ashley: Posted this one before, but everyone ignored it, so I'll post it again (so it can get ignored again. Yay!): You could have Ashley/Kaiden become the next human spectre during that two-year interval between ME1 and ME2; they established themselves as a suitable candidates by being victorious in some particularly vicious encounters with Cerberus.

This would (a) explain what the hell they've been doing with themselves in that two-year span, (B) give them credibility as capable soldiers who can accomplish things apart from Shepard, and © give them a reason to not join up with Shepard (i.e. their personal resentment towards Cerberus) that even the alien characters wouldn't necessarily have. It would also give Ashley an interesting personal conflict; whereas the Alliance, to whom she's been loyal the whole time, has largely kicked her to the curb, the Council, who she distrusts, have put her in a position of power and responsibility, a tension that could test her loyalties in interesting ways.

There's probably a lot more to say about what I'd change about the characters I don't like, but I'll leave it there.

EDIT: Fixed paragraphs


I actually think this would work for Ashley moreso than Kaidan, because you find out that Kaidan was put in charge of a biotic Spec-ops team, so that makes sense for his two years. actually how interesting would it be if Kaidan specifically got one of his recruits from Grissom and had unique dialogue there...oh wait he isn't present for that mission...damn. I just wish for some Kaidan/Jack interaction.

#118
MassivelyEffective0730

MassivelyEffective0730
  • Members
  • 9 230 messages
I wonder how I fit into David's heroism book.

Modifié par MassivelyEffective0730, 06 novembre 2013 - 12:30 .


#119
Xilizhra

Xilizhra
  • Members
  • 30 873 messages

MassivelyEffective0730 wrote...

I how I fit into David's heroism book.

My guess:

You personally: a bystander.
Your Shepard: Dead at his feet.

#120
Guest_StreetMagic_*

Guest_StreetMagic_*
  • Guests

MassivelyEffective0730 wrote...

I how I fit into David's heroism book.


INTJs are never heroic. :wizard: They might try, but they're more like that kid from Death Note. Or Illusive Man.

Modifié par StreetMagic, 06 novembre 2013 - 12:22 .


#121
Xilizhra

Xilizhra
  • Members
  • 30 873 messages

StreetMagic wrote...

MassivelyEffective0730 wrote...

I how I fit into David's heroism book.


INTJs are never heroic. :wizard: They might try, but they're more like that kid from Death Note. Or Illusive Man.

Perdon, but I am INTJ.

#122
dreamgazer

dreamgazer
  • Members
  • 15 742 messages
(observes)

Image IPB

#123
eyezonlyii

eyezonlyii
  • Members
  • 1 715 messages

Xilizhra wrote...

StreetMagic wrote...

MassivelyEffective0730 wrote...

I how I fit into David's heroism book.


INTJs are never heroic. :wizard: They might try, but they're more like that kid from Death Note. Or Illusive Man.

Perdon, but I am INTJ.


Ergo, not heroic. 

#124
David7204

David7204
  • Members
  • 15 187 messages

Xilizhra wrote...

Hmmm. So would this person still generally like people for who they are and what they can be, just not want to interact terribly much with them on a day-to-day level, but still want what's best for them?

I think one of the most difficult lessons a hero must learn is that other people are not like him and cannot be made to be like him. That what he sees as the most obvious thing in the world is incomprehensible to others. Of course, this lesson is generally learned long before the story begins.

So...I suppose the answer must ultimately be 'no.' He gets along with people well enough on the surface, but has to accept that people are what they are, and he is what is is.

#125
spirosz

spirosz
  • Members
  • 16 354 messages

StreetMagic wrote...
There's a lot to admire about people who know how to connect with others.