
I liked it but didn't love it. Everything filmed by Michael Mann is going to look amazing, and Thief is no exception. The score (by Tangerine Dream) is quite good as well, although it might be too overtly 80s for the tastes of some audiences. The question with Mann's movies is always going to be the storytelling. Here, it's serviceable but not great. James Caan plays a thief named Frank working on his last big score (of course!) so he can go the straight and narrow with his new wife (Tuesday Weld).
Like with all Mann films, what we get first and foremost is a sense of the professionalism and expertise of these characters; Mann always loves to portray men at work being good at what they do, and the push-pull relationships that these men have with their occupations. This all works, but some of the human relationships don't work as well; after an early, lengthy conversation in a coffee shop, Weld is given very little to do. We don't get much of a sketch of Frank's partners in thievery, and the crime boss Leo never truly convinces as a menacing villain. Still, it has enough going for it in terms of cinematography and overall style for me to give it a relatively soft recommend.





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