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What was the last film you watched?


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#101
TheChris92

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Eternal Sunshine of the Spotless Mind

 

One of the best romantic-dramas in the history of all cinema, with a very nice unique mixture of science fiction -- It's also incredibly heartwarming. I've watched it again for about the 15th time and I always love it. Basically, it's what one could expect from the crazy surreal minds of Charlie Kaufmann or something out of Spike Jonze. What I'll say about this movie is that in terms of how it's made, the editing, the cinematography and narrative structure -- It's just spot on. Nothing is out of context, but all of it is put together so as to challenge the viewer's attention as well as their emotions. It's as mind-boggling confusing as it is quite simple. It's a story about love, what else do you need to know? Plenty, I'll say. Much of the story, for instance, deals with memories being erased, and thus the film presents these memories in an un-chronological order,while Joel, and the viewer alike, explores them as they slowly disappear from the minds of our protagonists.

 

It's quite incredibly charming to see Jim Carrey as Joel & Kate Winslet as Clementine, losing their minds together. They center themselves so well that we end up really caring about their escapades and the outcome of this erased loving-relationship. Before the viewer even realizes it, they'll come to understand that what they've been watching from the beginning of the film is actually Joel's memories, which have seen disappeared or buried themselves away. As the film kicks off Joel is seized with an inexplicable compulsion to ditch work and take the train to Montauk, and on the train he meets Clementine. To anyone's knowledge, ours, as the viewer, and Joel, they've never seen each other before, but looking at the signs of affection Joel awkwardly presents towards her simply by looking at her back.. Gives the slightest sense of deja vu.¨

As the plot develops too and time is moving freely, dizzyingly, forward and backward in time, they will each experience fragmentary versions of relationships they had, might have had, or might be having. It's incredibly poignant, surreal and romantic. Despite the less than encouraging scenes of frustrations the film presents their relationship, and how very different they are (one is shy and compulsive, the other is extroverted and wild) they still make for excellent chemistry. They complete each other as they both desire companionship and love from each other. It's love that spans the boundaries of science and heck.. even reality. '

 

This what makes this film work so well alongside the incredible performances from Winslet & Carrey -- Winslet playing a completely different kind of character than what she's done before. It almost felt like a transformation, or Jim Carrey who truly let out what he's really capable of as an actor and allowed us to explore a different side to the actor in the role of Joel. There were even moments in the film, where I could tell "Yep, it's still Jim Carrey" but the best thing. It works so well for this film. Eternal Sunshine of the Spotless Mind is a journey within the human mind, and like Jonze's Her, it explores the basic desires of companionship, but also the things we can never replace. At the end of the day, our memories are all we really have, and when they're gone, we're gone. 


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#102
CrazyRah

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The Hunger Games: Catching Fire



#103
Jorji Costava

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Last movies I saw were the original Star Wars trilogy; I had never seen the "new stuff" from the special editions before, and those are pretty much the only versions you could get for a reasonable price, so I saw them essentially for the first time this past week. Honestly, I don't think that a single shred of the content not in the theatrical versions added anything at all. From cluttering up the frame with CGI creatures in Mos Eisley, to the conversation with Jabba (simply giving us information we already knew) to all the additional references to the prequels (didn't need to be reminded that they existed), not one bit of it improved any of the films at all. It's still the original Star Wars trilogy, but in spite of the new stuff rather than because of it.



#104
Khayness

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Eternal Sunshine of the Spotless Mind

 

One of the best romantic-dramas in the history of all cinema, with a very nice unique mixture of science fiction -- It's also incredibly heartwarming. I've watched it again for about the 15th time and I always love it. Basically, it's what one could expect from the crazy surreal minds of Charlie Kaufmann or something out of Spike Jonze. What I'll say about this movie is that in terms of how it's made, the editing, the cinematography and narrative structure -- It's just spot on.

 

Check out Mr. Nobody with Jared Leto (if you haven't already), same can be said of that movie.



#105
Orian Tabris

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One Piece Film Z

 

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#106
Laamaa

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#107
ruggly

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#108
Halfdan The Menace

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#109
Blastback

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The Lego Movie.  Quite possibly the most crazy awesome thing I have ever seen.  My friends and I left the theater just blown away by how ridicoulously awesome it was.  Batman was exactly what a parody of Batman should be.  Bad-cop's fixation with kicking chairs was great.  The double decker couch.  "Are you a DJ?"  "SPACESHIP!"

