Aller au contenu

Photo

Bioware Please Don't Dehumanize the Antagonist


  • Veuillez vous connecter pour répondre
434 réponses à ce sujet

#126
Icy Magebane

Icy Magebane
  • Members
  • 7 317 messages

Sidney wrote...

It didn't control her mind really though. I mean she wasn't as off her nut as Saren and no one gripes about his mind controlly thing. What she does in the entire game makes perfect sense if you eliminate red lyrium - it isn't like being suspicious of mages and wanting to nullify the circle when they blow up the Chantry are out of character for her.
The only thing red lyrium messed up was the final battle where it was used a power source to do all the crazy crap that they did to create a boss fight.


Whatever Bartrand was ranting about sounded like mind control to me, but that really wasn't my main point.  Regardles of the specific process, it cheapened his character when he returned as a raving lunatic.  You could be right about Meredith, but the fact that she had possession of the Idol leads me to believe that it was influencing her in some way.  Why else would she turn on you if you were already supporting the Templars and helping her control the city?  This is another problem inherent in red lyrium:  its effects aren't clearly defined, thus it's impossible to get a clear understanding of any character that comes into contact with it.  Remove red lyrium from the game and no character has questionable motivations that are governed by an outside influence (um... except Anders and a few mages, I guess...).  Even normal insanity is preferable to... whatever you want to call it.  Red lyrium has some mystical power to alter the minds of sentients.  That much cannot be argued.

Modifié par Icy Magebane, 13 décembre 2013 - 08:19 .


#127
grumpymooselion

grumpymooselion
  • Members
  • 807 messages

Lord Raijin wrote...

Janan, Morrigan indicated on the trailer that you can either stand against it or lead this world into a bitter end. I suppose this means that you yourself can become the antagnoist, and not the protagnoist.


The bitter end thing is precisely what an antagonist shouldn't have in mind, it's all too typical. That's not a case of, "They might just be right," at all. In Terra Nova when you have the settlers and the 6ers you have two groups of differing ideaology. When we're introduced to our first antagonist (Mira) they want to create a two-way portal, rather than the current one way portal. One set of people want to settle the past. Another set want to create a two way portal back and forth to bring resources from the past into the future, whether she agrees with her side, or not, she's supporting it to be reunited with her daughter.

This is a good antagonist.

It falls apart when we meet the second Antagonist. At first he's just rude. Then he comes off as creepy when speaking to a younger female character in a later episode. Then it's revealed he's just gone completely insane through a combination of bitter hatred, jealously, and being out in the jungle for too long. The story took sides. He was the bad guy, not an antagonist, at this point. Because he was just nuts. No one could possible side with him. Anyone on his side must be terrible. The coorperations backing him must all be evil, only evil people would back a psychopath. And so on.

Mira was a good antagonist because you could see her side of it. When the story was at this point, there was a real conflict. A Human conflict. You could go either way. You could see the merits of both points of view. Mira wasn't a psychopath that drooled over young women and randomly murdered people because it was fun, nor because she had daddy issues. This was in contrast to the second antagonist, Taylor's son, who was a psychopath that drooled over young women and randomyl murdered people because it was fun, and because he had daddy issues.

It's one of those cases where you could see a good antagonist and a bad one side by side. Mira is what an antagonist should be. She's who you're fighting against, but the reality is, you could go either way. She's wasn't evil. She was a mother, and willing to do what it took to see her child against. She was a smart, but level headed and tactical opponent. All of these things and more made her a good antagonist, but most importantly her end goal was one that, if the audience was there, they really would have had a choice. Neither view was evil. It was all a matter of perspective.

A good antagonist's goals are all a matter of perspective as to whether they really are wrong or not. A good one might even win you over.

#128
Sidney

Sidney
  • Members
  • 5 032 messages

Icy Magebane wrote...

