Seival wrote...
Jeremiah12LGeek wrote...
Like a lot of work by Verhoeven, and by Peter Weller, the original was camp with a conscience. It had a valid and well-executed point to what it was doing, but it was unafraid to revel in the camp sensibility of contemporary action films (by which I mean the 1980's.) The important thing to remember is that it stood up very well to most films of its type. It was funny, smart and well-made. Even the effects were good by the standards of the day.
I suppose it's possible that the new one could accomplish those things, and I may get around to watching it, for the sake of finding out, but I don't think it's very likely.
Well, re-makes not always have to be worse than originals. I'm sure you will enjoy watching Robocop (2014), if you are a fan of sci-fi dramas. The movie will not remind you original Robocop much. More likely it will remind you DE:HR and Ghost in the Shell.
The Robocop remake is a completely different story to the original. If I had to compare it to the original, I'd say it was worse, but I really like the original, so "worse" to me just means "it's less good" but still good. An entertaining B- or C+ maybe. I'll probably watch again in the theater.
The new movie has similar messages to the original, but like a lot of new movies, the slick special effects seem to get in the way sometimes of telling a good story. This story is not as strong as the original in terms of the general commentary on entertainment, capitalism, corporate America, or the potential degredation of where our society is heading - which the original was pretty much in-your-face. Don't expect the subversive, ridiculously violent caricature of the state of entertainment (vis-a-vis the state of movies in late 80s), the hilariously satirical news casts (Pretoria unveils neutron bomb), advertisements ("Big is back" 6000 SUX), or television personalities ("I'd buy that for a dollar!") in this new movie. Replacing these is the blatant message: how much are we willing to give up for security?
The new Robocop film is less focused on society, and more so on the human elements and characters. As such Murphy rather graphically comes face to face with what's left of himself much earlier. This time, his independence is curtailed substantially. Data feeds voyeuristically display his location, what he sees, and even his thoughts back to his handlers who monitor his every move. At one point Murphy is tricked into believing he is in control of the Robocop, when in fact a much more efficient computer program is. The idea that he has become a corporate product, and in some cases is not even aware of it, is much more prominent.
Oh, and I can't forget this difference - there is no one in the new Robocop even close to replacing the Kurtwood Smith's gleefully ultra violent and completely amoral Clarence Boddicker ("can you fly, Bobby?", "you can keep the gum"), or his eclectic band of miscreant thugs.

Of course, the new characters of Gary Oleman's good scientist who slowly compromises his ethics, and Sam Jackson's ridiculously partisan talkshow host, were welcome and entertaining additions.
Modifié par Obadiah, 15 février 2014 - 01:10 .