I have been here since the switchover, Bioware has captured by interest and i enjoy their forums well enough to remain, i suppose.
Well, Well some one with knowledge? Understanding of the subject? School or self taught i wonder, anyway that doesn't matter. I could spend a fair amount of time on this subject myself but i won't given that while this would technically be on topic it isn't the place for a debate based around theater themes.
See that's the thing, i don't apply deep philosophical effect to his action, i could mind you given that if anything he wouldn't fit the figure of Greek Tragedy but rather Shakespearean Tragedy given that his "delusion" stems from himself, and not conscious desire such as the case was with many Greek figures. You see common elements shared by many playwrits but ultimately i'd argue that only in the barest sense would he be applied to the Greek version given he isn't apply conscious effort. You are making the argument that he fits Platonic themes of Justice and self actualization?
Now I'd argue since his need to kill is base, as instinct it would indeed qualify as a Primal and not a conscious decision, But that's the very issue i take with those who defend him, its in essence the same as defending a Shark or Virus, conscious ill intent or no, its an engine of destruction. Leopards don't change their spots, whatever old trite and tired allegory you want to use.
Well it's lovely to debate again, I rather enjoyed the last discussion we had about Evangeline (even if we 'just' came to a Modus Vivendi on it).
I study philosophy at university, but my studies are primarily centred around literature and creative writing. Merging Greek influences (and other periods as well, of course, I rather enjoy Norse religious symbolism, on occasion) into my writing is a favorite tool of mine. But that's not particularly important. Thank you for the almost compliment though.
That's debatable, I think. One cannot really 'mot apply deep philosophical effect' if we're thinking of them in this particular context, we are trying to look closely. but that's my opinion. One can, however, fit both Greek and Shakespearean elements, given that the latter was heavily influenced by the former, so it's a bit more than poets and philosophers sharing 'common elements' save for the elements key to the human condition. Not applying conscious efforts would fit in with Greek theories though, from either Plato or Aristotle, Cole would be subhuman for having base and vegetative behaviors, as viewed in aspects of their concepts of the soul. "Delusion" in a Shakespearean sense could be compared to denying Truth and What Is; willingly returning to the cave, if you want a metaphor.
No, I am not implying that he fits Platonic themes of Justice, I meant that you could examine his actions in comparison to Platonic theories. I think his friendship with Rhys would be interesting in an Aristotelian context though, given the... different nature of it.
His need to kill seems to stem out of the fact that it makes him feel 'more real' rather than blood lust itself (though you could say that he needs to kill to 'feel alive' but I think that's a bit different than what his intentions really are). Cole does change. A lot. He's been a human, a spirit, potentially an abomination - it's not super certain just what he is other than some sort of Fade denizen.
But yes, if we're to talk about it in a 'changing your spots' context, he kind of does, given that his reasons for killing change - particularly in that he chooses not to kill Pharamond, even when he would rather die than be Tranquil and it could satisfy Cole's need for 'being real.' Whether or not he could have redemption, well, that's another matter entirely.




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