Whatever Bartrand was ranting about sounded like mind control to me, but that really wasn't my main point.  Regardles of the specific process, it cheapened his character when he returned as a raving lunatic.  You could be right about Meredith, but the fact that she had possession of the Idol leads me to believe that it was influencing her in some way.  Why else would she turn on you if you were already supporting the Templars and helping her control the city?  This is another problem inherent in red lyrium:  its effects aren't clearly defined, thus it's impossible to get a clear understanding of any character that comes into contact with it.  Remove red lyrium from the game and no character has questionable motivations that are governed by an outside influence (um... except Anders and a few mages, I guess...).  Even normal insanity is preferable to... whatever you want to call it.  Red lyrium has some mystical power to alter the minds of sentients.  That much cannot be argued.


Well I'm not arguing Red Lyrium as implemented was good. I think the implications in the game are what you said, that it made Meredtih mad.

I don't think they needed to do that because her repsonse would have worked woithout the Red Lyrium fueling her paranoia. Put another way, any Knight Commander who knew a mage blew up the Chantry HQ in town likely would have pulled the plug on the local circle. The whole story of DA2 was of a corrupted and unstable circle so Meredith's distrust was both reasonable and fueling even more corruption and instability in the circle. The only thing that really did need Red Lyrium was Robo-Meredith at the end and I could have done without that.

#129
Sylvius the Mad

Sylvius the Mad
  • Members
  • 24 112 messages

David7204 wrote...

My experience has been that people seriously tend to exaggerate the ambiguity of villains supposedly like this.

Gus Fring is not 'ambiguous.' Caesar's Legion is not 'ambiguous.'

That you don't see the ambiguity doesn't mean it isn't there.

I once argued (in an academic paper) that the protagonist of Star Wars was actually Darth Vader, and the antagonist was ignorance of the Force.  All Vader wanted to do was reunite him family and bring order to the galaxy.  That's laudable.

All but the flattest characters are ambiguous.

#130
Sidney

Sidney
  • Members
  • 5 032 messages

Janan Pacha wrote...

A good antagonist's goals are all a matter of perspective as to whether they really are wrong or not. A good one might even win you over.


No, not really. Were you persuaded or thinkiing, hmmm he has a point about Irencius? Malek? Think that the slave driving violent jerk Caesar had a point in FNV? Maybe Sauron had an agenda you could get behind? Heck, even the Reapers for 95% of the ME series didn't have any agenda other than killing everything for no good reason - actually scratch that the last 5% didn't give a good reason either. All those things motives were basics "I'm evil BABY, YEAH!!!!"
The story can be compelling without a ambiguous antagonist.

I'm frankly shokced ANYONE let Loghain live. He's a traitorous, power grabbing, paranoid nutter. There is NOTHING reasonable about his position - or sympathetic about his character. He is paranoid about an imaginary threat from Orlais that leads him to commit treason, he ignores a real mortal threat to the kingdom and tears Ferelden apart into a civil war in the face of that threat along with the usual gross abuses of power. What is redeeming about this guy? He loves his country? THAT is all it takes to be sympathetic?

#131
Zatche

Zatche
  • Members
  • 1 222 messages

Janan Pacha wrote...

A complex and understandable antagonist who is a pain to deal with, not simply because their views differ from yours, or because "they're evil" but because they 'might just be right' is an important key to a villain in my mind.

"What if they're not wrong?"

"What am I really fighting for?"

"Are my means any better?"

"Are my ends really any different?"

"Maybe I should be on their side."

Are all things, in my mind, that a good villain should bring to my mind.


Moral ambiguity for a villain is an interesting concept, and many stories have set the precedent that it can be done well. That doesn't mean it's the only way. There have been plenty of villains who are entertaining or interesting in other ways.

The Joker in the Dark Knight doesn't make me asky myself any of those questions. He's a good villain, because he challenges Batman to uphold his values in the face of adversity, fear, chaos, and heartbreak.

Modifié par Zatche, 14 décembre 2013 - 12:46 .


#132
Fast Jimmy

Fast Jimmy
  • Members
  • 17 939 messages

Sylvius the Mad wrote...

David7204 wrote...

