After finishing ME3 the first time, and while playing the trilogy, I started thinking about other well-known works that discuss the nature of artificial intelligence and what it means to be alive or have a soul. You know, Ghost in the Shell (the manga version was my favorite), Battlestar Galactica (2004), Blade Runner, and the thousands of other examples I am overlooking to save space.
So one that pops into my head is Star Trek: The Motion Picture. I've watched it a few times, and like it well enough, mostly because I'm a Jerry Goldsmith fan and his score for ST:TMP may be his best score. In fact, the movie works better if you treat it like one long music video.
Anyway, I started thinking about what ST:TMP and Mass Effect 3's endings have in common. In particular, I remembered the images from the final showdown with V'ger, what with Kirk, Spock, McCoy, Decker, and Robo-Ilya/V'ger Proxy standing in a brooding arena...
with Earth under threat of destruction from an all-powerful and highly misguided synthetic intelligence.
Then, of course, they push that controller heroically forward for several minutes and choose Synthesis. Decker even gets to show off his best impersonation of the Catalyst.
Followed by a big ole
After which, well, DeckerIlya McV'Ger goes off and meditates somewhere in perfect harmony. I guess (I didn't spend that long on Memory Alpha). Cue discussion on Meaning of Life among remaining cast.
So I guess that's where my comparison between ME3 and ST:TMP ends. TMP was never all that popular, certainly not like Wrath of Khan, and was probably too insignificant in the annals of fandom to influence a major video game series.

Oh.

Concept artist Steve Burg has a much better image that I don't want to post here for copyright reasons.





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