Ah yeah, I'm sure she does but I've only played it twice and it was awhile ago 
Okay I think I get it. Courtesans, really?! Poor Leliana. I assume she left the bards if she romanced the Warden... oh, but the Warden is missing. That's awful.
I'm only like three chapters into the book and I'm already sick of this silly Game. It's like, I get it, I get it, it's your typical fantasy political intrigue. Do you have to mention it every third paragraph? I've only read about 100 other fantasy books that have this same idea. (And to be honest, political intrigue is my favorite kind of fantasy novel, so it's not a big deal.) I just feel like he repeats stuff a lot. And jumps too quickly from scene to scene. Now we are in some city where there are a bunch of elves and there are all these names aghghgh. Also I want to crush on Ser Michel but I remember someone speculating way back when that he might be Dorian, and now I can't get creepy mustache guy out of my head. Sigh.
I'm running on two hours of sleep so a lot of this probably doesn't make sense. Finals week! Gotta love it.
How much she embraces her past as a bard or not is supposed to depend on wether or not she's hardened in DAO. But ultimately it doesn't matter, I guess? Regardless of actions in DAO, she will always end up becoming an über-bard for the Divine (perhaps without the courtesan aspect, which not all bards do, I presume. They tend to have specialities from how it sounds).
And yeah... The Game. Meh. So overdone in Fantasy, IMO, to the point where it has to be handled with great skill, subtlety and finesse by the writer in order for it to hold my interest. Honestly, the first half of the book was kind of plodding to me, outside of parts with Fel, and only because I just liked his character. It got better - in terms of interest and pacing - in the second half of the book.
Also, I really have no problem obliterating the Orlesian nobility and their Game in DAI

just sayin.