My experience has been that people seriously tend to exaggerate the ambiguity of villains supposedly like this.

Gus Fring is not 'ambiguous.' Caesar's Legion is not 'ambiguous.'

That you don't see the ambiguity doesn't mean it isn't there.

I once argued (in an academic paper) that the protagonist of Star Wars was actually Darth Vader, and the antagonist was ignorance of the Force.  All Vader wanted to do was reunite him family and bring order to the galaxy.  That's laudable.

All but the flattest characters are ambiguous.


Would that be truly an antagonist? Or merely Vadar's foil? 

HIs own ignorance of the Force and its abilities (and limitations) would ultimately lead him down the paths that caused him (and others) suffering. 

I don't see how you could slice it any other way that the Emperor is the antagonist of the Star Wars universe. I do agree that Vadar could very easily be the protagonist - he is the focus of the series throughout. Moreso than Yoda, the only other character to actually appear in every movie besdies Darth Vadar.

#133
Dave of Canada

Dave of Canada
  • Members
  • 17 484 messages

Sidney wrote...


No, not really. Were you persuaded or thinkiing, hmmm he has a point about Irencius?


Jon Irenicus wasn't exactly the most sympathetic antagonist but you could understand why he was doing what he was doing, there was plenty of things in Baldur's Gate 2 which made you know that he wasn't being an antagonist because he felt like it, he had legitimate motives and his story is part of a tragedy.

Malek?


Let's be honest here, Malak wasn't that great of an antagonist. The true "big bad" of KOTOR was Sith Lord Revan, Revan had a lot of points and the understanding and creation of the Sith Empire which prompted all of KOTOR's events were far more ambigious prior to the deconstruction and retcons done in TOR.

In a sense, killing Malak and taking over the Empire was simply going back to your roots and agreeing that Dark-side Revan might've had a point in the creation of everything he had done to that point. 

Think that the slave driving violent jerk Caesar had a point in FNV?


Caesar's solution isn't perfect but the entire point of New Vegas was showing that nobody on any side is perfect, Caesar's civilization works and offers protection for the people who'd join in the Legion's ranks. I'd much rather side with the Legion than the NCR, for example.

House > Legion > Independent > NCR.

Maybe Sauron had an agenda you could get behind?


We don't necessairly hear anything bad about Sauron, really. What's his motivations? What does he want to accomplish? We don't know any of this, all we do know is that he's created a multi-racial army of humans and the "beast races" which are looked down upon by civilization and seeks to expand his territory.

The narrative does a terrible job of painting him as someone who's terrible deeds would ruin the world, they just say he's bad and expect us to take it at face value.

Heck, even the Reapers for 95% of the ME series didn't have any agenda other than killing everything for no good reason - actually scratch that the last 5% didn't give a good reason either.


Reapers were originally based off Cthulhu and the lovecraftian mythos, we were supposed to fumble in ignorance about their motives and agenda, we opposed them because they opposed us, it doesn't have to do with "evil" or what say you.

Quite frankly, the idea of people being "evil" is idiotic. No-one wakes up in the morning and says "I'm going to commit an atrocity today", everyone has motives and their followers have to see those motives, otherwise they wouldn't follow that person. The real world is filled with gray, I'd like if our literature/cinema/games continued to reflect this truth.

Modifié par Dave of Canada, 14 décembre 2013 - 12:45 .


#134
Plaintiff

Plaintiff
  • Members
  • 6 998 messages

Fast Jimmy wrote...

Sylvius the Mad wrote...

David7204 wrote...

My experience has been that people seriously tend to exaggerate the ambiguity of villains supposedly like this.

Gus Fring is not 'ambiguous.' Caesar's Legion is not 'ambiguous.'

That you don't see the ambiguity doesn't mean it isn't there.

I once argued (in an academic paper) that the protagonist of Star Wars was actually Darth Vader, and the antagonist was ignorance of the Force.  All Vader wanted to do was reunite him family and bring order to the galaxy.  That's laudable.

All but the flattest characters are ambiguous.