 

Still blown away.



#110
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The Pianist 

 

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#111
Laamaa

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Don't ask



#112
Jordan

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The homeboy Billy Boyd representin yo



#113
TheChris92

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Requiem for a Dream
 
An incredibly nauseating and harsh psychological downer, revolving around 4 people's struggle with their own addictions, spiraling out of control. It deals with contemporary themes of youth, like the media, drugs & sex. It reflects upon alienation and self-ownership. The film utilizes drugs as a narrative device/subject matter, to explore the inner psyche of these characters -- All of our main characters are affected by the problematic implications of "drugs", and Aronofsky grabs hold of the audience, ass to head, and throws us through this escapade of brutality, beauty & sadness.
It raises questions of what exactly defines a 'drug' to us? If we asks ourselves, we'll find that 'addictions' is something you'll find everywhere, from quitting cigarettes to wanting to lose weight. The film draws itself out from a larger perspective than drugs -- The aftermath of addiction and modernity. The condemnation of society is clear: the individual is alone, without reference, unable to discern right from wrong. The world we live, as stated by Aronofsky, is Dionysian and alienating. These addictions all come with a price, which isn't something one is willing to pay, or strong enough to decline.
 
We follow Harry(played by Jared Leto), his friend Ty(Marlon Wayans), girlfriend Marion (Jennifer Connelly) & mother Sarah (Ellen Burstyn), as their individual addiction slowly takes effect and ruins their chances for a real life, second by second. Harry's idea of hustling heroin as a way of life & business practice pulls him into an addiction to the drug which eats him up. Ty remembers the days of a better time where his mother would shield him, and now his substance abuse has led to a life of crime -- Marion becomes addicted along with Harry and finds herself slowly graduating to prostitution, as our very own Keith David grabs hold of her reigns. Mother Sara is dependent upon the TV, the only escape from her deteriorating age and longing for youth. Her days are punctuated by viewing diet shows. It goes well with a doctor, who prescribed the addictive appetite suppressants (amphetamines). But as she takes them, her sense of reality is destroyed completely.
The film is packed with symbolic undertones, like the repetitive shots of what can only be assumed to be Harry's pupil as it enlarges itself from the injections of heroin. The eye, from a symbolic viewpoint, is considered the mirror of the soul. Looking carefully into the tiny reflection of the iris, there is a blue sky with clouds, it evokes a dreamlike plane, which means it symbolizes the characters opening a doorway into a new place of escape. Beyond a dream. The contrast between the black pupil dilated, a sign of altered perception, and the blue sky as a reflection, evokes the spirit of confusion between dream and reality, between perception of reality and simulacra (similarity). The characters are all experiencing reality by the intervention of a substance or object, whether it be heroin or television. Their world view is distorted.
 
Requiem is heralded as one of the generations best films, and the praise is certainly warranted. A startling slide of isolation & loneliness in a cruel world - Visually and aesthetically, Aronofsky materializes urgency of need, the obsession with consumption. Requiem is a beautiful film, juxtaposing its rather tragic characters.


#114
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Short Circuit - Someone mentioned the movie in First thing that comes to mind V2 thread and I just had to see it again.

 

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#115
Rancidbiscuit

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Monsters University, not as good as its predecessor but still enjoyable.

 

@Chris92, Requiem For a Dream great movie but a pretty disturbing watch also. Some of those scenes would stay with you for a long time.



#116
Raizo

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In the cinema: Captain America: Winter Soldier - brilliant movie.

 

On dvd: The Counselor - 2 hours of my life I wish I could get back, awful film, avoid it like the plague.



#117
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#118
RobRam10

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In the cinema: Captain America: Winter Soldier - brilliant movie.



#119
NekkidNones

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I think it's a pretty good movie.


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#120
Lorien19

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#121
This is the End My Friend

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Mad Max 2: The Road Warrior



#122
Laamaa

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Carrie. Seriously overrated. More comdedy than horror imo



#123
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#124
geth47

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Batman from 1966 blu-ray version. Really funny.



#125
TheRealJayDee

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In the cinema: 'Captain America: The Winter Soldier' - pretty damn good!

 

At home: 'Toy Story 3' (finally) - really amazing!


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