Would that be truly an antagonist? Or merely Vadar's foil? 

HIs own ignorance of the Force and its abilities (and limitations) would ultimately lead him down the paths that caused him (and others) suffering. 

I don't see how you could slice it any other way that the Emperor is the antagonist of the Star Wars universe. I do agree that Vadar could very easily be the protagonist - he is the focus of the series throughout. Moreso than Yoda, the only other character to actually appear in every movie besdies Darth Vadar.

Yoda doesn't appear in every movie.

#135
Plaintiff

Plaintiff
  • Members
  • 6 998 messages
I don't think an antagonist has to be ambiguous or relatable at all, and I think making that sort of vague requirement is just unnecessarily restricting the kinds of narratives that can exist. How do we determine which motivations are 'ambiguous' or 'relatable' anyway? Morality is subjective, relatability is even more so. I can relate to an antagonist who commits murder in order to selfishly prolong his own life, but that doesn't make him morally ambiguous.

I'm utterly perplexed by the notion that things like insanity and possession are "dehumanizing". Personally I have much more sympathy for an antagonist who is legitimately unable to control themselves than one who acts by choice.

Modifié par Plaintiff, 14 décembre 2013 - 01:04 .


#136
Plaintiff

Plaintiff
  • Members
  • 6 998 messages

Dave of Canada wrote...
Quite frankly, the idea of people being "evil" is idiotic. No-one wakes up in the morning and says "I'm going to commit an atrocity today", everyone has motives

Just because someone doesn't perceive their own actions as atrocities doesn't make those actions morally ambiguous, however.

and their followers have to see those motives, otherwise they wouldn't follow that person.

Unless they just want to be on what they think is the 'winning' side, or if they've been promised power and glory, or if their families are being held hostage, or if they think they stand a better chance of changing things if they work from the inside, or if they owe that person a debt.

The real world is filled with gray, I'd like if our literature/cinema/games continued to reflect this truth.

Not really. "I truly believe this course of action to be right" is not the only motivation driving people to act, in fiction or in real life. It's not even the driving reason behind most of our everyday behaviour. Primarily, we're concerned with our own individual wellbeing.

In reality and in fiction, people are often callous and selfish for no good reason, and they will do things that they themselves know and/or believe to be wrong, purely for personal gain. When I take someone else's soda from the fridge without asking, I'm not doing it because I believe I'm legitimately entitled, I'm doing it because I'm a selfish, callous person who wants a soda and is too lazy or shortsighted to go to the store and buy his own.

#137
Drone696

Drone696
  • Members
  • 1 319 messages

Plaintiff wrote...

Fast Jimmy wrote...

Sylvius the Mad wrote...

David7204 wrote...

My experience has been that people seriously tend to exaggerate the ambiguity of villains supposedly like this.

Gus Fring is not 'ambiguous.' Caesar's Legion is not 'ambiguous.'

That you don't see the ambiguity doesn't mean it isn't there.

I once argued (in an academic paper) that the protagonist of Star Wars was actually Darth Vader, and the antagonist was ignorance of the Force.  All Vader wanted to do was reunite him family and bring order to the galaxy.  That's laudable.

All but the flattest characters are ambiguous.


Would that be truly an antagonist? Or merely Vadar's foil? 

HIs own ignorance of the Force and its abilities (and limitations) would ultimately lead him down the paths that caused him (and others) suffering. 

I don't see how you could slice it any other way that the Emperor is the antagonist of the Star Wars universe. I do agree that Vadar could very easily be the protagonist - he is the focus of the series throughout. Moreso than Yoda, the only other character to actually appear in every movie besdies Darth Vadar.

Yoda doesn't appear in every movie.

He does; you just don't see him.

#138
grumpymooselion

grumpymooselion
  • Members
  • 807 messages
[quote]Sidney wrote...

[quote]No, not really. Were you persuaded or thinkiing, hmmm he has a point about Irencius?[/quote][/quote]
I never considered him a particularly good antagonist. The meat of BGII was the journey. It was good for all the things besides the antagonist. The antagonist's payout was very low. The payoff of the journey was extremely high.

[quote][quote]Malek?[/quote][/quote]

There are countless reasons Kreia was a better villain than Malek. One of the key being that Malek was a terrible one note villain of absolutely no consequence. Revan was a better villain in Kreia's description and interpretations of his decisions, because there was underlying complexity to what seemed at surfacr value as pure evil prior to the Jedi reprograming him/her. Regardless Malek was never an antagonist, he was a pure no possibility of being a normal Human being villain, and, worse, he was boring and predictable.

[quote][quote]Think that the slave driving violent jerk Caesar had a point in FNV?[/quote][/quote]

No. And I didn't consider him a good antagonist either.

[quote]Maybe Sauron had an agenda you could get behind?[/quote]

No. He didn't. He was a boring no personality antagonist too. He wasn't even an antagonist. He's a pure unfiltered entity of pure evil in the Lord of the Rings. There's nothing interesting or engaging here. It's a very typical, "Heroes versus the dark army and their dark overlord" brand of nonsense that made portions of DA:O far less interesting than DA2 which had more interesting antagonists in form of the Qunari, Meredith and their ilk. The only real issue with Meredith is they went the, "She's crazy, thus tearing down everything good about the character because we had to work that artifact back in, again (yeah, we already did it earlier with the Brother).

That said, we never really got his side of it. It wasn't really well handled. I'll never understand why people put so much stock in those books.

[quote][quote]Heck, even the Reapers for 95% of the ME series didn't have any agenda other than killing everything for no good reason - actually scratch that the last 5% didn't give a good reason either. All those things motives were basics "I'm evil BABY, YEAH!!!!"[/quote][/quote]

I didn't consider the Reapers good antagonists either. Saren, on the other hand, once you get in his head, at least you understand why he went along with it, and, as a result, became very indoctrinated. The Reapers themselves were never that interesting. Saren was a good portion of the reason that I still consider ME1 the superior entry.

Nevermind the it's not really a question of evil. Above it's mentioned the initial concept was not unlike that of a Lovecraftian eldritch horror, and this worked well in ME1. This . . . did not work in ME2 and ME3, mostly because the same themes weren't present at all  . . . I'm stopping here. The rant would be near endless.

[quote][quote]The story can be compelling without a ambiguous antagonist.[/quote][/quote]

You've yet to show me an example of that. In fact the only example I can think of is the Joker, but, there's still more than the surface, "I'm insane" going on there, which makes the character work. The obsession with Batman, the continued quest to get the character to break his moral values. Even with a character that is unfogivable, you're given a reason to keep watching him - not because you can see his side of it, but because he 'does' still force in question. His purpose is the test of Batman's morals. The, "Are you really right?" question personified, not by offering another perspective for you to choose, besides your own, but by presenting the question, "Is your way really going to work? Won't I just get out again? Won't I potentially harm more people if you don't break your moral code and put an end to me?"

So there's a reason the Joker  works where Sauron doesn't work at all. Because he's not the dark overlord, instead he's that nagging thing in the back of your mind, questioning your motives, given form. All the fears. All the questions. Batman's best villains do this. They test his morals in different ways. This, sadly, only really works in the hands of the best writers.

[quote]I'm frankly shokced ANYONE let Loghain live. He's a traitorous, power grabbing, paranoid nutter. There is NOTHING reasonable about his position - or sympathetic about his character. He is paranoid about an imaginary threat from Orlais that leads him to commit treason, he ignores a real mortal threat to the kingdom and tears Ferelden apart into a civil war in the face of that threat along with the usual gross abuses of power. What is redeeming about this guy? He loves his country? THAT is all it takes to be sympathetic?
[/quote]

It's really only paranoia in retrospect. We didn't know anymore than he did, really, at the time. We just have the benefit of seeing history in that world beyond what he was able to see. He was one of the few good things, and only made lesser by decisions by the writers, in later stories, to make it so all his fears were imaginary. In the end, they could have gone another way, and had those fears be realized. They didn't though, true, but we only know that now. Not in the midst of it.

[quote]Zatche wrote...

[quote]Janan Pacha wrote...

A
complex and understandable antagonist who is a pain to deal with, not
simply because their views differ from yours, or because "they're evil"
but because they 'might just be right' is an important key to a villain
in my mind.

"What if they're not wrong?"

"What am I really fighting for?"

"Are my means any better?"

"Are my ends really any different?"

"Maybe I should be on their side."

Are all things, in my mind, that a good villain should bring to my mind.[/quote]

Moral
ambiguity for a villain is an interesting concept, and many stories
have set the precedent that it can be done well. That doesn't mean it's
the only way. There have been plenty of villains who are entertaining or interesting in other ways.

The
Joker in the Dark Knight doesn't make me asky myself any of those
questions. He's a good villain, because he challenges Batman to uphold
his values in the face of adversity, fear, chaos, and heartbreak.

[/quote]

I've already addressed why the Joker words. He works for the same reason that a morally ambiguous antagonist works. It's simply in reverse. Instead of presenting those possibilities by heading them, he presents them in the subtext. The road not taken. What Batman could be instead. How he should handle criminals like the joker, really. Will this path actually work.

If you consider Batman the Animated series that ran into Batman Beyond . . . we have one writer's opinion on that challenge. We see another take with The Dark Knight Returns, and its graphic novel basis. The reflections and interpretations of Batman, his moral code and whether it can stand the test of time or the challenges will require it to be bent, or even broken. Not just that they are bent, or broken, but in what ways, and what finally pushes the character to that point.

You already noted this though, you just didn't realize it was another facet of the antagonist making you question whether you were really right or wrong. Not through presenting you with his alternative, but by forcing you to reassess your values and path within. You're still being presented with an alternative mindset that may just be right, one possibly counter to your own, but its the character forcing you to come up with one on your own, potentially, rather than presenting it to you themselves. It's internal versus external, but it's still the same concept as the antagonist that might just right, simply turned in on itself. This one forces you to look in the mirror. The other side of the coin, surely, but it's still the same coin. If I have to say it outright, you are the coin. This is why many of Batman's villains work, even when they don't present you with their own alternative.

In essence it's still a challenge. Not, "blllaah I'm evil dark grim dark evil blah blah blah I'm bad because bad because also I have an army and they're dark and evil and baaaaaad grrrr hisss" . . . 

Modifié par Janan Pacha, 14 décembre 2013 - 01:27 .


#139
Augustei

Augustei
  • Members
  • 3 923 messages

Sidney wrote...

I'm frankly shokced ANYONE let Loghain live. He's a traitorous, power grabbing, paranoid nutter. There is NOTHING reasonable about his position - or sympathetic about his character. He is paranoid about an imaginary threat from Orlais that leads him to commit treason, he ignores a real mortal threat to the kingdom and tears Ferelden apart into a civil war in the face of that threat along with the usual gross abuses of power. What is redeeming about this guy? He loves his country? THAT is all it takes to be sympathetic?


Yeah because 20,000 foreign soldiers from a superpower entering the lands of your small kingdom isn't something to be concerned about right? No they're just there to battle the darkspawn why would they try to reclaim they're lost province while their at it? Why would they try to enforce the rule of Orlais after its absorbs Ferelden when Cailan declared himself Emperor which would have happened because when the crown's of two countries merge the much stronger country completely dominates the other.
There are arguments to be had against Loghains actions certainly, but suggesting the threat Orlais posed was imaginary is naivety at its finest.

monkeycamoran wrote...

No...you can have a guy explain his
motivations to you, but well-written dialogue options will always point
out why the antagonist's approach and conviction is wrong in the end.

Is this what you think it should be like or are you saying this is what its actually like? If the latter then you'd be wrong, You can think the antagonists approach and conviction is wrong but thats an opinion not a fact.. I thought Connor looked like an idiot in AC3 trying to justify himself to The Templars for example.

Modifié par XxDeonxX, 14 décembre 2013 - 02:08 .


#140
Sidney

Sidney
  • Members
  • 5 032 messages
[quote]Janan Pacha wrote...

[quote][The story can be compelling without a ambiguous antagonist.[/quote][/quote]

You've yet to show me an example of that.
[/quote]

Well you admitted that BGII was good despite a flat antagonist because the journey (the story of the game) mattered. The rest of it is fine, you don't like antagonists of well regarded and popular games/stories - although you bend over backwards to defend the very flat "I'm crazy and mind controlled" Saren or pointlessly stupid Loghain as a good antagonist so I'm not even sure your argument is coherent.

We can keep dropping antagonists that lack complexity that are still good - the Wicked Witch is just wicked. Grendel is just a killing machine  - mom too, Dracula is just evil baby, Moriatrty has no motivation other than to be bad apparently, Bill Sikes from Oliver Twist is a huge evil jerk for no real reason, Cthulu is evil incarnate, the White Witch, Darth Vader, the Alien, Alex de Large,  Captain Bligh.

All of these folks are just bad, none of them are sympathetic or morally grey as orginally presented and all of them are part of a collection well regarded movies/stories/books.

#141
Augustei

Augustei
  • Members
  • 3 923 messages
Dracula isn't always necessarily evil, see the new tv series and Castlevania Lords of Shadow for example

Modifié par XxDeonxX, 14 décembre 2013 - 02:18 .


#142
Zatche

Zatche
  • Members
  • 1 222 messages

Janan Pacha wrote...

The story can be compelling without a ambiguous antagonist.

You've yet to show me an example of that. In fact the only example I can think of is the Joker....


So, pretty much you agree that the villain doesn't have to be morally ambiguous. In this case, the narrative is, but the Joker, himself, is not.

Here's another. Gustavo Fring from Breaking Bad is not a morally ambigous villain either. His whole operation is motivated by greed and vengeance. Instead, Walter White, the protagonist, is the morally ambiguous one.

Edit: That being said, moral ambiguity really shouldn't be a requirement at all. It's too restricting. There are plenty of themes and ideas that can be presented in a story that don't question your morals. Sometimes villains just need to give the protagonist a challenge to overcome. The themes and ideas presented in the story will then revolve around overcoming said challenge.

Modifié par Zatche, 14 décembre 2013 - 02:37 .


#143
Jorji Costava

Jorji Costava
  • Members
  • 2 584 messages
I think that when we talk about "humanizing" the villains, there are two issues here that ought to be kept separate: That of making villains morally ambiguous rather than moustache twirlers, and that of giving the villains agency. For me, it's the second that's more important. When you have a character that gets possessed, goes nuts and starts killing stuff left and right, that character loses his or her agency, because now there's a sense in which the character is not really acting as his or her 'real self.'

That's fine if you're trying to make some thematic statement about addiction or the corrupting influence of power, but I don't think that's necessarily how the device of possession/insanity has generally played out. More often, it seems to be a vehicle whereby a character can be transformed into an enemy suitable for killing in combat no matter what you've done or who you've aligned yourself with previously. I just don't think that's the most interesting thing you can do with a character.

#144
Maria Caliban

Maria Caliban
  • Members
  • 26 094 messages

XxDeonxX wrote...

MasterScribe wrote...

I disagree. I think it's unrealistic to humanize every antagonist. It should depend on the narrative.

Sometimes a traditional antagonist works really well, and is more appropriate.

Sometimes I don't care why he or she is antagonizing me.


Then you like inferior quality writing.


The Grapes of Wrath, 1984, and Oliver Twist are now 'inferior writing?'

Modifié par Maria Caliban, 14 décembre 2013 - 02:28 .


#145
Sigma Tauri

Sigma Tauri
  • Members
  • 2 675 messages

XxDeonxX wrote...

Is this what you think it should be like or are you saying this is what its actually like? If the latter then you'd be wrong, You can think the antagonists approach and conviction is wrong but thats an opinion not a fact.. I thought Connor looked like an idiot in AC3 trying to justify himself to The Templars for example.


Have yet to play AC3 to know your reference.

I'm not saying anything about the player's opinion of what the antagonist does. I'm actually thinking more along the lines of what your character is forced to say among dialogue options in the end. I think well-written should be replaced with "well-spoken" in a sense of persuasion options. Games practically enforce the idea that end game is vision of the world seen by the protagonist.

#146
Sidney

Sidney
  • Members
  • 5 032 messages

XxDeonxX wrote...

Dracula isn't always necessarily evil, see the new tv series and Castlevania Lords of Shadow for example


Notice I said as originally written, I'm not counting things like Wicked or Grendel or other reinterpreations that try and "tell the other side". As written by Stoker, Dracula is nothing but pure evil who does bad, bad things. As done by Max Shrek in Nosferatu he's just a nasty evil rat faced monster - and that flick is 1000000000x better than the stupid modern Dracula where he is a victim of lost love. Flat, plain old evil > tormeted Anne Rice-ian wannbe vampires.

I'm not saying you can't have sympathetic or even intellegent evil but to say that you need to have a symptahtic villan isn't true by a long shot. 

I think really what people want is complexity not sympathy. I don't know how sympathetic the Arishok is. I find him and the Qun's oppressive world view disgusting...but I find him compelling because he is clearly a thinking foe.

#147
Gotholhorakh

Gotholhorakh
  • Members
  • 1 480 messages

Sylvius the Mad wrote...

David7204 wrote...

My experience has been that people seriously tend to exaggerate the ambiguity of villains supposedly like this.

Gus Fring is not 'ambiguous.' Caesar's Legion is not 'ambiguous.'

That you don't see the ambiguity doesn't mean it isn't there.

I once argued (in an academic paper) that the protagonist of Star Wars was actually Darth Vader, and the antagonist was ignorance of the Force.  All Vader wanted to do was reunite him family and bring order to the galaxy.  That's laudable.

All but the flattest characters are ambiguous.


FFS Sylvius how can we always be so in sync about this stuff. It's a shame you are probably as I suspect a large hairy man like me, or we could RP our way into eternity in romantic bliss.

#148
Maria Caliban

Maria Caliban
  • Members
  • 26 094 messages
Anyone remember the villains of To Kill a Mocking Bird?

The first was a drunk who found out his daughter was seeing a black man, and so beat her and forced her to claim she'd been raped. The second was the prosecutor, who knew the man on trail was probably innocent, but pushed for the death penalty anyway. After he wins, he attacks and tries to kill a child.

#149
Fast Jimmy

Fast Jimmy
  • Members
  • 17 939 messages

Maria Caliban wrote...

Anyone remember the villains of To Kill a Mocking Bird?

The first was a drunk who found out his daughter was seeing a black man, and so beat her and forced her to claim she'd been raped. The second was the prosecutor, who knew the man on trail was probably innocent, but pushed for the death penalty anyway. After he wins, he attacks and tries to kill a child.


Someone driven by racial and social stigma (the father) and someone driven to succeed to win (the lawyer).While not anatgonists that we can strongly sympathize with, these motives are much more relatable than "indoctrniated by a race of Chtullu aliens" or "mind controlled by evil lyrium voodoo doll."

Just saying... real life monsters are, at least, humans that represent our worst traits. Mind control by anceint evils or someone seeking "power, ultimate power through magical means which will let me rule as god over the world" is often so detached a concept to relate to, in terms of character development, that it may as well just be a cartoon villain.

#150
TEWR

TEWR
  • Members
  • 16 987 messages

leaguer of one wrote...

The Ethereal Writer Redux wrote...

Deep? You kidding me? FF has the depth of a dried-up puddle.


*says a person who has most likely not played FFXII*

YOU'RE KIDDING ME. ff12 plot wise and gameplay wise was a mess. You want FF with depth, look at ff6.

Image IPB